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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90CE1C it is the complementary color #6F31E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90CE1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90CE1C shade: #95CE17, #A6E02A, #B7F23D, #C8FF50 and #D9FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90CE1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90CE1C shade: #90CE1C, #7FBC09, #6EAA00, #5D9800 and #4C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90CE1C shade: #90CE1C, #C0CE1C, #CEAC1C, #CE7C1C and #CE4C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90CE1C shade: #90CE1C, #60CE1C, #30CE1C, #1CCE38 and #1CCE68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90CE1C shade matches the following richer shades: #90CE1C and #96E109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90CE1C shade: #90CE1C, #8ABB2F, #84A842, #7F9555 and #798268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90CE1C shade: #CEAA1C, #C2CE1C, #93CE1C, #63CE1C and #33CE1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90CE1C shade: #5D8512, #76AA17, #90CE1C, #A4E230 and #B4E755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90CE1C shade: #90CE1C, #1CCE7B and #C21CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90CE1C shade: #90CE1C, #1C93CE and #CE1C93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90CE1C shade: #90CE1C, #1CCE7B, #571CCE and #CE1C6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90CE1C shade: #90CE1C, #1CCEB0, #571CCE and #CE1C39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

Complementary color

CMYK 51 / 78 / 0 / 11

HEX #6F31E3

RGB 111 49 227

HSL 260.9, 0.76%, 0.54%

LAB 39.79, 64.29, -79.41

 

CMYK 28 / 0 / 89 / 19

HEX #95CE17

RGB 149 206 23

HSL 78.69, 0.8%, 0.45%

LAB 76.43, -41.33, 73.05

 

CMYK 26 / 0 / 81 / 12

HEX #A6E02A

RGB 166 224 42

HSL 79.12, 0.75%, 0.52%

LAB 82.69, -42.16, 74.75

 

CMYK 24 / 0 / 75 / 5

HEX #B7F23D

RGB 183 242 61

HSL 79.56, 0.87%, 0.59%

LAB 88.88, -42.8, 75.43

 

CMYK 22 / 0 / 69 / 0

HEX #C8FF50

RGB 200 255 80

HSL 78.86, 1%, 0.66%

LAB 93.61, -41.12, 74.07

 

CMYK 15 / 0 / 61 / 0

HEX #D9FF63

RGB 217 255 99

HSL 74.62, 1%, 0.69%

LAB 94.81, -33.47, 68.39

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 32 / 0 / 95 / 26

HEX #7FBC09

RGB 127 188 9

HSL 80.45, 0.91%, 0.39%

LAB 69.82, -42.12, 69.15

 

CMYK 35 / 0 / 100 / 33

HEX #6EAA00

RGB 110 170 0

HSL 81.18, 1%, 0.33%

LAB 63.4, -40.89, 64.83

 

CMYK 39 / 0 / 100 / 40

HEX #5D9800

RGB 93 152 0

HSL 83.29, 1%, 0.3%

LAB 56.86, -39.48, 59.4

 

CMYK 43 / 0 / 100 / 47

HEX #4C8600

RGB 76 134 0

HSL 85.97, 1%, 0.26%

LAB 50.2, -38.01, 53.86

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 7 / 0 / 86 / 19

HEX #C0CE1C

RGB 192 206 28

HSL 64.72, 0.76%, 0.46%

LAB 79.29, -23.89, 75.66

 

CMYK 0 / 17 / 86 / 19

HEX #CEAC1C

RGB 206 172 28

HSL 48.54, 0.76%, 0.46%

LAB 71.36, -0.56, 69.69

 

CMYK 0 / 40 / 86 / 19

HEX #CE7C1C

RGB 206 124 28

HSL 32.36, 0.76%, 0.46%

LAB 59.54, 25.34, 60.1

 

CMYK 0 / 63 / 86 / 19

HEX #CE4C1C

RGB 206 76 28

HSL 16.18, 0.76%, 0.46%

LAB 49.95, 49.42, 52.26

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 53 / 0 / 86 / 19

HEX #60CE1C

RGB 96 206 28

HSL 97.08, 0.76%, 0.46%

LAB 74.01, -58.85, 69.08

 

CMYK 77 / 0 / 86 / 19

HEX #30CE1C

RGB 48 206 28

HSL 113.26, 0.76%, 0.46%

LAB 72.8, -68.92, 67.56

 

CMYK 86 / 0 / 73 / 19

HEX #1CCE38

RGB 28 206 56

HSL 129.44, 0.76%, 0.46%

LAB 72.68, -69.46, 59.35

 

CMYK 86 / 0 / 50 / 19

HEX #1CCE68

RGB 28 206 104

HSL 145.62, 0.76%, 0.46%

LAB 73.15, -63.69, 39

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 33 / 0 / 96 / 12

HEX #96E109

RGB 150 225 9

HSL 80.83, 0.92%, 0.46%

LAB 82.03, -49.25, 79.32

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 26 / 0 / 75 / 27

HEX #8ABB2F

RGB 138 187 47

HSL 81, 0.6%, 0.46%

LAB 70.28, -36.2, 61.27

 

CMYK 21 / 0 / 61 / 34

HEX #84A842

RGB 132 168 66

HSL 81.18, 0.44%, 0.46%

LAB 64.41, -28.36, 47.53

 

CMYK 15 / 0 / 43 / 42

HEX #7F9555

RGB 127 149 85

HSL 80.63, 0.27%, 0.46%

LAB 58.66, -18.87, 31.2

 

CMYK 7 / 0 / 20 / 49

HEX #798268

RGB 121 130 104

HSL 80.77, 0.11%, 0.46%

LAB 52.98, -8.27, 12.98

 

CMYK 0 / 17 / 86 / 19

HEX #CEAA1C

RGB 206 170 28

HSL 47.87, 0.76%, 0.46%

LAB 70.84, 0.5, 69.27

 

CMYK 6 / 0 / 86 / 19

HEX #C2CE1C

RGB 194 206 28

HSL 64.04, 0.76%, 0.46%

LAB 79.44, -23.05, 75.84

 

CMYK 29 / 0 / 86 / 19

HEX #93CE1C

RGB 147 206 28

HSL 79.89, 0.76%, 0.46%

LAB 76.33, -41.96, 71.99

 

CMYK 52 / 0 / 86 / 19

HEX #63CE1C

RGB 99 206 28

HSL 96.07, 0.76%, 0.46%

LAB 74.11, -58.01, 69.22

 

CMYK 75 / 0 / 86 / 19

HEX #33CE1C

RGB 51 206 28

HSL 112.25, 0.76%, 0.46%

LAB 72.85, -68.49, 67.62

 

CMYK 30 / 0 / 86 / 48

HEX #5D8512

RGB 93 133 18

HSL 80.87, 0.76%, 0.3%

LAB 50.86, -30.49, 51.19

 

CMYK 31 / 0 / 86 / 33

HEX #76AA17

RGB 118 170 23

HSL 81.22, 0.76%, 0.38%

LAB 63.89, -37.34, 61.82

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 27 / 0 / 79 / 11

HEX #A4E230

RGB 164 226 48

HSL 80.9, 0.75%, 0.54%

LAB 83.18, -43.54, 73.56

 

CMYK 22 / 0 / 63 / 9

HEX #B4E755

RGB 180 231 85

HSL 80.96, 0.75%, 0.62%

LAB 85.76, -37.6, 63.61

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 86 / 0 / 40 / 19

HEX #1CCE7B

RGB 28 206 123

HSL 152.02, 0.76%, 0.46%

LAB 73.43, -60.37, 29.78

 

CMYK 6 / 86 / 0 / 19

HEX #C21CCE

RGB 194 28 206

HSL 295.96, 0.76%, 0.46%

LAB 47.95, 78.6, -53.57

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 86 / 29 / 0 / 19

HEX #1C93CE

RGB 28 147 206

HSL 199.89, 0.76%, 0.46%

LAB 57.63, -10.12, -38.97

 

CMYK 0 / 86 / 29 / 19

HEX #CE1C93

RGB 206 28 147

HSL 319.89, 0.76%, 0.46%

LAB 47.05, 72.9, -20.06

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 86 / 0 / 40 / 19

HEX #1CCE7B

RGB 28 206 123

HSL 152.02, 0.76%, 0.46%

LAB 73.43, -60.37, 29.78

 

CMYK 58 / 86 / 0 / 19

HEX #571CCE

RGB 87 28 206

HSL 259.89, 0.76%, 0.46%

LAB 32.51, 64, -79.4

 

CMYK 0 / 86 / 46 / 19

HEX #CE1C6F

RGB 206 28 111

HSL 332.02, 0.76%, 0.46%

LAB 45.77, 69.34, 0.01

 

CMYK 30 / 0 / 86 / 19

HEX #90CE1C

RGB 144 206 28

HSL 80.9, 0.76%, 0.46%

LAB 76.16, -43.08, 71.79

 

CMYK 86 / 0 / 15 / 19

HEX #1CCEB0

RGB 28 206 176

HSL 169.89, 0.76%, 0.46%

LAB 74.52, -48.3, 3.18

 

CMYK 58 / 86 / 0 / 19

HEX #571CCE

RGB 87 28 206

HSL 259.89, 0.76%, 0.46%

LAB 32.51, 64, -79.4

 

CMYK 0 / 86 / 72 / 19

HEX #CE1C39

RGB 206 28 57

HSL 350.22, 0.76%, 0.46%

LAB 44.59, 65.94, 31.81

 

Description

Color code: HEX #90CE1C | qconv.com Color code: HEX #90CE1C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 206 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 206 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 86 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 86% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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