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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F3E9 it is the complementary color #6F0C16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F3E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F3E9 shade: #95F3E4, #A6FFF7, #B7FFFF, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F3E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F3E9 shade: #90F3E9, #7FE1D6, #6ECFC3, #5DBDB0 and #4CAB9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F3E9 shade: #90F2E8, #90F2CE, #90F2B4, #90F299 and #A2F290

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F3E9 shade: #90F2E8, #90E2F2, #90C7F2, #90ADF2 and #9093F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F3E9 shade matches the following richer shades: #90F2E8 and #86FCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F3E9 shade: #90F2E8, #9AE8E0, #A4DED9, #AED5D1 and #B8CBC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F3E9 shade: #90F2B3, #90F2CD, #90F2E7, #90E4F2 and #90C9F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F3E9 shade: #46EAD9, #6BEEE1, #90F2E8, #B5F6F0 and #DBFBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F3E9 shade: #90F3E9, #9990F2 and #F2C090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F3E9 shade: #90F3E9, #E790F2 and #F2E790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F3E9 shade: #90F3E9, #9990F2, #F2909C and #EAF290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F3E9 shade: #90F3E9, #B690F2, #F2909C and #CDF290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

Complementary color

CMYK 0 / 89 / 80 / 56

HEX #6F0C16

RGB 111 12 22

HSL 353.94, 0.8%, 0.24%

LAB 22.66, 41.27, 23.24

 

CMYK 39 / 0 / 6 / 5

HEX #95F3E4

RGB 149 243 228

HSL 170.43, 0.8%, 0.77%

LAB 89.9, -31.29, -1.57

 

CMYK 35 / 0 / 3 / 0

HEX #A6FFF7

RGB 166 255 247

HSL 174.61, 1%, 0.83%

LAB 94.46, -28.32, -4.65

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

CMYK 44 / 0 / 5 / 12

HEX #7FE1D6

RGB 127 225 214

HSL 173.27, 0.62%, 0.69%

LAB 83.56, -31.46, -3.64

 

CMYK 47 / 0 / 6 / 19

HEX #6ECFC3

RGB 110 207 195

HSL 172.58, 0.5%, 0.62%

LAB 77.21, -31.51, -2.91

 

CMYK 51 / 0 / 7 / 26

HEX #5DBDB0

RGB 93 189 176

HSL 171.88, 0.42%, 0.55%

LAB 70.77, -31.52, -2.12

 

CMYK 56 / 0 / 8 / 33

HEX #4CAB9D

RGB 76 171 157

HSL 171.16, 0.38%, 0.48%

LAB 64.24, -31.46, -1.27

 

CMYK 40 / 0 / 4 / 5

HEX #90F2E8

RGB 144 242 232

HSL 173.88, 0.79%, 0.76%

LAB 89.51, -31.15, -4.25

 

CMYK 40 / 0 / 15 / 5

HEX #90F2CE

RGB 144 242 206

HSL 157.96, 0.79%, 0.76%

LAB 88.87, -36.91, 8.37

 

CMYK 40 / 0 / 26 / 5

HEX #90F2B4

RGB 144 242 180

HSL 142.04, 0.79%, 0.76%

LAB 88.32, -42.04, 21.06

 

CMYK 40 / 0 / 37 / 5

HEX #90F299

RGB 144 242 153

HSL 125.51, 0.79%, 0.76%

LAB 87.84, -46.66, 34.14

 

CMYK 33 / 0 / 40 / 5

HEX #A2F290

RGB 162 242 144

HSL 108.98, 0.79%, 0.76%

LAB 88.54, -42.5, 39.69

 

CMYK 40 / 0 / 4 / 5

HEX #90F2E8

RGB 144 242 232

HSL 173.88, 0.79%, 0.76%

LAB 89.51, -31.15, -4.25

 

CMYK 40 / 7 / 0 / 5

HEX #90E2F2

RGB 144 226 242

HSL 189.8, 0.79%, 0.76%

LAB 85.37, -20.97, -15.66

 

CMYK 40 / 18 / 0 / 5

HEX #90C7F2

RGB 144 199 242

HSL 206.33, 0.79%, 0.76%

LAB 77.99, -7.07, -26.86

 

CMYK 40 / 29 / 0 / 5

HEX #90ADF2

RGB 144 173 242

HSL 222.24, 0.79%, 0.76%

LAB 71.03, 7.14, -37.59

 

CMYK 40 / 39 / 0 / 5

HEX #9093F2

RGB 144 147 242

HSL 238.16, 0.79%, 0.76%

LAB 64.33, 21.98, -48.09

 

CMYK 40 / 0 / 4 / 5

HEX #90F2E8

RGB 144 242 232

HSL 173.88, 0.79%, 0.76%

LAB 89.51, -31.15, -4.25

 

CMYK 47 / 0 / 5 / 1

HEX #86FCF0

RGB 134 252 240

HSL 173.9, 0.95%, 0.76%

LAB 92.12, -36.25, -4.62

 

CMYK 40 / 0 / 4 / 5

HEX #90F2E8

RGB 144 242 232

HSL 173.88, 0.79%, 0.76%

LAB 89.51, -31.15, -4.25

 

CMYK 34 / 0 / 3 / 9

HEX #9AE8E0

RGB 154 232 224

HSL 173.85, 0.63%, 0.76%

LAB 86.98, -25.62, -3.74

 

CMYK 26 / 0 / 2 / 13

HEX #A4DED9

RGB 164 222 217

HSL 174.83, 0.47%, 0.76%

LAB 84.56, -19.44, -3.55

 

CMYK 18 / 0 / 2 / 16

HEX #AED5D1

RGB 174 213 209

HSL 173.85, 0.32%, 0.76%

LAB 82.48, -13.57, -2.28

 

CMYK 9 / 0 / 1 / 20

HEX #B8CBC9

RGB 184 203 201

HSL 173.68, 0.15%, 0.76%

LAB 80.25, -6.8, -1.21

 

CMYK 40 / 0 / 26 / 5

HEX #90F2B3

RGB 144 242 179

HSL 141.43, 0.79%, 0.76%

LAB 88.3, -42.23, 21.55

 

CMYK 40 / 0 / 15 / 5

HEX #90F2CD

RGB 144 242 205

HSL 157.35, 0.79%, 0.76%

LAB 88.85, -37.12, 8.86

 

CMYK 40 / 0 / 5 / 5

HEX #90F2E7

RGB 144 242 231

HSL 173.27, 0.79%, 0.76%

LAB 89.49, -31.38, -3.77

 

CMYK 40 / 6 / 0 / 5

HEX #90E4F2

RGB 144 228 242

HSL 188.57, 0.79%, 0.76%

LAB 85.92, -21.97, -14.84

 

CMYK 40 / 17 / 0 / 5

HEX #90C9F2

RGB 144 201 242

HSL 205.1, 0.79%, 0.76%

LAB 78.53, -8.13, -26.03

 

CMYK 70 / 0 / 7 / 8

HEX #46EAD9

RGB 70 234 217

HSL 173.78, 0.8%, 0.6%

LAB 84.56, -45.3, -3.93

 

CMYK 55 / 0 / 5 / 7

HEX #6BEEE1

RGB 107 238 225

HSL 174.05, 0.79%, 0.68%

LAB 86.85, -39.1, -4.66

 

CMYK 40 / 0 / 4 / 5

HEX #90F2E8

RGB 144 242 232

HSL 173.88, 0.79%, 0.76%

LAB 89.51, -31.15, -4.25

 

CMYK 26 / 0 / 2 / 4

HEX #B5F6F0

RGB 181 246 240

HSL 174.46, 0.78%, 0.84%

LAB 92.59, -21.42, -3.69

 

CMYK 13 / 0 / 2 / 2

HEX #DBFBF7

RGB 219 251 247

HSL 172.5, 0.8%, 0.92%

LAB 96.32, -11.05, -1.58

 

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

CMYK 37 / 40 / 0 / 5

HEX #9990F2

RGB 153 144 242

HSL 245.51, 0.79%, 0.76%

LAB 64.27, 26.01, -48.14

 

CMYK 0 / 21 / 40 / 5

HEX #F2C090

RGB 242 192 144

HSL 29.39, 0.79%, 0.76%

LAB 81.07, 11.72, 31

 

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

CMYK 5 / 40 / 0 / 5

HEX #E790F2

RGB 231 144 242

HSL 293.27, 0.79%, 0.76%

LAB 71.79, 48.01, -35.82

 

CMYK 0 / 5 / 40 / 5

HEX #F2E790

RGB 242 231 144

HSL 53.27, 0.79%, 0.76%

LAB 90.8, -8.32, 43.64

 

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

CMYK 37 / 40 / 0 / 5

HEX #9990F2

RGB 153 144 242

HSL 245.51, 0.79%, 0.76%

LAB 64.27, 26.01, -48.14

 

CMYK 0 / 40 / 36 / 5

HEX #F2909C

RGB 242 144 156

HSL 352.65, 0.79%, 0.76%

LAB 70.33, 38.36, 9.74

 

CMYK 3 / 0 / 40 / 5

HEX #EAF290

RGB 234 242 144

HSL 64.9, 0.79%, 0.76%

LAB 93.02, -16.84, 46.32

 

CMYK 41 / 0 / 4 / 5

HEX #90F3E9

RGB 144 243 233

HSL 173.94, 0.8%, 0.76%

LAB 89.82, -31.39, -4.32

 

CMYK 25 / 40 / 0 / 5

HEX #B690F2

RGB 182 144 242

HSL 263.27, 0.79%, 0.76%

LAB 66.75, 33.86, -44.06

 

CMYK 0 / 40 / 36 / 5

HEX #F2909C

RGB 242 144 156

HSL 352.65, 0.79%, 0.76%

LAB 70.33, 38.36, 9.74

 

CMYK 15 / 0 / 40 / 5

HEX #CDF290

RGB 205 242 144

HSL 82.65, 0.79%, 0.76%

LAB 91.01, -27.69, 43.35

 

Description

Color code: HEX #90F3E9 | qconv.com Color code: HEX #90F3E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 243 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 243 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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