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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90FCF6 it is the complementary color #6F0309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90FCF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90FCF6 shade: #95FCF1, #A6FFFF, #B7FFFF, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90FCF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90FCF6 shade: #90FCF6, #7FEAE3, #6ED8D0, #5DC6BD and #4CB4AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90FCF6 shade: #91FCF6, #91FCD9, #91FCBC, #91FCA0 and #9FFC91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90FCF6 shade: #91FCF6, #91E5FC, #91C8FC, #91ABFC and #9191FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90FCF6 shade matches the following richer shades: #91FCF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90FCF6 shade: #91FCF6, #9AF3EE, #A3EAE6, #ACE0DE and #B5D7D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90FCF6 shade: #91FCBC, #91FCD8, #91FCF5, #91E6FC and #91CAFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90FCF6 shade: #41FAEF, #69FBF3, #91FCF6, #B9FDF9 and #E2FEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90FCF6 shade: #90FCF6, #9F91FC and #FCCA91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90FCF6 shade: #90FCF6, #F591FC and #FCF591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90FCF6 shade: #90FCF6, #9F91FC, #FC9198 and #EDFC91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90FCF6 shade: #90FCF6, #BF91FC, #FC9198 and #CEFC91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

Complementary color

CMYK 0 / 97 / 92 / 56

HEX #6F0309

RGB 111 3 9

HSL 356.67, 0.95%, 0.22%

LAB 21.82, 42.9, 29.35

 

CMYK 41 / 0 / 4 / 1

HEX #95FCF1

RGB 149 252 241

HSL 173.59, 0.94%, 0.79%

LAB 92.73, -32.54, -4.17

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

CMYK 46 / 0 / 3 / 8

HEX #7FEAE3

RGB 127 234 227

HSL 176.07, 0.72%, 0.71%

LAB 86.46, -32.58, -6.22

 

CMYK 49 / 0 / 4 / 15

HEX #6ED8D0

RGB 110 216 208

HSL 175.47, 0.58%, 0.64%

LAB 80.17, -32.56, -5.51

 

CMYK 53 / 0 / 5 / 22

HEX #5DC6BD

RGB 93 198 189

HSL 174.86, 0.48%, 0.57%

LAB 73.8, -32.49, -4.76

 

CMYK 58 / 0 / 6 / 29

HEX #4CB4AA

RGB 76 180 170

HSL 174.23, 0.41%, 0.5%

LAB 67.34, -32.34, -3.94

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF6

RGB 145 252 246

HSL 176.64, 0.95%, 0.78%

LAB 92.7, -32.32, -6.82

 

CMYK 42 / 0 / 14 / 1

HEX #91FCD9

RGB 145 252 217

HSL 160.37, 0.95%, 0.78%

LAB 91.98, -38.86, 7.13

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 42 / 0 / 37 / 1

HEX #91FCA0

RGB 145 252 160

HSL 128.41, 0.95%, 0.78%

LAB 90.86, -49.5, 34.65

 

CMYK 37 / 0 / 42 / 1

HEX #9FFC91

RGB 159 252 145

HSL 112.15, 0.95%, 0.78%

LAB 91.25, -47.61, 42.65

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF6

RGB 145 252 246

HSL 176.64, 0.95%, 0.78%

LAB 92.7, -32.32, -6.82

 

CMYK 42 / 9 / 0 / 1

HEX #91E5FC

RGB 145 229 252

HSL 192.9, 0.95%, 0.78%

LAB 86.55, -19.71, -19.15

 

CMYK 42 / 21 / 0 / 1

HEX #91C8FC

RGB 145 200 252

HSL 209.16, 0.95%, 0.78%

LAB 78.67, -4.69, -31.16

 

CMYK 42 / 32 / 0 / 1

HEX #91ABFC

RGB 145 171 252

HSL 225.42, 0.95%, 0.78%

LAB 70.99, 11.27, -43.07

 

CMYK 42 / 42 / 0 / 1

HEX #9191FC

RGB 145 145 252

HSL 240, 0.95%, 0.78%

LAB 64.4, 26.17, -53.45

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF6

RGB 145 252 246

HSL 176.64, 0.95%, 0.78%

LAB 92.7, -32.32, -6.82

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF6

RGB 145 252 246

HSL 176.64, 0.95%, 0.78%

LAB 92.7, -32.32, -6.82

 

CMYK 37 / 0 / 2 / 5

HEX #9AF3EE

RGB 154 243 238

HSL 176.63, 0.79%, 0.78%

LAB 90.39, -27.73, -6.04

 

CMYK 30 / 0 / 2 / 8

HEX #A3EAE6

RGB 163 234 230

HSL 176.62, 0.63%, 0.78%

LAB 88.13, -22.79, -5.14

 

CMYK 23 / 0 / 1 / 12

HEX #ACE0DE

RGB 172 224 222

HSL 177.69, 0.46%, 0.78%

LAB 85.68, -17, -4.48

 

CMYK 16 / 0 / 0 / 16

HEX #B5D7D6

RGB 181 215 214

HSL 178.24, 0.3%, 0.78%

LAB 83.59, -11.36, -3.27

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 42 / 0 / 14 / 1

HEX #91FCD8

RGB 145 252 216

HSL 159.81, 0.95%, 0.78%

LAB 91.95, -39.08, 7.62

 

CMYK 42 / 0 / 3 / 1

HEX #91FCF5

RGB 145 252 245

HSL 176.07, 0.95%, 0.78%

LAB 92.68, -32.56, -6.34

 

CMYK 42 / 9 / 0 / 1

HEX #91E6FC

RGB 145 230 252

HSL 192.34, 0.95%, 0.78%

LAB 86.82, -20.21, -18.74

 

CMYK 42 / 20 / 0 / 1

HEX #91CAFC

RGB 145 202 252

HSL 208.04, 0.95%, 0.78%

LAB 79.21, -5.76, -30.33

 

CMYK 74 / 0 / 4 / 2

HEX #41FAEF

RGB 65 250 239

HSL 176.43, 0.95%, 0.62%

LAB 89.73, -46.95, -7.83

 

CMYK 58 / 0 / 3 / 2

HEX #69FBF3

RGB 105 251 243

HSL 176.71, 0.95%, 0.7%

LAB 90.99, -40.77, -7.95

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF6

RGB 145 252 246

HSL 176.64, 0.95%, 0.78%

LAB 92.7, -32.32, -6.82

 

CMYK 27 / 0 / 2 / 1

HEX #B9FDF9

RGB 185 253 249

HSL 176.47, 0.94%, 0.86%

LAB 94.91, -21.78, -4.91

 

CMYK 11 / 0 / 1 / 0

HEX #E2FEFC

RGB 226 254 252

HSL 175.71, 0.93%, 0.94%

LAB 97.66, -9.39, -2.13

 

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

CMYK 37 / 42 / 0 / 1

HEX #9F91FC

RGB 159 145 252

HSL 247.85, 0.95%, 0.78%

LAB 65.48, 29.63, -51.68

 

CMYK 0 / 20 / 42 / 1

HEX #FCCA91

RGB 252 202 145

HSL 31.96, 0.95%, 0.78%

LAB 84.47, 10.53, 35.15

 

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

CMYK 3 / 42 / 0 / 1

HEX #F591FC

RGB 245 145 252

HSL 296.07, 0.95%, 0.78%

LAB 73.99, 53.41, -37.72

 

CMYK 0 / 3 / 42 / 1

HEX #FCF591

RGB 252 245 145

HSL 56.07, 0.95%, 0.78%

LAB 95.18, -11.29, 48.84

 

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

CMYK 37 / 42 / 0 / 1

HEX #9F91FC

RGB 159 145 252

HSL 247.85, 0.95%, 0.78%

LAB 65.48, 29.63, -51.68

 

CMYK 0 / 42 / 40 / 1

HEX #FC9198

RGB 252 145 152

HSL 356.07, 0.95%, 0.78%

LAB 71.7, 41, 14.07

 

CMYK 6 / 0 / 42 / 1

HEX #EDFC91

RGB 237 252 145

HSL 68.41, 0.95%, 0.78%

LAB 95.86, -20.43, 49.44

 

CMYK 43 / 0 / 2 / 1

HEX #90FCF6

RGB 144 252 246

HSL 176.67, 0.95%, 0.78%

LAB 92.66, -32.56, -6.88

 

CMYK 24 / 42 / 0 / 1

HEX #BF91FC

RGB 191 145 252

HSL 265.79, 0.95%, 0.78%

LAB 68.28, 38.13, -47.07

 

CMYK 0 / 42 / 40 / 1

HEX #FC9198

RGB 252 145 152

HSL 356.07, 0.95%, 0.78%

LAB 71.7, 41, 14.07

 

CMYK 18 / 0 / 42 / 1

HEX #CEFC91

RGB 206 252 145

HSL 85.79, 0.95%, 0.78%

LAB 93.79, -31.88, 46.41

 

Description

Color code: HEX #90FCF6 | qconv.com Color code: HEX #90FCF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 252 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 252 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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