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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90E09A it is the complementary color #6F1F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90E09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90E09A shade: #95E095, #A6F2A8, #B7FFBB, #C8FFCE and #D9FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90E09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90E09A shade: #90E09A, #7FCE87, #6EBC74, #5DAA61 and #4C984E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90E09A shade: #8FDF99, #9BDF8F, #B0DF8F, #C6DF8F and #DBDF8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90E09A shade: #8FDF99, #8FDFAF, #8FDFC4, #8FDFDA and #8FCFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90E09A shade matches the following richer shades: #8FDF99, #84EB90 and #78F688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90E09A shade: #8FDF99, #9BD4A2, #A6C8AA, #B2BCB3 and #BDB1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90E09A shade: #B0DF8F, #9BDF8F, #8FDF98, #8FDFAE and #8FDFC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90E09A shade: #4FCD5F, #6FD67C, #8FDF99, #AFE8B6 and #CFF1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90E09A shade: #90E09A, #8FC6DF and #DF8FA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90E09A shade: #90E09A, #988FDF and #DF988F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90E09A shade: #90E09A, #8FC6DF, #DF8FD6 and #DFA88F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90E09A shade: #90E09A, #8FAEDF, #DF8FD6 and #DFC08F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

Complementary color

CMYK 0 / 72 / 9 / 56

HEX #6F1F65

RGB 111 31 101

HSL 307.5, 0.56%, 0.28%

LAB 27.57, 43.38, -22.95

 

CMYK 33 / 0 / 33 / 12

HEX #95E095

RGB 149 224 149

HSL 120, 0.55%, 0.73%

LAB 82.84, -37.88, 29.57

 

CMYK 31 / 0 / 31 / 5

HEX #A6F2A8

RGB 166 242 168

HSL 121.58, 0.75%, 0.8%

LAB 89.13, -37.64, 28.47

 

CMYK 28 / 0 / 27 / 0

HEX #B7FFBB

RGB 183 255 187

HSL 123.33, 1%, 0.86%

LAB 93.96, -35.13, 25.55

 

CMYK 22 / 0 / 19 / 0

HEX #C8FFCE

RGB 200 255 206

HSL 126.55, 1%, 0.89%

LAB 95.27, -26.53, 17.84

 

CMYK 15 / 0 / 12 / 0

HEX #D9FFE1

RGB 217 255 225

HSL 132.63, 1%, 0.93%

LAB 96.7, -17.73, 10.28

 

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

CMYK 38 / 0 / 34 / 19

HEX #7FCE87

RGB 127 206 135

HSL 126.08, 0.45%, 0.65%

LAB 76.32, -38.86, 27.88

 

CMYK 41 / 0 / 38 / 26

HEX #6EBC74

RGB 110 188 116

HSL 124.62, 0.37%, 0.58%

LAB 69.85, -39.1, 29.09

 

CMYK 45 / 0 / 43 / 33

HEX #5DAA61

RGB 93 170 97

HSL 123.12, 0.31%, 0.52%

LAB 63.29, -39.29, 30.38

 

CMYK 50 / 0 / 49 / 40

HEX #4C984E

RGB 76 152 78

HSL 121.58, 0.33%, 0.45%

LAB 56.63, -39.39, 31.72

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF99

RGB 143 223 153

HSL 127.5, 0.56%, 0.72%

LAB 82.33, -38.63, 26.77

 

CMYK 30 / 0 / 36 / 13

HEX #9BDF8F

RGB 155 223 143

HSL 111, 0.56%, 0.72%

LAB 82.77, -36.42, 32.59

 

CMYK 21 / 0 / 36 / 13

HEX #B0DF8F

RGB 176 223 143

HSL 95.25, 0.56%, 0.72%

LAB 83.96, -29.26, 34.38

 

CMYK 11 / 0 / 36 / 13

HEX #C6DF8F

RGB 198 223 143

HSL 78.75, 0.56%, 0.72%

LAB 85.38, -21.27, 36.51

 

CMYK 2 / 0 / 36 / 13

HEX #DBDF8F

RGB 219 223 143

HSL 63, 0.56%, 0.72%

LAB 86.91, -13.32, 38.78

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF99

RGB 143 223 153

HSL 127.5, 0.56%, 0.72%

LAB 82.33, -38.63, 26.77

 

CMYK 36 / 0 / 22 / 13

HEX #8FDFAF

RGB 143 223 175

HSL 144, 0.56%, 0.72%

LAB 82.76, -34.68, 15.9

 

CMYK 36 / 0 / 12 / 13

HEX #8FDFC4

RGB 143 223 196

HSL 159.75, 0.56%, 0.72%

LAB 83.23, -30.44, 5.5

 

CMYK 36 / 0 / 2 / 13

HEX #8FDFDA

RGB 143 223 218

HSL 176.25, 0.56%, 0.72%

LAB 83.8, -25.54, -5.32

 

CMYK 36 / 7 / 0 / 13

HEX #8FCFDF

RGB 143 207 223

HSL 192, 0.56%, 0.72%

LAB 79.5, -16.35, -14.39

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF99

RGB 143 223 153

HSL 127.5, 0.56%, 0.72%

LAB 82.33, -38.63, 26.77

 

CMYK 44 / 0 / 39 / 8

HEX #84EB90

RGB 132 235 144

HSL 126.99, 0.72%, 0.72%

LAB 85.17, -48.52, 35.04

 

CMYK 51 / 0 / 45 / 4

HEX #78F688

RGB 120 246 136

HSL 127.62, 0.88%, 0.72%

LAB 87.82, -57.36, 42.32

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF99

RGB 143 223 153

HSL 127.5, 0.56%, 0.72%

LAB 82.33, -38.63, 26.77

 

CMYK 27 / 0 / 24 / 17

HEX #9BD4A2

RGB 155 212 162

HSL 127.37, 0.4%, 0.72%

LAB 79.99, -28.19, 18.97

 

CMYK 17 / 0 / 15 / 22

HEX #A6C8AA

RGB 166 200 170

HSL 127.06, 0.24%, 0.72%

LAB 77.47, -17.17, 11.27

 

CMYK 5 / 0 / 5 / 26

HEX #B2BCB3

RGB 178 188 179

HSL 126, 0.07%, 0.72%

LAB 75.26, -5.15, 3.35

 

CMYK 0 / 6 / 1 / 26

HEX #BDB1BC

RGB 189 177 188

HSL 305, 0.08%, 0.72%

LAB 73.48, 6.28, -4.06

 

CMYK 21 / 0 / 36 / 13

HEX #B0DF8F

RGB 176 223 143

HSL 95.25, 0.56%, 0.72%

LAB 83.96, -29.26, 34.38

 

CMYK 30 / 0 / 36 / 13

HEX #9BDF8F

RGB 155 223 143

HSL 111, 0.56%, 0.72%

LAB 82.77, -36.42, 32.59

 

CMYK 36 / 0 / 32 / 13

HEX #8FDF98

RGB 143 223 152

HSL 126.75, 0.56%, 0.72%

LAB 82.32, -38.8, 27.27

 

CMYK 36 / 0 / 22 / 13

HEX #8FDFAE

RGB 143 223 174

HSL 143.25, 0.56%, 0.72%

LAB 82.74, -34.87, 16.39

 

CMYK 36 / 0 / 13 / 13

HEX #8FDFC3

RGB 143 223 195

HSL 159, 0.56%, 0.72%

LAB 83.21, -30.65, 6

 

CMYK 61 / 0 / 54 / 20

HEX #4FCD5F

RGB 79 205 95

HSL 127.62, 0.56%, 0.56%

LAB 73.64, -57.22, 44.18

 

CMYK 48 / 0 / 42 / 16

HEX #6FD67C

RGB 111 214 124

HSL 127.57, 0.56%, 0.64%

LAB 77.83, -48.68, 35.39

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF99

RGB 143 223 153

HSL 127.5, 0.56%, 0.72%

LAB 82.33, -38.63, 26.77

 

CMYK 25 / 0 / 22 / 9

HEX #AFE8B6

RGB 175 232 182

HSL 127.37, 0.55%, 0.8%

LAB 87.1, -27.78, 18.56

 

CMYK 14 / 0 / 12 / 5

HEX #CFF1D4

RGB 207 241 212

HSL 128.82, 0.55%, 0.88%

LAB 92.1, -16.42, 10.33

 

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

CMYK 36 / 11 / 0 / 13

HEX #8FC6DF

RGB 143 198 223

HSL 198.75, 0.56%, 0.72%

LAB 77.01, -11.69, -18.12

 

CMYK 0 / 36 / 26 / 13

HEX #DF8FA6

RGB 223 143 166

HSL 342.75, 0.56%, 0.72%

LAB 68.08, 33.34, 0.62

 

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

CMYK 32 / 36 / 0 / 13

HEX #988FDF

RGB 152 143 223

HSL 246.75, 0.56%, 0.72%

LAB 63.05, 21.33, -39.56

 

CMYK 0 / 32 / 36 / 13

HEX #DF988F

RGB 223 152 143

HSL 6.75, 0.56%, 0.72%

LAB 69.56, 25.52, 15.56

 

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

CMYK 36 / 11 / 0 / 13

HEX #8FC6DF

RGB 143 198 223

HSL 198.75, 0.56%, 0.72%

LAB 77.01, -11.69, -18.12

 

CMYK 0 / 36 / 4 / 13

HEX #DF8FD6

RGB 223 143 214

HSL 306.75, 0.56%, 0.72%

LAB 69.6, 40.98, -23.88

 

CMYK 0 / 25 / 36 / 13

HEX #DFA88F

RGB 223 168 143

HSL 18.75, 0.56%, 0.72%

LAB 73.34, 16.92, 20.78

 

CMYK 36 / 0 / 31 / 12

HEX #90E09A

RGB 144 224 154

HSL 127.5, 0.56%, 0.72%

LAB 82.69, -38.61, 26.74

 

CMYK 36 / 22 / 0 / 13

HEX #8FAEDF

RGB 143 174 223

HSL 216.75, 0.56%, 0.72%

LAB 70.48, 1.25, -28.08

 

CMYK 0 / 36 / 4 / 13

HEX #DF8FD6

RGB 223 143 214

HSL 306.75, 0.56%, 0.72%

LAB 69.6, 40.98, -23.88

 

CMYK 0 / 14 / 36 / 13

HEX #DFC08F

RGB 223 192 143

HSL 36.75, 0.56%, 0.72%

LAB 79.25, 4.15, 28.79

 

Description

Color code: HEX #90E09A | qconv.com Color code: HEX #90E09A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 224 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 224 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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