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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90C43A it is the complementary color #6F3BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90C43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90C43A shade: #95C435, #A6D648, #B7E85B, #C8FA6E and #D9FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90C43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90C43A shade: #90C43A, #7FB227, #6EA014, #5D8E01 and #4C7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90C43A shade: #90C43A, #B5C43A, #C4AD3A, #C4883A and #C4633A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90C43A shade: #90C43A, #6BC43A, #46C43A, #3AC454 and #3AC479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90C43A shade matches the following richer shades: #90C43A, #95D826 and #9AED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90C43A shade: #90C43A, #8BAF4F, #869B63, #818678 and #7C718D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90C43A shade: #C4AD3A, #B6C43A, #91C43A, #6DC43A and #48C43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90C43A shade: #618427, #79A431, #90C43A, #A2CD5A and #B4D77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90C43A shade: #90C43A, #3AC488 and #BF3AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90C43A shade: #90C43A, #3A91C4 and #C43A91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90C43A shade: #90C43A, #3AC488, #6D3AC4 and #C43A76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90C43A shade: #90C43A, #3AC4B1, #6D3AC4 and #C43A4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

Complementary color

CMYK 44 / 70 / 0 / 23

HEX #6F3BC5

RGB 111 59 197

HSL 262.61, 0.54%, 0.5%

LAB 38.79, 52, -63.74

 

CMYK 24 / 0 / 73 / 23

HEX #95C435

RGB 149 196 53

HSL 79.72, 0.57%, 0.49%

LAB 73.63, -35.7, 62.69

 

CMYK 22 / 0 / 66 / 16

HEX #A6D648

RGB 166 214 72

HSL 80.28, 0.63%, 0.56%

LAB 79.99, -36.15, 62.42

 

CMYK 21 / 0 / 61 / 9

HEX #B7E85B

RGB 183 232 91

HSL 80.85, 0.75%, 0.63%

LAB 86.27, -36.47, 61.75

 

CMYK 20 / 0 / 56 / 2

HEX #C8FA6E

RGB 200 250 110

HSL 81.43, 0.93%, 0.71%

LAB 92.48, -36.71, 60.87

 

CMYK 15 / 0 / 49 / 0

HEX #D9FF81

RGB 217 255 129

HSL 78.1, 1%, 0.75%

LAB 95.1, -30.95, 55.7

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 29 / 0 / 78 / 30

HEX #7FB227

RGB 127 178 39

HSL 82.01, 0.64%, 0.43%

LAB 66.9, -36.8, 60.42

 

CMYK 31 / 0 / 88 / 37

HEX #6EA014

RGB 110 160 20

HSL 81.43, 0.78%, 0.35%

LAB 60.34, -36.06, 59.27

 

CMYK 35 / 0 / 99 / 44

HEX #5D8E01

RGB 93 142 1

HSL 80.85, 0.99%, 0.28%

LAB 53.68, -35.08, 56.76

 

CMYK 39 / 0 / 100 / 51

HEX #4C7C00

RGB 76 124 0

HSL 83.23, 1%, 0.24%

LAB 46.91, -33.66, 51.31

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 8 / 0 / 70 / 23

HEX #B5C43A

RGB 181 196 58

HSL 66.52, 0.54%, 0.5%

LAB 75.83, -22.5, 63.8

 

CMYK 0 / 12 / 70 / 23

HEX #C4AD3A

RGB 196 173 58

HSL 50, 0.54%, 0.5%

LAB 70.82, -4.37, 59.25

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 45 / 0 / 70 / 23

HEX #6BC43A

RGB 107 196 58

HSL 98.7, 0.54%, 0.5%

LAB 71.49, -50.21, 58.03

 

CMYK 64 / 0 / 70 / 23

HEX #46C43A

RGB 70 196 58

HSL 114.78, 0.54%, 0.5%

LAB 70.24, -60, 56.33

 

CMYK 70 / 0 / 57 / 23

HEX #3AC454

RGB 58 196 84

HSL 131.3, 0.54%, 0.5%

LAB 70.19, -59.55, 45.11

 

CMYK 70 / 0 / 38 / 23

HEX #3AC479

RGB 58 196 121

HSL 147.39, 0.54%, 0.5%

LAB 70.71, -53.64, 27.29

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 31 / 0 / 82 / 15

HEX #95D826

RGB 149 216 38

HSL 82.58, 0.7%, 0.5%

LAB 79.41, -45.18, 72.47

 

CMYK 35 / 0 / 93 / 7

HEX #9AED11

RGB 154 237 17

HSL 82.64, 0.87%, 0.5%

LAB 85.75, -52.61, 81.57

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 21 / 0 / 55 / 31

HEX #8BAF4F

RGB 139 175 79

HSL 82.5, 0.38%, 0.5%

LAB 67.06, -27.77, 44.63

 

CMYK 14 / 0 / 36 / 39

HEX #869B63

RGB 134 155 99

HSL 82.5, 0.22%, 0.5%

LAB 61.14, -17.34, 26.97

 

CMYK 4 / 0 / 10 / 47

HEX #818678

RGB 129 134 120

HSL 81.43, 0.06%, 0.5%

LAB 55.15, -4.55, 6.9

 

CMYK 12 / 20 / 0 / 45

HEX #7C718D

RGB 124 113 141

HSL 263.57, 0.11%, 0.5%

LAB 49.52, 10.07, -13.73

 

CMYK 0 / 12 / 70 / 23

HEX #C4AD3A

RGB 196 173 58

HSL 50, 0.54%, 0.5%

LAB 70.82, -4.37, 59.25

 

CMYK 7 / 0 / 70 / 23

HEX #B6C43A

RGB 182 196 58

HSL 66.09, 0.54%, 0.5%

LAB 75.9, -22.08, 63.9

 

CMYK 26 / 0 / 70 / 23

HEX #91C43A

RGB 145 196 58

HSL 82.17, 0.54%, 0.5%

LAB 73.42, -36.94, 60.61

 

CMYK 44 / 0 / 70 / 23

HEX #6DC43A

RGB 109 196 58

HSL 97.83, 0.54%, 0.5%

LAB 71.58, -49.59, 58.14

 

CMYK 63 / 0 / 70 / 23

HEX #48C43A

RGB 72 196 58

HSL 113.91, 0.54%, 0.5%

LAB 70.29, -59.57, 56.41

 

CMYK 27 / 0 / 70 / 48

HEX #618427

RGB 97 132 39

HSL 82.58, 0.54%, 0.34%

LAB 50.91, -27.22, 44.18

 

CMYK 26 / 0 / 70 / 36

HEX #79A431

RGB 121 164 49

HSL 82.43, 0.54%, 0.42%

LAB 62.37, -32.14, 52.37

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 21 / 0 / 56 / 20

HEX #A2CD5A

RGB 162 205 90

HSL 82.43, 0.53%, 0.58%

LAB 77.33, -32.09, 51.78

 

CMYK 16 / 0 / 43 / 16

HEX #B4D77A

RGB 180 215 122

HSL 82.58, 0.54%, 0.66%

LAB 81.68, -26.67, 42.02

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 70 / 0 / 31 / 23

HEX #3AC488

RGB 58 196 136

HSL 153.91, 0.54%, 0.5%

LAB 70.98, -50.63, 19.73

 

CMYK 3 / 70 / 0 / 23

HEX #BF3AC4

RGB 191 58 196

HSL 297.83, 0.54%, 0.5%

LAB 49.6, 68.52, -45.18

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 70 / 26 / 0 / 23

HEX #3A91C4

RGB 58 145 196

HSL 202.17, 0.54%, 0.5%

LAB 57.21, -9.33, -33.95

 

CMYK 0 / 70 / 26 / 23

HEX #C43A91

RGB 196 58 145

HSL 322.17, 0.54%, 0.5%

LAB 48.01, 62.18, -17.54

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 70 / 0 / 31 / 23

HEX #3AC488

RGB 58 196 136

HSL 153.91, 0.54%, 0.5%

LAB 70.98, -50.63, 19.73

 

CMYK 44 / 70 / 0 / 23

HEX #6D3AC4

RGB 109 58 196

HSL 262.17, 0.54%, 0.5%

LAB 38.31, 51.88, -63.95

 

CMYK 0 / 70 / 40 / 23

HEX #C43A76

RGB 196 58 118

HSL 333.91, 0.54%, 0.5%

LAB 47.07, 59.06, -2.61

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 70 / 0 / 10 / 23

HEX #3AC4B1

RGB 58 196 177

HSL 171.74, 0.54%, 0.5%

LAB 71.93, -40.78, -1.09

 

CMYK 44 / 70 / 0 / 23

HEX #6D3AC4

RGB 109 58 196

HSL 262.17, 0.54%, 0.5%

LAB 38.31, 51.88, -63.95

 

CMYK 0 / 70 / 61 / 23

HEX #C43A4D

RGB 196 58 77

HSL 351.74, 0.54%, 0.5%

LAB 46.04, 55.57, 21.07

 

Description

Color code: HEX #90C43A | qconv.com Color code: HEX #90C43A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 196 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 196 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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