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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90D85B it is the complementary color #6F27A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90D85B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90D85B shade: #95D856, #A6EA69, #B7FC7C, #C8FF8F and #D9FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90D85B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90D85B shade: #90D85B, #7FC648, #6EB435, #5DA222 and #4C900F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90D85B shade: #8FD859, #B1D859, #D3D859, #D8BA59 and #D89859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90D85B shade: #8FD859, #6DD859, #59D868, #59D88A and #59D8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90D85B shade matches the following richer shades: #8FD859, #8CE849 and #8AF938

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90D85B shade: #8FD859, #91C76A, #94B77A, #96A68B and #99969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90D85B shade: #D4D859, #B2D859, #90D859, #6ED859 and #59D866

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90D85B shade: #65B52A, #78D038, #8FD859, #A5E07B and #BCE79C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90D85B shade: #90D85B, #59D8BA and #D859C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90D85B shade: #90D85B, #5990D8 and #D85990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90D85B shade: #90D85B, #59D8BA, #A159D8 and #D85977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90D85B shade: #90D85B, #59CFD8, #A159D8 and #D86259

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

Complementary color

CMYK 32 / 76 / 0 / 36

HEX #6F27A4

RGB 111 39 164

HSL 274.56, 0.62%, 0.4%

LAB 32.94, 52.98, -53.7

 

CMYK 31 / 0 / 60 / 15

HEX #95D856

RGB 149 216 86

HSL 90.92, 0.63%, 0.59%

LAB 79.71, -42.19, 56.05

 

CMYK 29 / 0 / 55 / 8

HEX #A6EA69

RGB 166 234 105

HSL 91.63, 0.75%, 0.66%

LAB 85.99, -42.29, 55.09

 

CMYK 27 / 0 / 51 / 1

HEX #B7FC7C

RGB 183 252 124

HSL 92.34, 0.96%, 0.74%

LAB 92.2, -42.32, 54.02

 

CMYK 22 / 0 / 44 / 0

HEX #C8FF8F

RGB 200 255 143

HSL 89.46, 1%, 0.78%

LAB 94.22, -35.61, 47.82

 

CMYK 15 / 0 / 36 / 0

HEX #D9FFA2

RGB 217 255 162

HSL 84.52, 1%, 0.82%

LAB 95.53, -27.28, 40.5

 

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

CMYK 36 / 0 / 64 / 22

HEX #7FC648

RGB 127 198 72

HSL 93.81, 0.53%, 0.53%

LAB 73.13, -43.33, 54.44

 

CMYK 39 / 0 / 71 / 29

HEX #6EB435

RGB 110 180 53

HSL 93.07, 0.55%, 0.46%

LAB 66.68, -43.05, 55.03

 

CMYK 43 / 0 / 79 / 36

HEX #5DA222

RGB 93 162 34

HSL 92.34, 0.65%, 0.38%

LAB 60.14, -42.55, 55.01

 

CMYK 47 / 0 / 90 / 44

HEX #4C900F

RGB 76 144 15

HSL 91.63, 0.81%, 0.31%

LAB 53.51, -41.74, 53.82

 

CMYK 34 / 0 / 59 / 15

HEX #8FD859

RGB 143 216 89

HSL 94.49, 0.62%, 0.6%

LAB 79.43, -44, 54.34

 

CMYK 18 / 0 / 59 / 15

HEX #B1D859

RGB 177 216 89

HSL 78.43, 0.62%, 0.6%

LAB 81.39, -31.57, 57.08

 

CMYK 2 / 0 / 59 / 15

HEX #D3D859

RGB 211 216 89

HSL 62.36, 0.62%, 0.6%

LAB 83.8, -18.05, 60.43

 

CMYK 0 / 14 / 59 / 15

HEX #D8BA59

RGB 216 186 89

HSL 45.83, 0.62%, 0.6%

LAB 76.34, -0.72, 52.2

 

CMYK 0 / 30 / 59 / 15

HEX #D89859

RGB 216 152 89

HSL 29.76, 0.62%, 0.6%

LAB 67.86, 17.42, 42.3

 

CMYK 34 / 0 / 59 / 15

HEX #8FD859

RGB 143 216 89

HSL 94.49, 0.62%, 0.6%

LAB 79.43, -44, 54.34

 

CMYK 50 / 0 / 59 / 15

HEX #6DD859

RGB 109 216 89

HSL 110.55, 0.62%, 0.6%

LAB 77.92, -54.62, 52.22

 

CMYK 59 / 0 / 52 / 15

HEX #59D868

RGB 89 216 104

HSL 127.09, 0.62%, 0.6%

LAB 77.42, -57.86, 44.54

 

CMYK 59 / 0 / 36 / 15

HEX #59D88A

RGB 89 216 138

HSL 143.15, 0.62%, 0.6%

LAB 77.92, -52.46, 28.22

 

CMYK 59 / 0 / 20 / 15

HEX #59D8AC

RGB 89 216 172

HSL 159.21, 0.62%, 0.6%

LAB 78.59, -45.53, 11.3

 

CMYK 34 / 0 / 59 / 15

HEX #8FD859

RGB 143 216 89

HSL 94.49, 0.62%, 0.6%

LAB 79.43, -44, 54.34

 

CMYK 40 / 0 / 69 / 9

HEX #8CE849

RGB 140 232 73

HSL 94.72, 0.78%, 0.6%

LAB 83.85, -52.96, 65.61

 

CMYK 45 / 0 / 78 / 2

HEX #8AF938

RGB 138 249 56

HSL 94.51, 0.94%, 0.6%

LAB 88.66, -61.21, 75.92

 

CMYK 34 / 0 / 59 / 15

HEX #8FD859

RGB 143 216 89

HSL 94.49, 0.62%, 0.6%

LAB 79.43, -44, 54.34

 

CMYK 27 / 0 / 47 / 22

HEX #91C76A

RGB 145 199 106

HSL 94.84, 0.45%, 0.6%

LAB 74.77, -33.87, 40.84

 

CMYK 19 / 0 / 33 / 28

HEX #94B77A

RGB 148 183 122

HSL 94.43, 0.3%, 0.6%

LAB 70.57, -22.95, 27.26

 

CMYK 10 / 0 / 16 / 35

HEX #96A68B

RGB 150 166 139

HSL 95.56, 0.13%, 0.6%

LAB 66.23, -10.73, 12.1

 

CMYK 1 / 3 / 0 / 39

HEX #99969B

RGB 153 150 155

HSL 276, 0.02%, 0.6%

LAB 62.47, 2.06, -2.24

 

CMYK 2 / 0 / 59 / 15

HEX #D4D859

RGB 212 216 89

HSL 61.89, 0.62%, 0.6%

LAB 83.88, -17.64, 60.54

 

CMYK 18 / 0 / 59 / 15

HEX #B2D859

RGB 178 216 89

HSL 77.95, 0.62%, 0.6%

LAB 81.46, -31.18, 57.17

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 49 / 0 / 59 / 15

HEX #6ED859

RGB 110 216 89

HSL 110.08, 0.62%, 0.6%

LAB 77.96, -54.34, 52.28

 

CMYK 59 / 0 / 53 / 15

HEX #59D866

RGB 89 216 102

HSL 126.14, 0.62%, 0.6%

LAB 77.4, -58.13, 45.46

 

CMYK 44 / 0 / 77 / 29

HEX #65B52A

RGB 101 181 42

HSL 94.53, 0.62%, 0.44%

LAB 66.51, -47.2, 58.62

 

CMYK 42 / 0 / 73 / 18

HEX #78D038

RGB 120 208 56

HSL 94.74, 0.62%, 0.52%

LAB 75.69, -51, 63.17

 

CMYK 34 / 0 / 59 / 15

HEX #8FD859

RGB 143 216 89

HSL 94.49, 0.62%, 0.6%

LAB 79.43, -44, 54.34

 

CMYK 26 / 0 / 45 / 12

HEX #A5E07B

RGB 165 224 123

HSL 95.05, 0.62%, 0.68%

LAB 83.31, -36.2, 43.37

 

CMYK 19 / 0 / 32 / 9

HEX #BCE79C

RGB 188 231 156

HSL 94.4, 0.61%, 0.76%

LAB 87.12, -27.01, 32.09

 

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

CMYK 59 / 0 / 14 / 15

HEX #59D8BA

RGB 89 216 186

HSL 165.83, 0.62%, 0.6%

LAB 78.91, -42.27, 4.32

 

CMYK 0 / 59 / 10 / 15

HEX #D859C3

RGB 216 89 195

HSL 309.92, 0.62%, 0.6%

LAB 57.74, 62.23, -31.56

 

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

CMYK 59 / 33 / 0 / 15

HEX #5990D8

RGB 89 144 216

HSL 214.02, 0.62%, 0.6%

LAB 59, 3.31, -42.3

 

CMYK 0 / 59 / 33 / 15

HEX #D85990

RGB 216 89 144

HSL 334.02, 0.62%, 0.6%

LAB 55.84, 55.16, -4.85

 

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

CMYK 59 / 0 / 14 / 15

HEX #59D8BA

RGB 89 216 186

HSL 165.83, 0.62%, 0.6%

LAB 78.91, -42.27, 4.32

 

CMYK 25 / 59 / 0 / 15

HEX #A159D8

RGB 161 89 216

HSL 274.02, 0.62%, 0.6%

LAB 51.47, 52.1, -53.9

 

CMYK 0 / 59 / 45 / 15

HEX #D85977

RGB 216 89 119

HSL 345.83, 0.62%, 0.6%

LAB 55.15, 52.45, 8.89

 

CMYK 33 / 0 / 58 / 15

HEX #90D85B

RGB 144 216 91

HSL 94.56, 0.62%, 0.6%

LAB 79.5, -43.46, 53.55

 

CMYK 59 / 4 / 0 / 15

HEX #59CFD8

RGB 89 207 216

HSL 184.25, 0.62%, 0.6%

LAB 77.11, -30.32, -14.44

 

CMYK 25 / 59 / 0 / 15

HEX #A159D8

RGB 161 89 216

HSL 274.02, 0.62%, 0.6%

LAB 51.47, 52.1, -53.9

 

CMYK 0 / 55 / 59 / 15

HEX #D86259

RGB 216 98 89

HSL 4.25, 0.62%, 0.6%

LAB 56.14, 45.67, 27.76

 

Description

Color code: HEX #90D85B | qconv.com Color code: HEX #90D85B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 216 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 216 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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