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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90EDB8 it is the complementary color #6F1247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90EDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90EDB8 shade: #95EDB3, #A6FFC6, #B7FFD9, #C8FFEC and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90EDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90EDB8 shade: #90EDB8, #7FDBA5, #6EC992, #5DB77F and #4CA56C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90EDB8 shade: #91EDB8, #91EDA0, #9BED91, #B4ED91 and #CCED91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90EDB8 shade: #91EDB8, #91EDD1, #91EDEA, #91D7ED and #91BEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90EDB8 shade matches the following richer shades: #91EDB8 and #87F7B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90EDB8 shade: #91EDB8, #9BE2BA, #A5D8BB, #B0CEBD and #BAC3BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90EDB8 shade: #9CED91, #91ED9F, #91EDB7, #91EDD0 and #91EDE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90EDB8 shade: #4AE18B, #6DE7A2, #91EDB8, #B4F2CF and #D8F8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90EDB8 shade: #90EDB8, #91B4ED and #ED9291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90EDB8 shade: #90EDB8, #B791ED and #EDB791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90EDB8 shade: #90EDB8, #91B4ED, #ED91C6 and #EDC991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90EDB8 shade: #90EDB8, #9199ED, #ED91C6 and #EDE591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

Complementary color

CMYK 0 / 84 / 36 / 56

HEX #6F1247

RGB 111 18 71

HSL 325.81, 0.72%, 0.25%

LAB 24.54, 43.57, -7.74

 

CMYK 37 / 0 / 24 / 7

HEX #95EDB3

RGB 149 237 179

HSL 140.45, 0.71%, 0.76%

LAB 87.1, -38.59, 19.92

 

CMYK 35 / 0 / 22 / 0

HEX #A6FFC6

RGB 166 255 198

HSL 141.57, 1%, 0.83%

LAB 93.32, -38.33, 18.94

 

CMYK 28 / 0 / 15 / 0

HEX #B7FFD9

RGB 183 255 217

HSL 148.33, 1%, 0.86%

LAB 94.57, -29.8, 11.08

 

CMYK 22 / 0 / 7 / 0

HEX #C8FFEC

RGB 200 255 236

HSL 159.27, 1%, 0.89%

LAB 95.94, -21.02, 3.4

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

CMYK 42 / 0 / 25 / 14

HEX #7FDBA5

RGB 127 219 165

HSL 144.78, 0.56%, 0.68%

LAB 80.68, -39.31, 18.14

 

CMYK 45 / 0 / 27 / 21

HEX #6EC992

RGB 110 201 146

HSL 143.74, 0.46%, 0.61%

LAB 74.29, -39.54, 19.22

 

CMYK 49 / 0 / 31 / 28

HEX #5DB77F

RGB 93 183 127

HSL 142.67, 0.38%, 0.54%

LAB 67.82, -39.74, 20.39

 

CMYK 54 / 0 / 35 / 35

HEX #4CA56C

RGB 76 165 108

HSL 141.57, 0.37%, 0.47%

LAB 61.25, -39.88, 21.66

 

CMYK 39 / 0 / 22 / 7

HEX #91EDB8

RGB 145 237 184

HSL 145.43, 0.72%, 0.75%

LAB 87.02, -38.79, 17.19

 

CMYK 39 / 0 / 32 / 7

HEX #91EDA0

RGB 145 237 160

HSL 129.78, 0.72%, 0.75%

LAB 86.57, -43.08, 28.91

 

CMYK 35 / 0 / 39 / 7

HEX #9BED91

RGB 155 237 145

HSL 113.48, 0.72%, 0.75%

LAB 86.79, -42.39, 36.86

 

CMYK 24 / 0 / 39 / 7

HEX #B4ED91

RGB 180 237 145

HSL 97.17, 0.72%, 0.75%

LAB 88.12, -34.12, 38.84

 

CMYK 14 / 0 / 39 / 7

HEX #CCED91

RGB 204 237 145

HSL 81.52, 0.72%, 0.75%

LAB 89.6, -25.56, 41.05

 

CMYK 39 / 0 / 22 / 7

HEX #91EDB8

RGB 145 237 184

HSL 145.43, 0.72%, 0.75%

LAB 87.02, -38.79, 17.19

 

CMYK 39 / 0 / 12 / 7

HEX #91EDD1

RGB 145 237 209

HSL 161.74, 0.72%, 0.75%

LAB 87.58, -33.7, 4.95

 

CMYK 39 / 0 / 1 / 7

HEX #91EDEA

RGB 145 237 234

HSL 178.04, 0.72%, 0.75%

LAB 88.22, -28.05, -7.2

 

CMYK 39 / 9 / 0 / 7

HEX #91D7ED

RGB 145 215 237

HSL 194.35, 0.72%, 0.75%

LAB 82.24, -16.43, -17.73

 

CMYK 39 / 20 / 0 / 7

HEX #91BEED

RGB 145 190 237

HSL 210.65, 0.72%, 0.75%

LAB 75.43, -3.3, -28.08

 

CMYK 39 / 0 / 22 / 7

HEX #91EDB8

RGB 145 237 184

HSL 145.43, 0.72%, 0.75%

LAB 87.02, -38.79, 17.19

 

CMYK 45 / 0 / 26 / 3

HEX #87F7B7

RGB 135 247 183

HSL 145.71, 0.88%, 0.75%

LAB 89.44, -46.05, 21.01

 

CMYK 39 / 0 / 22 / 7

HEX #91EDB8

RGB 145 237 184

HSL 145.43, 0.72%, 0.75%

LAB 87.02, -38.79, 17.19

 

CMYK 31 / 0 / 18 / 11

HEX #9BE2BA

RGB 155 226 186

HSL 146.2, 0.55%, 0.75%

LAB 84.44, -30.43, 12.57

 

CMYK 24 / 0 / 13 / 15

HEX #A5D8BB

RGB 165 216 187

HSL 145.88, 0.4%, 0.75%

LAB 82.22, -22.31, 8.96

 

CMYK 15 / 0 / 8 / 19

HEX #B0CEBD

RGB 176 206 189

HSL 146, 0.23%, 0.75%

LAB 80.21, -13.32, 5.1

 

CMYK 5 / 0 / 3 / 24

HEX #BAC3BE

RGB 186 195 190

HSL 146.67, 0.07%, 0.75%

LAB 77.99, -4.03, 1.43

 

CMYK 34 / 0 / 39 / 7

HEX #9CED91

RGB 156 237 145

HSL 112.83, 0.72%, 0.75%

LAB 86.84, -42.07, 36.93

 

CMYK 39 / 0 / 33 / 7

HEX #91ED9F

RGB 145 237 159

HSL 129.13, 0.72%, 0.75%

LAB 86.55, -43.25, 29.4

 

CMYK 39 / 0 / 23 / 7

HEX #91EDB7

RGB 145 237 183

HSL 144.78, 0.72%, 0.75%

LAB 87, -38.98, 17.68

 

CMYK 39 / 0 / 12 / 7

HEX #91EDD0

RGB 145 237 208

HSL 161.09, 0.72%, 0.75%

LAB 87.55, -33.92, 5.44

 

CMYK 39 / 0 / 2 / 7

HEX #91EDE8

RGB 145 237 232

HSL 176.74, 0.72%, 0.75%

LAB 88.17, -28.52, -6.23

 

CMYK 67 / 0 / 38 / 12

HEX #4AE18B

RGB 74 225 139

HSL 145.83, 0.72%, 0.59%

LAB 80.28, -58.62, 30.78

 

CMYK 53 / 0 / 30 / 9

HEX #6DE7A2

RGB 109 231 162

HSL 146.07, 0.72%, 0.67%

LAB 83.45, -49.63, 23.42

 

CMYK 39 / 0 / 22 / 7

HEX #91EDB8

RGB 145 237 184

HSL 145.43, 0.72%, 0.75%

LAB 87.02, -38.79, 17.19

 

CMYK 26 / 0 / 14 / 5

HEX #B4F2CF

RGB 180 242 207

HSL 146.13, 0.7%, 0.83%

LAB 90.65, -26.44, 10.63

 

CMYK 13 / 0 / 7 / 3

HEX #D8F8E6

RGB 216 248 230

HSL 146.25, 0.7%, 0.91%

LAB 94.93, -13.71, 5.15

 

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

CMYK 39 / 24 / 0 / 7

HEX #91B4ED

RGB 145 180 237

HSL 217.17, 0.72%, 0.75%

LAB 72.74, 2.16, -32.21

 

CMYK 0 / 38 / 39 / 7

HEX #ED9291

RGB 237 146 145

HSL 0.65, 0.72%, 0.75%

LAB 69.9, 34.22, 15.17

 

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

CMYK 23 / 39 / 0 / 7

HEX #B791ED

RGB 183 145 237

HSL 264.78, 0.72%, 0.75%

LAB 66.85, 32.42, -41.16

 

CMYK 0 / 23 / 39 / 7

HEX #EDB791

RGB 237 183 145

HSL 24.78, 0.72%, 0.75%

LAB 78.41, 14.62, 26.84

 

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

CMYK 39 / 24 / 0 / 7

HEX #91B4ED

RGB 145 180 237

HSL 217.17, 0.72%, 0.75%

LAB 72.74, 2.16, -32.21

 

CMYK 0 / 39 / 16 / 7

HEX #ED91C6

RGB 237 145 198

HSL 325.43, 0.72%, 0.75%

LAB 71.1, 41.84, -12.59

 

CMYK 0 / 15 / 39 / 7

HEX #EDC991

RGB 237 201 145

HSL 36.52, 0.72%, 0.75%

LAB 82.82, 5.16, 32.71

 

CMYK 39 / 0 / 22 / 7

HEX #90EDB8

RGB 144 237 184

HSL 145.81, 0.72%, 0.75%

LAB 86.98, -39.06, 17.12

 

CMYK 39 / 35 / 0 / 7

HEX #9199ED

RGB 145 153 237

HSL 234.78, 0.72%, 0.75%

LAB 65.68, 17.4, -43.2

 

CMYK 0 / 39 / 16 / 7

HEX #ED91C6

RGB 237 145 198

HSL 325.43, 0.72%, 0.75%

LAB 71.1, 41.84, -12.59

 

CMYK 0 / 3 / 39 / 7

HEX #EDE591

RGB 237 229 145

HSL 54.78, 0.72%, 0.75%

LAB 89.9, -9.15, 41.91

 

Description

Color code: HEX #90EDB8 | qconv.com Color code: HEX #90EDB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 237 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 237 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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