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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #911111 it is the complementary color #6EEEEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #911111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #911111 shade: #96110C, #A7231F, #B83532, #C94745 and #DA5958

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #911111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #911111 shade: #911111, #800000, #6F0000, #5E0000 and #4D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #911111 shade: #921111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #911111 shade: #921111, #923311, #925611, #927911 and #879211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #911111 shade matches the following richer shades: #921111 and #9F0303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #911111 shade: #921111, #841E1E, #772B2B, #6A3838 and #5D4545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #911111 shade: #921155, #921133, #921111, #923311 and #925511

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #911111 shade: #480808, #6D0C0C, #921111, #B61515 and #DB1919

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #911111 shade: #911111, #789211 and #114492

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #911111 shade: #911111, #119211 and #111192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #911111 shade: #911111, #789211, #119292 and #2A1192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #911111 shade: #911111, #519211, #119292 and #511192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

Complementary color

CMYK 54 / 0 / 0 / 7

HEX #6EEEEE

RGB 110 238 238

HSL 180, 0.79%, 0.68%

LAB 87.31, -35.21, -10.79

 

CMYK 0 / 89 / 92 / 41

HEX #96110C

RGB 150 17 12

HSL 2.17, 0.85%, 0.32%

LAB 31.6, 51.39, 40.13

 

CMYK 0 / 79 / 81 / 35

HEX #A7231F

RGB 167 35 31

HSL 1.76, 0.69%, 0.39%

LAB 36.96, 52.24, 36.44

 

CMYK 0 / 71 / 73 / 28

HEX #B83532

RGB 184 53 50

HSL 1.34, 0.57%, 0.46%

LAB 42.71, 52.12, 32.7

 

CMYK 0 / 65 / 66 / 21

HEX #C94745

RGB 201 71 69

HSL 0.91, 0.55%, 0.53%

LAB 48.7, 51.47, 29.44

 

CMYK 0 / 59 / 60 / 15

HEX #DA5958

RGB 218 89 88

HSL 0.46, 0.64%, 0.6%

LAB 54.82, 50.54, 26.7

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 100 / 100 / 63

HEX #5E0000

RGB 94 0 0

HSL 0, 1%, 0.18%

LAB 17.37, 38.61, 26.85

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 65 / 88 / 43

HEX #923311

RGB 146 51 17

HSL 15.81, 0.79%, 0.32%

LAB 35.04, 38.52, 40.25

 

CMYK 0 / 41 / 88 / 43

HEX #925611

RGB 146 86 17

HSL 32.09, 0.79%, 0.32%

LAB 42.47, 19.86, 46.37

 

CMYK 0 / 17 / 88 / 43

HEX #927911

RGB 146 121 17

HSL 48.37, 0.79%, 0.32%

LAB 51.64, -0.27, 53.85

 

CMYK 8 / 0 / 88 / 43

HEX #879211

RGB 135 146 17

HSL 65.12, 0.79%, 0.32%

LAB 57.8, -18.87, 58.47

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 98 / 98 / 38

HEX #9F0303

RGB 159 3 3

HSL 0, 0.96%, 0.32%

LAB 32.79, 55.9, 45.58

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 77 / 77 / 48

HEX #841E1E

RGB 132 30 30

HSL 0, 0.63%, 0.32%

LAB 29.23, 42.76, 26.71

 

CMYK 0 / 64 / 64 / 53

HEX #772B2B

RGB 119 43 43

HSL 0, 0.47%, 0.32%

LAB 28.96, 33.3, 17.52

 

CMYK 0 / 47 / 47 / 58

HEX #6A3838

RGB 106 56 56

HSL 0, 0.31%, 0.32%

LAB 29.86, 22.12, 9.87

 

CMYK 0 / 26 / 26 / 64

HEX #5D4545

RGB 93 69 69

HSL 0, 0.15%, 0.32%

LAB 31.84, 10.31, 4

 

CMYK 0 / 88 / 42 / 43

HEX #921155

RGB 146 17 85

HSL 328.37, 0.79%, 0.32%

LAB 32.19, 54.42, -4.86

 

CMYK 0 / 88 / 65 / 43

HEX #921133

RGB 146 17 51

HSL 344.19, 0.79%, 0.32%

LAB 31.23, 51.71, 16.26

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 65 / 88 / 43

HEX #923311

RGB 146 51 17

HSL 15.81, 0.79%, 0.32%

LAB 35.04, 38.52, 40.25

 

CMYK 0 / 42 / 88 / 43

HEX #925511

RGB 146 85 17

HSL 31.63, 0.79%, 0.32%

LAB 42.23, 20.43, 46.17

 

CMYK 0 / 89 / 89 / 72

HEX #480808

RGB 72 8 8

HSL 0, 0.8%, 0.16%

LAB 13.04, 29.31, 16.98

 

CMYK 0 / 89 / 89 / 57

HEX #6D0C0C

RGB 109 12 12

HSL 0, 0.8%, 0.24%

LAB 22.09, 40.33, 28.24

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 18 / 0 / 88 / 43

HEX #789211

RGB 120 146 17

HSL 72.09, 0.79%, 0.32%

LAB 56.68, -25.46, 57.08

 

CMYK 88 / 53 / 0 / 43

HEX #114492

RGB 17 68 146

HSL 216.28, 0.79%, 0.32%

LAB 30.23, 15.08, -47.51

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 88 / 0 / 88 / 43

HEX #119211

RGB 17 146 17

HSL 120, 0.79%, 0.32%

LAB 52.64, -55.1, 52.02

 

CMYK 88 / 88 / 0 / 43

HEX #111192

RGB 17 17 146

HSL 240, 0.79%, 0.32%

LAB 18.34, 46.75, -67.05

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 18 / 0 / 88 / 43

HEX #789211

RGB 120 146 17

HSL 72.09, 0.79%, 0.32%

LAB 56.68, -25.46, 57.08

 

CMYK 88 / 0 / 0 / 43

HEX #119292

RGB 17 146 146

HSL 180, 0.79%, 0.32%

LAB 54.82, -30.91, -9.13

 

CMYK 71 / 88 / 0 / 43

HEX #2A1192

RGB 42 17 146

HSL 251.63, 0.79%, 0.32%

LAB 19.92, 48, -64.39

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 45 / 0 / 88 / 43

HEX #519211

RGB 81 146 17

HSL 90.23, 0.79%, 0.32%

LAB 54.39, -40.8, 54.24

 

CMYK 88 / 0 / 0 / 43

HEX #119292

RGB 17 146 146

HSL 180, 0.79%, 0.32%

LAB 54.82, -30.91, -9.13

 

CMYK 45 / 88 / 0 / 43

HEX #511192

RGB 81 17 146

HSL 269.77, 0.79%, 0.32%

LAB 24.4, 51.89, -56.83

 

Description

Color code: HEX #911111 | qconv.com Color code: HEX #911111 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 17 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 17 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 88 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 88% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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