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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90C2D1 it is the complementary color #6F3D2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90C2D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90C2D1 shade: #95C2CC, #A6D4DF, #B7E6F2, #C8F8FF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90C2D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90C2D1 shade: #90C2D1, #7FB0BE, #6E9EAB, #5D8C98 and #4C7A85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90C2D1 shade: #8FC1D0, #8FAFD0, #8F9ED0, #928FD0 and #A38FD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90C2D1 shade: #8FC1D0, #8FAFD0, #8F9ED0 and #8F8FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90C2D1 shade matches the following richer shades: #8FC1D0, #82C8DD, #75CFE9 and #69D6F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90C2D1 shade: #8FC1D0, #9CBAC3, #A9B3B6, #B5ACA9 and #C2A59D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90C2D1 shade: #8FD0BB, #8FD0CD, #8FC2D0, #8FB1D0 and #8F9FD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90C2D1 shade: #55A1B8, #72B1C4, #8FC1D0, #ACD1DC and #C9E1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90C2D1 shade: #90C2D1, #AA8FD0 and #D0C48F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90C2D1 shade: #90C2D1, #D08FC2 and #C2D08F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90C2D1 shade: #90C2D1, #AA8FD0, #D09D8F and #B5D08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90C2D1 shade: #90C2D1, #BD8FD0, #D09D8F and #A1D08F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

Complementary color

CMYK 0 / 45 / 59 / 56

HEX #6F3D2E

RGB 111 61 46

HSL 13.85, 0.41%, 0.31%

LAB 31.61, 20.27, 18.74

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CC

RGB 149 194 204

HSL 190.91, 0.35%, 0.69%

LAB 75.66, -12.48, -9.86

 

CMYK 26 / 5 / 0 / 13

HEX #A6D4DF

RGB 166 212 223

HSL 191.58, 0.47%, 0.76%

LAB 82.12, -12.46, -10.33

 

CMYK 24 / 5 / 0 / 5

HEX #B7E6F2

RGB 183 230 242

HSL 192.2, 0.69%, 0.83%

LAB 88.48, -12.45, -10.8

 

CMYK 22 / 3 / 0 / 0

HEX #C8F8FF

RGB 200 248 255

HSL 187.64, 1%, 0.89%

LAB 94.58, -13.72, -8.4

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

CMYK 33 / 7 / 0 / 25

HEX #7FB0BE

RGB 127 176 190

HSL 193.33, 0.33%, 0.62%

LAB 68.95, -12.74, -12.35

 

CMYK 36 / 8 / 0 / 33

HEX #6E9EAB

RGB 110 158 171

HSL 192.79, 0.27%, 0.55%

LAB 62.26, -12.72, -11.9

 

CMYK 39 / 8 / 0 / 40

HEX #5D8C98

RGB 93 140 152

HSL 192.2, 0.24%, 0.48%

LAB 55.43, -12.7, -11.43

 

CMYK 43 / 8 / 0 / 48

HEX #4C7A85

RGB 76 122 133

HSL 191.58, 0.27%, 0.41%

LAB 48.45, -12.64, -10.95

 

CMYK 31 / 7 / 0 / 18

HEX #8FC1D0

RGB 143 193 208

HSL 193.85, 0.41%, 0.69%

LAB 75.16, -12.75, -12.8

 

CMYK 31 / 16 / 0 / 18

HEX #8FAFD0

RGB 143 175 208

HSL 210.46, 0.41%, 0.69%

LAB 70.21, -3.13, -20.27

 

CMYK 31 / 24 / 0 / 18

HEX #8F9ED0

RGB 143 158 208

HSL 226.15, 0.41%, 0.69%

LAB 65.63, 6.32, -27.28

 

CMYK 30 / 31 / 0 / 18

HEX #928FD0

RGB 146 143 208

HSL 242.77, 0.41%, 0.69%

LAB 61.92, 15.78, -33

 

CMYK 22 / 31 / 0 / 18

HEX #A38FD0

RGB 163 143 208

HSL 258.46, 0.41%, 0.69%

LAB 63.33, 20.86, -30.7

 

CMYK 31 / 7 / 0 / 18

HEX #8FC1D0

RGB 143 193 208

HSL 193.85, 0.41%, 0.69%

LAB 75.16, -12.75, -12.8

 

CMYK 31 / 16 / 0 / 18

HEX #8FAFD0

RGB 143 175 208

HSL 210.46, 0.41%, 0.69%

LAB 70.21, -3.13, -20.27

 

CMYK 31 / 24 / 0 / 18

HEX #8F9ED0

RGB 143 158 208

HSL 226.15, 0.41%, 0.69%

LAB 65.63, 6.32, -27.28

 

CMYK 31 / 31 / 0 / 18

HEX #8F8FD0

RGB 143 143 208

HSL 240, 0.41%, 0.69%

LAB 61.69, 14.9, -33.38

 

CMYK 31 / 7 / 0 / 18

HEX #8FC1D0

RGB 143 193 208

HSL 193.85, 0.41%, 0.69%

LAB 75.16, -12.75, -12.8

 

CMYK 41 / 10 / 0 / 13

HEX #82C8DD

RGB 130 200 221

HSL 193.85, 0.57%, 0.69%

LAB 76.85, -16.62, -17.37

 

CMYK 50 / 11 / 0 / 9

HEX #75CFE9

RGB 117 207 233

HSL 193.45, 0.73%, 0.69%

LAB 78.63, -20.06, -21.17

 

CMYK 57 / 13 / 0 / 4

HEX #69D6F6

RGB 105 214 246

HSL 193.62, 0.89%, 0.69%

LAB 80.6, -22.38, -25.15

 

CMYK 31 / 7 / 0 / 18

HEX #8FC1D0

RGB 143 193 208

HSL 193.85, 0.41%, 0.69%

LAB 75.16, -12.75, -12.8

 

CMYK 20 / 5 / 0 / 24

HEX #9CBAC3

RGB 156 186 195

HSL 193.85, 0.25%, 0.69%

LAB 73.63, -8.17, -7.94

 

CMYK 7 / 2 / 0 / 29

HEX #A9B3B6

RGB 169 179 182

HSL 193.85, 0.08%, 0.69%

LAB 72.26, -2.88, -2.74

 

CMYK 0 / 5 / 7 / 29

HEX #B5ACA9

RGB 181 172 169

HSL 15, 0.08%, 0.69%

LAB 71, 2.68, 2.68

 

CMYK 0 / 15 / 19 / 24

HEX #C2A59D

RGB 194 165 157

HSL 12.97, 0.23%, 0.69%

LAB 70.05, 9.31, 8.07

 

CMYK 31 / 0 / 10 / 18

HEX #8FD0BB

RGB 143 208 187

HSL 160.62, 0.41%, 0.69%

LAB 78.78, -25.11, 3.85

 

CMYK 31 / 0 / 1 / 18

HEX #8FD0CD

RGB 143 208 205

HSL 177.23, 0.41%, 0.69%

LAB 79.25, -21.13, -5.11

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 31 / 15 / 0 / 18

HEX #8FB1D0

RGB 143 177 208

HSL 208.62, 0.41%, 0.69%

LAB 70.76, -4.22, -19.44

 

CMYK 31 / 24 / 0 / 18

HEX #8F9FD0

RGB 143 159 208

HSL 225.23, 0.41%, 0.69%

LAB 65.9, 5.76, -26.87

 

CMYK 54 / 13 / 0 / 28

HEX #55A1B8

RGB 85 161 184

HSL 193.94, 0.41%, 0.53%

LAB 62.41, -17, -19.1

 

CMYK 42 / 10 / 0 / 23

HEX #72B1C4

RGB 114 177 196

HSL 193.9, 0.41%, 0.61%

LAB 68.76, -15.24, -16.03

 

CMYK 31 / 7 / 0 / 18

HEX #8FC1D0

RGB 143 193 208

HSL 193.85, 0.41%, 0.69%

LAB 75.16, -12.75, -12.8

 

CMYK 22 / 5 / 0 / 14

HEX #ACD1DC

RGB 172 209 220

HSL 193.75, 0.41%, 0.77%

LAB 81.59, -9.78, -9.49

 

CMYK 13 / 3 / 0 / 9

HEX #C9E1E8

RGB 201 225 232

HSL 193.55, 0.4%, 0.85%

LAB 88.01, -6.52, -6.11

 

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

CMYK 18 / 31 / 0 / 18

HEX #AA8FD0

RGB 170 143 208

HSL 264.92, 0.41%, 0.69%

LAB 63.95, 23.02, -29.69

 

CMYK 0 / 6 / 31 / 18

HEX #D0C48F

RGB 208 196 143

HSL 48.92, 0.41%, 0.69%

LAB 78.97, -3.82, 28.18

 

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

CMYK 0 / 31 / 7 / 18

HEX #D08FC2

RGB 208 143 194

HSL 312.92, 0.41%, 0.69%

LAB 67.24, 32.55, -16.5

 

CMYK 7 / 0 / 31 / 18

HEX #C2D08F

RGB 194 208 143

HSL 72.92, 0.41%, 0.69%

LAB 81.05, -15.34, 30.76

 

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

CMYK 18 / 31 / 0 / 18

HEX #AA8FD0

RGB 170 143 208

HSL 264.92, 0.41%, 0.69%

LAB 63.95, 23.02, -29.69

 

CMYK 0 / 25 / 31 / 18

HEX #D09D8F

RGB 208 157 143

HSL 12.92, 0.41%, 0.69%

LAB 69.12, 17.03, 14.7

 

CMYK 13 / 0 / 31 / 18

HEX #B5D08F

RGB 181 208 143

HSL 84.92, 0.41%, 0.69%

LAB 80.13, -20.19, 29.38

 

CMYK 31 / 7 / 0 / 18

HEX #90C2D1

RGB 144 194 209

HSL 193.85, 0.41%, 0.69%

LAB 75.52, -12.75, -12.8

 

CMYK 9 / 31 / 0 / 18

HEX #BD8FD0

RGB 189 143 208

HSL 282.46, 0.41%, 0.69%

LAB 65.76, 29, -26.75

 

CMYK 0 / 25 / 31 / 18

HEX #D09D8F

RGB 208 157 143

HSL 12.92, 0.41%, 0.69%

LAB 69.12, 17.03, 14.7

 

CMYK 23 / 0 / 31 / 18

HEX #A1D08F

RGB 161 208 143

HSL 103.38, 0.41%, 0.69%

LAB 78.85, -27.37, 27.43

 

Description

Color code: HEX #90C2D1 | qconv.com Color code: HEX #90C2D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 194 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 194 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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