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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90DEC7 it is the complementary color #6F2138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90DEC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90DEC7 shade: #95DEC2, #A6F0D5, #B7FFE8, #C8FFFB and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90DEC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90DEC7 shade: #90DEC7, #7FCCB4, #6EBAA1, #5DA88E and #4C967B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90DEC7 shade: #91DEC7, #91DEB2, #91DE9D, #99DE91 and #ADDE91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90DEC7 shade: #91DEC7, #91DEDC, #91CBDE, #91B6DE and #91A1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90DEC7 shade matches the following richer shades: #91DEC7, #85E9CC and #79F5D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90DEC7 shade: #91DEC7, #9CD2C2, #A8C7BD, #B3BBB9 and #BFAFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90DEC7 shade: #91DE9D, #91DEB2, #91DEC7, #91DEDB and #91CCDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90DEC7 shade: #51CBA7, #71D4B7, #91DEC7, #B0E7D7 and #D0F1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90DEC7 shade: #90DEC7, #9198DE and #DEA891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90DEC7 shade: #90DEC7, #C791DE and #DEC791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90DEC7 shade: #90DEC7, #9198DE, #DE91A8 and #DED691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90DEC7 shade: #90DEC7, #A091DE, #DE91A8 and #CEDE91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

Complementary color

CMYK 0 / 70 / 50 / 56

HEX #6F2138

RGB 111 33 56

HSL 342.31, 0.54%, 0.28%

LAB 26.02, 36.29, 4.62

 

CMYK 33 / 0 / 13 / 13

HEX #95DEC2

RGB 149 222 194

HSL 156.99, 0.53%, 0.73%

LAB 83.19, -28.68, 6.54

 

CMYK 31 / 0 / 11 / 6

HEX #A6F0D5

RGB 166 240 213

HSL 158.11, 0.71%, 0.8%

LAB 89.5, -28.48, 5.77

 

CMYK 28 / 0 / 9 / 0

HEX #B7FFE8

RGB 183 255 232

HSL 160.83, 1%, 0.86%

LAB 94.91, -26.86, 3.86

 

CMYK 22 / 0 / 2 / 0

HEX #C8FFFB

RGB 200 255 251

HSL 175.64, 1%, 0.89%

LAB 96.31, -18.01, -3.78

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

CMYK 38 / 0 / 12 / 20

HEX #7FCCB4

RGB 127 204 180

HSL 161.3, 0.43%, 0.65%

LAB 76.67, -29.24, 4.47

 

CMYK 41 / 0 / 13 / 27

HEX #6EBAA1

RGB 110 186 161

HSL 160.26, 0.36%, 0.58%

LAB 70.18, -29.44, 5.31

 

CMYK 45 / 0 / 15 / 34

HEX #5DA88E

RGB 93 168 142

HSL 159.2, 0.3%, 0.51%

LAB 63.58, -29.64, 6.21

 

CMYK 49 / 0 / 18 / 41

HEX #4C967B

RGB 76 150 123

HSL 158.11, 0.33%, 0.44%

LAB 56.86, -29.81, 7.2

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 35 / 0 / 20 / 13

HEX #91DEB2

RGB 145 222 178

HSL 145.71, 0.54%, 0.72%

LAB 82.63, -33.06, 14.16

 

CMYK 35 / 0 / 29 / 13

HEX #91DE9D

RGB 145 222 157

HSL 129.35, 0.54%, 0.72%

LAB 82.22, -36.89, 24.56

 

CMYK 31 / 0 / 35 / 13

HEX #99DE91

RGB 153 222 145

HSL 113.77, 0.54%, 0.72%

LAB 82.41, -36.32, 31.08

 

CMYK 22 / 0 / 35 / 13

HEX #ADDE91

RGB 173 222 145

HSL 98.18, 0.54%, 0.72%

LAB 83.53, -29.56, 32.77

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 35 / 0 / 1 / 13

HEX #91DEDC

RGB 145 222 220

HSL 178.44, 0.54%, 0.72%

LAB 83.67, -24.06, -6.56

 

CMYK 35 / 9 / 0 / 13

HEX #91CBDE

RGB 145 203 222

HSL 194.81, 0.54%, 0.72%

LAB 78.46, -13.99, -15.39

 

CMYK 35 / 18 / 0 / 13

HEX #91B6DE

RGB 145 182 222

HSL 211.17, 0.54%, 0.72%

LAB 72.73, -2.85, -24.09

 

CMYK 35 / 27 / 0 / 13

HEX #91A1DE

RGB 145 161 222

HSL 227.53, 0.54%, 0.72%

LAB 67.11, 8.82, -32.72

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 43 / 0 / 12 / 9

HEX #85E9CC

RGB 133 233 204

HSL 162.6, 0.69%, 0.72%

LAB 85.82, -36.02, 4.96

 

CMYK 51 / 0 / 15 / 4

HEX #79F5D0

RGB 121 245 208

HSL 162.1, 0.86%, 0.72%

LAB 88.89, -43.36, 7.24

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 26 / 0 / 8 / 18

HEX #9CD2C2

RGB 156 210 194

HSL 162.22, 0.38%, 0.72%

LAB 80.21, -20.74, 2.28

 

CMYK 16 / 0 / 5 / 22

HEX #A8C7BD

RGB 168 199 189

HSL 160.65, 0.22%, 0.72%

LAB 77.78, -12.37, 1.52

 

CMYK 4 / 0 / 1 / 27

HEX #B3BBB9

RGB 179 187 185

HSL 165, 0.06%, 0.72%

LAB 75.22, -3.15, 0.04

 

CMYK 0 / 8 / 6 / 25

HEX #BFAFB4

RGB 191 175 180

HSL 341.25, 0.11%, 0.72%

LAB 72.91, 6.61, -0.48

 

CMYK 35 / 0 / 29 / 13

HEX #91DE9D

RGB 145 222 157

HSL 129.35, 0.54%, 0.72%

LAB 82.22, -36.89, 24.56

 

CMYK 35 / 0 / 20 / 13

HEX #91DEB2

RGB 145 222 178

HSL 145.71, 0.54%, 0.72%

LAB 82.63, -33.06, 14.16

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 35 / 0 / 1 / 13

HEX #91DEDB

RGB 145 222 219

HSL 177.66, 0.54%, 0.72%

LAB 83.64, -24.29, -6.07

 

CMYK 35 / 8 / 0 / 13

HEX #91CCDE

RGB 145 204 222

HSL 194.03, 0.54%, 0.72%

LAB 78.74, -14.51, -14.97

 

CMYK 60 / 0 / 18 / 20

HEX #51CBA7

RGB 81 203 167

HSL 162.3, 0.54%, 0.56%

LAB 74.35, -42.61, 7.9

 

CMYK 47 / 0 / 14 / 17

HEX #71D4B7

RGB 113 212 183

HSL 162.42, 0.54%, 0.64%

LAB 78.47, -35.97, 5.38

 

CMYK 35 / 0 / 10 / 13

HEX #91DEC7

RGB 145 222 199

HSL 162.08, 0.54%, 0.72%

LAB 83.12, -28.77, 3.76

 

CMYK 24 / 0 / 7 / 9

HEX #B0E7D7

RGB 176 231 215

HSL 162.55, 0.53%, 0.8%

LAB 87.62, -20.75, 2.07

 

CMYK 14 / 0 / 4 / 5

HEX #D0F1E7

RGB 208 241 231

HSL 161.82, 0.54%, 0.88%

LAB 92.61, -12.6, 1.21

 

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

CMYK 35 / 32 / 0 / 13

HEX #9198DE

RGB 145 152 222

HSL 234.55, 0.54%, 0.72%

LAB 64.76, 13.95, -36.37

 

CMYK 0 / 24 / 35 / 13

HEX #DEA891

RGB 222 168 145

HSL 17.92, 0.54%, 0.72%

LAB 73.27, 16.77, 19.59

 

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

CMYK 10 / 35 / 0 / 13

HEX #C791DE

RGB 199 145 222

HSL 282.08, 0.54%, 0.72%

LAB 67.77, 33.91, -31.33

 

CMYK 0 / 10 / 35 / 13

HEX #DEC791

RGB 222 199 145

HSL 42.08, 0.54%, 0.72%

LAB 80.97, 0.33, 30.02

 

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

CMYK 35 / 32 / 0 / 13

HEX #9198DE

RGB 145 152 222

HSL 234.55, 0.54%, 0.72%

LAB 64.76, 13.95, -36.37

 

CMYK 0 / 35 / 24 / 13

HEX #DE91A8

RGB 222 145 168

HSL 342.08, 0.54%, 0.72%

LAB 68.47, 32.2, 0.04

 

CMYK 0 / 4 / 35 / 13

HEX #DED691

RGB 222 214 145

HSL 53.77, 0.54%, 0.72%

LAB 84.83, -7.4, 35.11

 

CMYK 35 / 0 / 10 / 13

HEX #90DEC7

RGB 144 222 199

HSL 162.31, 0.54%, 0.72%

LAB 83.07, -29.04, 3.69

 

CMYK 28 / 35 / 0 / 13

HEX #A091DE

RGB 160 145 222

HSL 251.69, 0.54%, 0.72%

LAB 64.16, 22.2, -37.23

 

CMYK 0 / 35 / 24 / 13

HEX #DE91A8

RGB 222 145 168

HSL 342.08, 0.54%, 0.72%

LAB 68.47, 32.2, 0.04

 

CMYK 7 / 0 / 35 / 13

HEX #CEDE91

RGB 206 222 145

HSL 72.47, 0.54%, 0.72%

LAB 85.71, -17.53, 36.03

 

Description

Color code: HEX #90DEC7 | qconv.com Color code: HEX #90DEC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 222 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 222 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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