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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90C6D4 it is the complementary color #6F392B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90C6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90C6D4 shade: #95C6CF, #A6D8E2, #B7EAF5, #C8FCFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90C6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90C6D4 shade: #90C6D4, #7FB4C1, #6EA2AE, #5D909B and #4C7E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90C6D4 shade: #90C6D4, #90B4D4, #90A1D4, #9190D4 and #A390D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90C6D4 shade: #90C6D4, #90B4D4, #90A1D4 and #9090D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90C6D4 shade matches the following richer shades: #90C6D4, #84CDE0, #78D4EC and #6BDCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90C6D4 shade: #90C6D4, #9DBFC7, #A9B7BB, #B5B0AF and #C2A9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90C6D4 shade: #90D4BD, #90D4CF, #90C6D4, #90B4D4 and #90A2D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90C6D4 shade: #55A7BD, #73B7C8, #90C6D4, #AED5DF and #CCE4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90C6D4 shade: #90C6D4, #AB90D4 and #D4C690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90C6D4 shade: #90C6D4, #D490C6 and #C6D490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90C6D4 shade: #90C6D4, #AB90D4, #D49E90 and #B9D490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90C6D4 shade: #90C6D4, #BF90D4, #D49E90 and #A5D490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

Complementary color

CMYK 0 / 49 / 61 / 56

HEX #6F392B

RGB 111 57 43

HSL 12.35, 0.44%, 0.3%

LAB 30.59, 22.37, 19.32

 

CMYK 28 / 4 / 0 / 19

HEX #95C6CF

RGB 149 198 207

HSL 189.31, 0.38%, 0.7%

LAB 76.85, -13.86, -9.7

 

CMYK 27 / 4 / 0 / 11

HEX #A6D8E2

RGB 166 216 226

HSL 190, 0.51%, 0.77%

LAB 83.29, -13.83, -10.19

 

CMYK 25 / 4 / 0 / 4

HEX #B7EAF5

RGB 183 234 245

HSL 190.65, 0.76%, 0.84%

LAB 89.63, -13.81, -10.66

 

CMYK 22 / 1 / 0 / 0

HEX #C8FCFF

RGB 200 252 255

HSL 183.27, 1%, 0.89%

LAB 95.63, -15.7, -6.85

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 34 / 7 / 0 / 24

HEX #7FB4C1

RGB 127 180 193

HSL 191.82, 0.35%, 0.63%

LAB 70.18, -14.11, -12.17

 

CMYK 37 / 7 / 0 / 32

HEX #6EA2AE

RGB 110 162 174

HSL 191.25, 0.28%, 0.56%

LAB 63.52, -14.1, -11.7

 

CMYK 40 / 7 / 0 / 39

HEX #5D909B

RGB 93 144 155

HSL 190.65, 0.25%, 0.49%

LAB 56.72, -14.08, -11.21

 

CMYK 44 / 7 / 0 / 47

HEX #4C7E88

RGB 76 126 136

HSL 190, 0.28%, 0.42%

LAB 49.78, -14.03, -10.71

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 32 / 15 / 0 / 17

HEX #90B4D4

RGB 144 180 212

HSL 208.24, 0.44%, 0.7%

LAB 71.78, -4.57, -20.08

 

CMYK 32 / 24 / 0 / 17

HEX #90A1D4

RGB 144 161 212

HSL 225, 0.44%, 0.7%

LAB 66.65, 5.94, -27.92

 

CMYK 32 / 32 / 0 / 17

HEX #9190D4

RGB 145 144 212

HSL 240.88, 0.44%, 0.7%

LAB 62.27, 15.93, -34.7

 

CMYK 23 / 32 / 0 / 17

HEX #A390D4

RGB 163 144 212

HSL 256.76, 0.44%, 0.7%

LAB 63.74, 21.24, -32.29

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 32 / 15 / 0 / 17

HEX #90B4D4

RGB 144 180 212

HSL 208.24, 0.44%, 0.7%

LAB 71.78, -4.57, -20.08

 

CMYK 32 / 24 / 0 / 17

HEX #90A1D4

RGB 144 161 212

HSL 225, 0.44%, 0.7%

LAB 66.65, 5.94, -27.92

 

CMYK 32 / 32 / 0 / 17

HEX #9090D4

RGB 144 144 212

HSL 240, 0.44%, 0.7%

LAB 62.19, 15.65, -34.82

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 41 / 8 / 0 / 12

HEX #84CDE0

RGB 132 205 224

HSL 192.39, 0.6%, 0.7%

LAB 78.43, -17.91, -16.58

 

CMYK 49 / 10 / 0 / 7

HEX #78D4EC

RGB 120 212 236

HSL 192.41, 0.75%, 0.7%

LAB 80.26, -21.12, -20.29

 

CMYK 57 / 12 / 0 / 2

HEX #6BDCF9

RGB 107 220 249

HSL 192.25, 0.92%, 0.7%

LAB 82.46, -24.15, -23.9

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 21 / 4 / 0 / 22

HEX #9DBFC7

RGB 157 191 199

HSL 191.43, 0.27%, 0.7%

LAB 75.17, -9.61, -7.81

 

CMYK 10 / 2 / 0 / 27

HEX #A9B7BB

RGB 169 183 187

HSL 193.33, 0.12%, 0.7%

LAB 73.47, -4.03, -3.7

 

CMYK 0 / 3 / 3 / 29

HEX #B5B0AF

RGB 181 176 175

HSL 10, 0.04%, 0.7%

LAB 72.21, 1.59, 1.13

 

CMYK 0 / 13 / 16 / 24

HEX #C2A9A2

RGB 194 169 162

HSL 13.13, 0.21%, 0.7%

LAB 71.18, 7.92, 6.94

 

CMYK 32 / 0 / 11 / 17

HEX #90D4BD

RGB 144 212 189

HSL 159.71, 0.44%, 0.7%

LAB 80.01, -26.35, 4.57

 

CMYK 32 / 0 / 2 / 17

HEX #90D4CF

RGB 144 212 207

HSL 175.59, 0.44%, 0.7%

LAB 80.47, -22.39, -4.37

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 32 / 15 / 0 / 17

HEX #90B4D4

RGB 144 180 212

HSL 208.24, 0.44%, 0.7%

LAB 71.78, -4.57, -20.08

 

CMYK 32 / 24 / 0 / 17

HEX #90A2D4

RGB 144 162 212

HSL 224.12, 0.44%, 0.7%

LAB 66.92, 5.38, -27.51

 

CMYK 55 / 12 / 0 / 26

HEX #55A7BD

RGB 85 167 189

HSL 192.69, 0.44%, 0.54%

LAB 64.36, -18.7, -18.93

 

CMYK 43 / 9 / 0 / 22

HEX #73B7C8

RGB 115 183 200

HSL 192, 0.44%, 0.62%

LAB 70.65, -17.07, -15.36

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 22 / 4 / 0 / 13

HEX #AED5DF

RGB 174 213 223

HSL 192.24, 0.43%, 0.78%

LAB 82.87, -10.59, -9.17

 

CMYK 13 / 3 / 0 / 8

HEX #CCE4EB

RGB 204 228 235

HSL 193.55, 0.44%, 0.86%

LAB 89.07, -6.51, -6.1

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 19 / 32 / 0 / 17

HEX #AB90D4

RGB 171 144 212

HSL 263.82, 0.44%, 0.7%

LAB 64.45, 23.67, -31.14

 

CMYK 0 / 7 / 32 / 17

HEX #D4C690

RGB 212 198 144

HSL 47.65, 0.44%, 0.7%

LAB 79.84, -3.17, 28.88

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 0 / 32 / 7 / 17

HEX #D490C6

RGB 212 144 198

HSL 312.35, 0.44%, 0.7%

LAB 68.04, 34.05, -17.49

 

CMYK 7 / 0 / 32 / 17

HEX #C6D490

RGB 198 212 144

HSL 72.35, 0.44%, 0.7%

LAB 82.44, -15.7, 32.13

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 19 / 32 / 0 / 17

HEX #AB90D4

RGB 171 144 212

HSL 263.82, 0.44%, 0.7%

LAB 64.45, 23.67, -31.14

 

CMYK 0 / 25 / 32 / 17

HEX #D49E90

RGB 212 158 144

HSL 12.35, 0.44%, 0.7%

LAB 69.8, 18.17, 15.16

 

CMYK 13 / 0 / 32 / 17

HEX #B9D490

RGB 185 212 144

HSL 83.82, 0.44%, 0.7%

LAB 81.52, -20.56, 30.75

 

CMYK 32 / 7 / 0 / 17

HEX #90C6D4

RGB 144 198 212

HSL 192.35, 0.44%, 0.7%

LAB 76.72, -14.11, -12.62

 

CMYK 10 / 32 / 0 / 17

HEX #BF90D4

RGB 191 144 212

HSL 281.47, 0.44%, 0.7%

LAB 66.35, 29.9, -28.05

 

CMYK 0 / 25 / 32 / 17

HEX #D49E90

RGB 212 158 144

HSL 12.35, 0.44%, 0.7%

LAB 69.8, 18.17, 15.16

 

CMYK 22 / 0 / 32 / 17

HEX #A5D490

RGB 165 212 144

HSL 101.47, 0.44%, 0.7%

LAB 80.24, -27.74, 28.81

 

Description

Color code: HEX #90C6D4 | qconv.com Color code: HEX #90C6D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 198 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 198 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 7 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 7% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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