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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90E6EC it is the complementary color #6F1913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90E6EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90E6EC shade: #95E6E7, #A6F8FA, #B7FFFF, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90E6EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90E6EC shade: #90E6EC, #7FD4D9, #6EC2C6, #5DB0B3 and #4C9EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90E6EC shade: #91E6EC, #91CEEC, #91B5EC, #919DEC and #9F91EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90E6EC shade: #91E6EC, #91CEEC, #91B5EC, #919DEC and #9191EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90E6EC shade matches the following richer shades: #91E6EC and #87EFF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90E6EC shade: #91E6EC, #9CDDE2, #A6D4D7, #B0CBCD and #BBC2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90E6EC shade: #91ECC0, #91ECD8, #91E7EC, #91CFEC and #91B7EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90E6EC shade: #4BD6E0, #6EDEE6, #91E6EC, #B5EEF2 and #D8F6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90E6EC shade: #90E6EC, #A891EC and #ECCC91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90E6EC shade: #90E6EC, #EC91E7 and #E7EC91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90E6EC shade: #90E6EC, #A891EC, #EC9691 and #D5EC91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90E6EC shade: #90E6EC, #C391EC, #EC9691 and #BAEC91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

Complementary color

CMYK 0 / 77 / 83 / 56

HEX #6F1913

RGB 111 25 19

HSL 3.91, 0.71%, 0.25%

LAB 24.07, 37.07, 26.63

 

CMYK 35 / 0 / 0 / 9

HEX #95E6E7

RGB 149 230 231

HSL 180.73, 0.63%, 0.75%

LAB 86.38, -24.35, -8.33

 

CMYK 34 / 1 / 0 / 2

HEX #A6F8FA

RGB 166 248 250

HSL 181.43, 0.89%, 0.82%

LAB 92.64, -24.28, -8.89

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

CMYK 41 / 2 / 0 / 15

HEX #7FD4D9

RGB 127 212 217

HSL 183.33, 0.54%, 0.67%

LAB 79.96, -24.44, -10.56

 

CMYK 44 / 2 / 0 / 22

HEX #6EC2C6

RGB 110 194 198

HSL 182.73, 0.44%, 0.6%

LAB 73.53, -24.43, -9.98

 

CMYK 48 / 2 / 0 / 30

HEX #5DB0B3

RGB 93 176 179

HSL 182.09, 0.36%, 0.53%

LAB 67, -24.37, -9.36

 

CMYK 53 / 1 / 0 / 37

HEX #4C9EA0

RGB 76 158 160

HSL 181.43, 0.36%, 0.46%

LAB 60.36, -24.25, -8.69

 

CMYK 39 / 3 / 0 / 7

HEX #91E6EC

RGB 145 230 236

HSL 183.96, 0.71%, 0.75%

LAB 86.34, -24.18, -11.04

 

CMYK 39 / 13 / 0 / 7

HEX #91CEEC

RGB 145 206 236

HSL 199.78, 0.71%, 0.75%

LAB 79.74, -12.05, -20.97

 

CMYK 39 / 23 / 0 / 7

HEX #91B5EC

RGB 145 181 236

HSL 216.26, 0.71%, 0.75%

LAB 72.97, 1.34, -31.32

 

CMYK 39 / 33 / 0 / 7

HEX #919DEC

RGB 145 157 236

HSL 232.09, 0.71%, 0.75%

LAB 66.66, 14.83, -41.12

 

CMYK 33 / 39 / 0 / 7

HEX #9F91EC

RGB 159 145 236

HSL 249.23, 0.71%, 0.75%

LAB 64.71, 25.46, -44.12

 

CMYK 39 / 3 / 0 / 7

HEX #91E6EC

RGB 145 230 236

HSL 183.96, 0.71%, 0.75%

LAB 86.34, -24.18, -11.04

 

CMYK 39 / 13 / 0 / 7

HEX #91CEEC

RGB 145 206 236

HSL 199.78, 0.71%, 0.75%

LAB 79.74, -12.05, -20.97

 

CMYK 39 / 23 / 0 / 7

HEX #91B5EC

RGB 145 181 236

HSL 216.26, 0.71%, 0.75%

LAB 72.97, 1.34, -31.32

 

CMYK 39 / 33 / 0 / 7

HEX #919DEC

RGB 145 157 236

HSL 232.09, 0.71%, 0.75%

LAB 66.66, 14.83, -41.12

 

CMYK 39 / 39 / 0 / 7

HEX #9191EC

RGB 145 145 236

HSL 240, 0.71%, 0.75%

LAB 63.61, 21.74, -45.91

 

CMYK 39 / 3 / 0 / 7

HEX #91E6EC

RGB 145 230 236

HSL 183.96, 0.71%, 0.75%

LAB 86.34, -24.18, -11.04

 

CMYK 45 / 3 / 0 / 4

HEX #87EFF6

RGB 135 239 246

HSL 183.78, 0.86%, 0.75%

LAB 88.7, -28.45, -12.81

 

CMYK 39 / 3 / 0 / 7

HEX #91E6EC

RGB 145 230 236

HSL 183.96, 0.71%, 0.75%

LAB 86.34, -24.18, -11.04

 

CMYK 31 / 2 / 0 / 11

HEX #9CDDE2

RGB 156 221 226

HSL 184.29, 0.55%, 0.75%

LAB 84.11, -19.19, -9.03

 

CMYK 23 / 1 / 0 / 16

HEX #A6D4D7

RGB 166 212 215

HSL 183.67, 0.38%, 0.75%

LAB 81.89, -14.23, -6.4

 

CMYK 14 / 1 / 0 / 20

HEX #B0CBCD

RGB 176 203 205

HSL 184.14, 0.22%, 0.75%

LAB 79.81, -8.61, -4.05

 

CMYK 4 / 1 / 0 / 24

HEX #BBC2C3

RGB 187 194 195

HSL 187.5, 0.06%, 0.75%

LAB 77.93, -2.21, -1.35

 

CMYK 39 / 0 / 19 / 7

HEX #91ECC0

RGB 145 236 192

HSL 150.99, 0.71%, 0.75%

LAB 86.91, -36.77, 12.87

 

CMYK 39 / 0 / 8 / 7

HEX #91ECD8

RGB 145 236 216

HSL 166.81, 0.71%, 0.75%

LAB 87.47, -31.7, 1.13

 

CMYK 39 / 2 / 0 / 7

HEX #91E7EC

RGB 145 231 236

HSL 183.3, 0.71%, 0.75%

LAB 86.62, -24.67, -10.63

 

CMYK 39 / 12 / 0 / 7

HEX #91CFEC

RGB 145 207 236

HSL 199.12, 0.71%, 0.75%

LAB 80.01, -12.57, -20.56

 

CMYK 39 / 22 / 0 / 7

HEX #91B7EC

RGB 145 183 236

HSL 214.95, 0.71%, 0.75%

LAB 73.51, 0.25, -30.49

 

CMYK 67 / 4 / 0 / 12

HEX #4BD6E0

RGB 75 214 224

HSL 184.03, 0.71%, 0.59%

LAB 79.02, -33.64, -15.88

 

CMYK 52 / 3 / 0 / 10

HEX #6EDEE6

RGB 110 222 230

HSL 184, 0.71%, 0.67%

LAB 82.52, -29.75, -13.72

 

CMYK 39 / 3 / 0 / 7

HEX #91E6EC

RGB 145 230 236

HSL 183.96, 0.71%, 0.75%

LAB 86.34, -24.18, -11.04

 

CMYK 25 / 2 / 0 / 5

HEX #B5EEF2

RGB 181 238 242

HSL 183.93, 0.7%, 0.83%

LAB 90.5, -17.05, -7.82

 

CMYK 13 / 1 / 0 / 3

HEX #D8F6F8

RGB 216 246 248

HSL 183.75, 0.7%, 0.91%

LAB 94.86, -9.29, -4.26

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

CMYK 29 / 39 / 0 / 7

HEX #A891EC

RGB 168 145 236

HSL 255.16, 0.71%, 0.75%

LAB 65.46, 27.93, -42.88

 

CMYK 0 / 14 / 39 / 7

HEX #ECCC91

RGB 236 204 145

HSL 38.9, 0.71%, 0.75%

LAB 83.48, 3.21, 33.56

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

CMYK 0 / 39 / 2 / 7

HEX #EC91E7

RGB 236 145 231

HSL 303.3, 0.71%, 0.75%

LAB 72.13, 46.99, -29.23

 

CMYK 2 / 0 / 39 / 7

HEX #E7EC91

RGB 231 236 145

HSL 63.3, 0.71%, 0.75%

LAB 91.25, -14.94, 43.54

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

CMYK 29 / 39 / 0 / 7

HEX #A891EC

RGB 168 145 236

HSL 255.16, 0.71%, 0.75%

LAB 65.46, 27.93, -42.88

 

CMYK 0 / 36 / 39 / 7

HEX #EC9691

RGB 236 150 145

HSL 3.3, 0.71%, 0.75%

LAB 70.66, 31.74, 16.2

 

CMYK 10 / 0 / 39 / 7

HEX #D5EC91

RGB 213 236 145

HSL 75.16, 0.71%, 0.75%

LAB 89.94, -21.75, 41.61

 

CMYK 39 / 3 / 0 / 7

HEX #90E6EC

RGB 144 230 236

HSL 183.91, 0.71%, 0.75%

LAB 86.3, -24.43, -11.12

 

CMYK 17 / 39 / 0 / 7

HEX #C391EC

RGB 195 145 236

HSL 272.97, 0.71%, 0.75%

LAB 67.95, 35.67, -38.8

 

CMYK 0 / 36 / 39 / 7

HEX #EC9691

RGB 236 150 145

HSL 3.3, 0.71%, 0.75%

LAB 70.66, 31.74, 16.2

 

CMYK 21 / 0 / 39 / 7

HEX #BAEC91

RGB 186 236 145

HSL 92.97, 0.71%, 0.75%

LAB 88.2, -31.57, 39.01

 

Description

Color code: HEX #90E6EC | qconv.com Color code: HEX #90E6EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 230 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 230 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 3 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 3% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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