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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90ED50 it is the complementary color #6F12AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90ED50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90ED50 shade: #95ED4B, #A6FF5E, #B7FF71, #C8FF84 and #D9FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90ED50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90ED50 shade: #90ED50, #7FDB3D, #6EC92A, #5DB717 and #4CA504

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90ED50 shade: #8FEC4F, #B9EC4F, #E4EC4F, #ECCA4F and #ECA04F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90ED50 shade: #8FEC4F, #65EC4F, #4FEC64, #4FEC8E and #4FECB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90ED50 shade matches the following richer shades: #8FEC4F and #8CFC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90ED50 shade: #8FEC4F, #92DC5F, #95CD6E, #98BD7E and #9BAD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90ED50 shade: #E4EC4F, #BAEC4F, #91EC4F, #67EC4F and #4FEC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90ED50 shade: #63D316, #77E82A, #8FEC4F, #A7F074 and #BFF49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90ED50 shade: #90ED50, #4FECCA and #EC4FCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90ED50 shade: #90ED50, #4F91EC and #EC4F91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90ED50 shade: #90ED50, #4FECCA, #AB4FEC and #EC4F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90ED50 shade: #90ED50, #4FDFEC, #AB4FEC and #EC5C4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

Complementary color

CMYK 37 / 90 / 0 / 31

HEX #6F12AF

RGB 111 18 175

HSL 275.54, 0.81%, 0.38%

LAB 31.59, 62.07, -62.51

 

CMYK 37 / 0 / 68 / 7

HEX #95ED4B

RGB 149 237 75

HSL 92.59, 0.82%, 0.61%

LAB 85.74, -51.89, 66.96

 

CMYK 35 / 0 / 63 / 0

HEX #A6FF5E

RGB 166 255 94

HSL 93.17, 1%, 0.68%

LAB 91.88, -52.15, 66.38

 

CMYK 28 / 0 / 56 / 0

HEX #B7FF71

RGB 183 255 113

HSL 90.42, 1%, 0.72%

LAB 92.92, -44.72, 59.81

 

CMYK 22 / 0 / 48 / 0

HEX #C8FF84

RGB 200 255 132

HSL 86.83, 1%, 0.76%

LAB 94.08, -36.84, 52.84

 

CMYK 15 / 0 / 41 / 0

HEX #D9FF97

RGB 217 255 151

HSL 81.92, 1%, 0.8%

LAB 95.37, -28.61, 45.66

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 42 / 0 / 72 / 14

HEX #7FDB3D

RGB 127 219 61

HSL 94.94, 0.69%, 0.55%

LAB 79.34, -52.8, 65.16

 

CMYK 45 / 0 / 79 / 21

HEX #6EC92A

RGB 110 201 42

HSL 94.34, 0.65%, 0.48%

LAB 73.06, -52.24, 64.96

 

CMYK 49 / 0 / 87 / 28

HEX #5DB717

RGB 93 183 23

HSL 93.75, 0.78%, 0.4%

LAB 66.72, -51.4, 63.77

 

CMYK 54 / 0 / 98 / 35

HEX #4CA504

RGB 76 165 4

HSL 93.17, 0.95%, 0.33%

LAB 60.3, -50.19, 61.19

 

CMYK 39 / 0 / 67 / 7

HEX #8FEC4F

RGB 143 236 79

HSL 95.54, 0.81%, 0.62%

LAB 85.2, -53.15, 64.79

 

CMYK 22 / 0 / 67 / 7

HEX #B9EC4F

RGB 185 236 79

HSL 79.49, 0.81%, 0.62%

LAB 87.42, -38.39, 67.81

 

CMYK 3 / 0 / 67 / 7

HEX #E4EC4F

RGB 228 236 79

HSL 63.06, 0.81%, 0.62%

LAB 90.34, -21.51, 71.73

 

CMYK 0 / 14 / 67 / 7

HEX #ECCA4F

RGB 236 202 79

HSL 47.01, 0.81%, 0.62%

LAB 82.18, -1.25, 63.54

 

CMYK 0 / 32 / 67 / 7

HEX #ECA04F

RGB 236 160 79

HSL 30.96, 0.81%, 0.62%

LAB 71.92, 20.79, 52.5

 

CMYK 39 / 0 / 67 / 7

HEX #8FEC4F

RGB 143 236 79

HSL 95.54, 0.81%, 0.62%

LAB 85.2, -53.15, 64.79

 

CMYK 57 / 0 / 67 / 7

HEX #65EC4F

RGB 101 236 79

HSL 111.59, 0.81%, 0.62%

LAB 83.61, -65.02, 62.63

 

CMYK 67 / 0 / 58 / 7

HEX #4FEC64

RGB 79 236 100

HSL 128.03, 0.81%, 0.62%

LAB 83.22, -67.51, 53.24

 

CMYK 67 / 0 / 40 / 7

HEX #4FEC8E

RGB 79 236 142

HSL 144.08, 0.81%, 0.62%

LAB 83.76, -61.33, 33.88

 

CMYK 67 / 0 / 22 / 7

HEX #4FECB8

RGB 79 236 184

HSL 160.13, 0.81%, 0.62%

LAB 84.54, -52.92, 13.39

 

CMYK 39 / 0 / 67 / 7

HEX #8FEC4F

RGB 143 236 79

HSL 95.54, 0.81%, 0.62%

LAB 85.2, -53.15, 64.79

 

CMYK 44 / 0 / 75 / 1

HEX #8CFC3F

RGB 140 252 63

HSL 95.56, 0.97%, 0.62%

LAB 89.65, -61.35, 74.82

 

CMYK 39 / 0 / 67 / 7

HEX #8FEC4F

RGB 143 236 79

HSL 95.54, 0.81%, 0.62%

LAB 85.2, -53.15, 64.79

 

CMYK 34 / 0 / 57 / 14

HEX #92DC5F

RGB 146 220 95

HSL 95.52, 0.64%, 0.62%

LAB 80.81, -44.11, 53.29

 

CMYK 27 / 0 / 46 / 20

HEX #95CD6E

RGB 149 205 110

HSL 95.37, 0.49%, 0.62%

LAB 76.79, -34.73, 41.42

 

CMYK 20 / 0 / 33 / 26

HEX #98BD7E

RGB 152 189 126

HSL 95.24, 0.32%, 0.62%

LAB 72.61, -23.87, 27.91

 

CMYK 10 / 0 / 18 / 32

HEX #9BAD8E

RGB 155 173 142

HSL 94.84, 0.16%, 0.62%

LAB 68.61, -12.07, 13.85

 

CMYK 3 / 0 / 67 / 7

HEX #E4EC4F

RGB 228 236 79

HSL 63.06, 0.81%, 0.62%

LAB 90.34, -21.51, 71.73

 

CMYK 21 / 0 / 67 / 7

HEX #BAEC4F

RGB 186 236 79

HSL 79.11, 0.81%, 0.62%

LAB 87.48, -38.01, 67.89

 

CMYK 39 / 0 / 67 / 7

HEX #91EC4F

RGB 145 236 79

HSL 94.78, 0.81%, 0.62%

LAB 85.29, -52.5, 64.92

 

CMYK 56 / 0 / 67 / 7

HEX #67EC4F

RGB 103 236 79

HSL 110.83, 0.81%, 0.62%

LAB 83.67, -64.54, 62.71

 

CMYK 67 / 0 / 59 / 7

HEX #4FEC61

RGB 79 236 97

HSL 126.88, 0.81%, 0.62%

LAB 83.19, -67.86, 54.53

 

CMYK 53 / 0 / 90 / 17

HEX #63D316

RGB 99 211 22

HSL 95.56, 0.81%, 0.46%

LAB 75.64, -59.99, 71.63

 

CMYK 49 / 0 / 82 / 9

HEX #77E82A

RGB 119 232 42

HSL 95.68, 0.81%, 0.54%

LAB 82.81, -61.2, 74

 

CMYK 39 / 0 / 67 / 7

HEX #8FEC4F

RGB 143 236 79

HSL 95.54, 0.81%, 0.62%

LAB 85.2, -53.15, 64.79

 

CMYK 30 / 0 / 52 / 6

HEX #A7F074

RGB 167 240 116

HSL 95.32, 0.81%, 0.7%

LAB 87.87, -43.42, 52.31

 

CMYK 22 / 0 / 37 / 4

HEX #BFF49A

RGB 191 244 154

HSL 95.33, 0.8%, 0.78%

LAB 90.83, -32.35, 38.02

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 67 / 0 / 14 / 7

HEX #4FECCA

RGB 79 236 202

HSL 167.01, 0.81%, 0.62%

LAB 84.95, -48.71, 4.55

 

CMYK 0 / 67 / 12 / 7

HEX #EC4FCF

RGB 236 79 207

HSL 311.08, 0.81%, 0.62%

LAB 59.83, 73.13, -34.91

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 67 / 39 / 0 / 7

HEX #4F91EC

RGB 79 145 236

HSL 214.78, 0.81%, 0.62%

LAB 59.86, 7.64, -52.09

 

CMYK 0 / 67 / 39 / 7

HEX #EC4F91

RGB 236 79 145

HSL 334.78, 0.81%, 0.62%

LAB 57.53, 65.4, -2.59

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 67 / 0 / 14 / 7

HEX #4FECCA

RGB 79 236 202

HSL 167.01, 0.81%, 0.62%

LAB 84.95, -48.71, 4.55

 

CMYK 28 / 67 / 0 / 7

HEX #AB4FEC

RGB 171 79 236

HSL 275.16, 0.81%, 0.62%

LAB 52.18, 63.58, -64

 

CMYK 0 / 67 / 52 / 7

HEX #EC4F71

RGB 236 79 113

HSL 347.01, 0.81%, 0.62%

LAB 56.7, 62.48, 15.08

 

CMYK 39 / 0 / 66 / 7

HEX #90ED50

RGB 144 237 80

HSL 95.54, 0.81%, 0.62%

LAB 85.54, -53.15, 64.79

 

CMYK 67 / 6 / 0 / 7

HEX #4FDFEC

RGB 79 223 236

HSL 184.97, 0.81%, 0.62%

LAB 82.11, -33.89, -17.62

 

CMYK 28 / 67 / 0 / 7

HEX #AB4FEC

RGB 171 79 236

HSL 275.16, 0.81%, 0.62%

LAB 52.18, 63.58, -64

 

CMYK 0 / 61 / 67 / 7

HEX #EC5C4F

RGB 236 92 79

HSL 4.97, 0.81%, 0.62%

LAB 58.09, 54.83, 36.53

 

Description

Color code: HEX #90ED50 | qconv.com Color code: HEX #90ED50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 237 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 237 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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