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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91138A it is the complementary color #6EEC75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91138A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91138A shade: #961385, #A72598, #B837AB, #C949BE and #DA5BD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91138A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91138A shade: #91138A, #800177, #6F0064, #5E0051 and #4D003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91138A shade: #901289, #901267, #901245, #901223 and #901212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91138A shade: #901289, #751290, #531290, #311290 and #121290

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91138A shade matches the following richer shades: #901289 and #9D0595

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91138A shade: #901289, #831F7D, #762D71, #683A66 and #5B475A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91138A shade: #531290, #751290, #90128A, #901268 and #901247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91138A shade: #470943, #6B0E66, #901289, #B417AC and #D91CCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91138A shade: #91138A, #903212 and #129064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91138A shade: #91138A, #8A9012 and #128A90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91138A shade: #91138A, #903212, #129019 and #127190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91138A shade: #91138A, #905712, #129019 and #124B90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

Complementary color

CMYK 53 / 0 / 50 / 7

HEX #6EEC75

RGB 110 236 117

HSL 123.33, 0.77%, 0.68%

LAB 84.27, -58.65, 46.91

 

CMYK 0 / 87 / 11 / 41

HEX #961385

RGB 150 19 133

HSL 307.79, 0.78%, 0.33%

LAB 35.29, 60.89, -30.61

 

CMYK 0 / 78 / 9 / 35

HEX #A72598

RGB 167 37 152

HSL 306.92, 0.64%, 0.4%

LAB 40.91, 62.94, -33.19

 

CMYK 0 / 70 / 7 / 28

HEX #B837AB

RGB 184 55 171

HSL 306.05, 0.54%, 0.47%

LAB 46.79, 63.93, -35.08

 

CMYK 0 / 64 / 5 / 21

HEX #C949BE

RGB 201 73 190

HSL 305.16, 0.54%, 0.54%

LAB 52.84, 64.25, -36.49

 

CMYK 0 / 58 / 4 / 15

HEX #DA5BD1

RGB 218 91 209

HSL 304.25, 0.63%, 0.61%

LAB 58.97, 64.14, -37.58

 

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

CMYK 0 / 99 / 7 / 50

HEX #800177

RGB 128 1 119

HSL 304.25, 0.98%, 0.25%

LAB 29.27, 57.39, -31.63

 

CMYK 0 / 100 / 10 / 56

HEX #6F0064

RGB 111 0 100

HSL 305.95, 1%, 0.22%

LAB 24.64, 51.51, -26.93

 

CMYK 0 / 100 / 14 / 63

HEX #5E0051

RGB 94 0 81

HSL 308.3, 1%, 0.18%

LAB 19.94, 45.29, -21.93

 

CMYK 0 / 100 / 19 / 70

HEX #4D003E

RGB 77 0 62

HSL 311.69, 1%, 0.15%

LAB 15.09, 38.88, -16.66

 

CMYK 0 / 88 / 5 / 44

HEX #901289

RGB 144 18 137

HSL 303.33, 0.78%, 0.32%

LAB 34.33, 60.47, -34.68

 

CMYK 0 / 88 / 28 / 44

HEX #901267

RGB 144 18 103

HSL 319.52, 0.78%, 0.32%

LAB 32.57, 55.74, -15.99

 

CMYK 0 / 88 / 52 / 44

HEX #901245

RGB 144 18 69

HSL 335.71, 0.78%, 0.32%

LAB 31.33, 52.24, 4.38

 

CMYK 0 / 88 / 76 / 44

HEX #901223

RGB 144 18 35

HSL 351.9, 0.78%, 0.32%

LAB 30.6, 50.12, 25.81

 

CMYK 0 / 88 / 88 / 44

HEX #901212

RGB 144 18 18

HSL 0, 0.78%, 0.32%

LAB 30.41, 49.56, 35.7

 

CMYK 0 / 88 / 5 / 44

HEX #901289

RGB 144 18 137

HSL 303.33, 0.78%, 0.32%

LAB 34.33, 60.47, -34.68

 

CMYK 19 / 88 / 0 / 44

HEX #751290

RGB 117 18 144

HSL 287.14, 0.78%, 0.32%

LAB 29.98, 56.66, -46.26

 

CMYK 42 / 88 / 0 / 44

HEX #531290

RGB 83 18 144

HSL 270.95, 0.78%, 0.32%

LAB 24.59, 51.38, -55.27

 

CMYK 66 / 88 / 0 / 44

HEX #311290

RGB 49 18 144

HSL 254.76, 0.78%, 0.32%

LAB 20.44, 47.59, -62.27

 

CMYK 88 / 88 / 0 / 44

HEX #121290

RGB 18 18 144

HSL 240, 0.78%, 0.32%

LAB 18.25, 45.75, -65.96

 

CMYK 0 / 88 / 5 / 44

HEX #901289

RGB 144 18 137

HSL 303.33, 0.78%, 0.32%

LAB 34.33, 60.47, -34.68

 

CMYK 0 / 97 / 5 / 38

HEX #9D0595

RGB 157 5 149

HSL 303.16, 0.94%, 0.32%

LAB 36.83, 66.59, -37.94

 

CMYK 0 / 88 / 5 / 44

HEX #901289

RGB 144 18 137

HSL 303.33, 0.78%, 0.32%

LAB 34.33, 60.47, -34.68

 

CMYK 0 / 76 / 5 / 49

HEX #831F7D

RGB 131 31 125

HSL 303.6, 0.62%, 0.32%

LAB 32.45, 52.38, -30.33

 

CMYK 0 / 62 / 4 / 54

HEX #762D71

RGB 118 45 113

HSL 304.11, 0.45%, 0.32%

LAB 31.63, 41.23, -24.21

 

CMYK 0 / 44 / 2 / 59

HEX #683A66

RGB 104 58 102

HSL 302.61, 0.28%, 0.32%

LAB 31.64, 27.66, -17.34

 

CMYK 0 / 22 / 1 / 64

HEX #5B475A

RGB 91 71 90

HSL 303, 0.12%, 0.32%

LAB 32.85, 12.27, -7.98

 

CMYK 42 / 88 / 0 / 44

HEX #531290

RGB 83 18 144

HSL 270.95, 0.78%, 0.32%

LAB 24.59, 51.38, -55.27

 

CMYK 19 / 88 / 0 / 44

HEX #751290

RGB 117 18 144

HSL 287.14, 0.78%, 0.32%

LAB 29.98, 56.66, -46.26

 

CMYK 0 / 88 / 4 / 44

HEX #90128A

RGB 144 18 138

HSL 302.86, 0.78%, 0.32%

LAB 34.39, 60.63, -35.21

 

CMYK 0 / 88 / 28 / 44

HEX #901268

RGB 144 18 104

HSL 319.05, 0.78%, 0.32%

LAB 32.62, 55.86, -16.56

 

CMYK 0 / 88 / 51 / 44

HEX #901247

RGB 144 18 71

HSL 334.76, 0.78%, 0.32%

LAB 31.39, 52.4, 3.14

 

CMYK 0 / 87 / 6 / 72

HEX #470943

RGB 71 9 67

HSL 303.87, 0.78%, 0.16%

LAB 15.17, 35.24, -20.14

 

CMYK 0 / 87 / 5 / 58

HEX #6B0E66

RGB 107 14 102

HSL 303.23, 0.77%, 0.24%

LAB 24.95, 48.13, -27.79

 

CMYK 0 / 88 / 5 / 44

HEX #901289

RGB 144 18 137

HSL 303.33, 0.78%, 0.32%

LAB 34.33, 60.47, -34.68

 

CMYK 0 / 87 / 4 / 29

HEX #B417AC

RGB 180 23 172

HSL 303.06, 0.77%, 0.4%

LAB 43.2, 71.76, -41.4

 

CMYK 0 / 87 / 5 / 15

HEX #D91CCE

RGB 217 28 206

HSL 303.49, 0.77%, 0.48%

LAB 51.88, 82.64, -47.06

 

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

CMYK 0 / 65 / 88 / 44

HEX #903212

RGB 144 50 18

HSL 15.24, 0.78%, 0.32%

LAB 34.51, 38.26, 39.21

 

CMYK 88 / 0 / 31 / 44

HEX #129064

RGB 18 144 100

HSL 159.05, 0.78%, 0.32%

LAB 52.94, -42.75, 14.56

 

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

CMYK 4 / 0 / 88 / 44

HEX #8A9012

RGB 138 144 18

HSL 62.86, 0.78%, 0.32%

LAB 57.46, -16.46, 58.07

 

CMYK 88 / 4 / 0 / 44

HEX #128A90

RGB 18 138 144

HSL 182.86, 0.78%, 0.32%

LAB 52.2, -27.57, -11.91

 

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

CMYK 0 / 65 / 88 / 44

HEX #903212

RGB 144 50 18

HSL 15.24, 0.78%, 0.32%

LAB 34.51, 38.26, 39.21

 

CMYK 88 / 0 / 83 / 44

HEX #129019

RGB 18 144 25

HSL 123.33, 0.78%, 0.32%

LAB 52, -53.97, 49.35

 

CMYK 88 / 22 / 0 / 44

HEX #127190

RGB 18 113 144

HSL 194.76, 0.78%, 0.32%

LAB 44.16, -14.28, -24.19

 

CMYK 0 / 87 / 5 / 43

HEX #91138A

RGB 145 19 138

HSL 303.33, 0.77%, 0.32%

LAB 34.64, 60.63, -34.8

 

CMYK 0 / 40 / 88 / 44

HEX #905712

RGB 144 87 18

HSL 32.86, 0.78%, 0.32%

LAB 42.44, 18.4, 45.89

 

CMYK 88 / 0 / 83 / 44

HEX #129019

RGB 18 144 25

HSL 123.33, 0.78%, 0.32%

LAB 52, -53.97, 49.35

 

CMYK 88 / 48 / 0 / 44

HEX #124B90

RGB 18 75 144

HSL 212.86, 0.78%, 0.32%

LAB 32.2, 9.52, -43.1

 

Description

Color code: HEX #91138A | qconv.com Color code: HEX #91138A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 19 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 19 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 5 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 5% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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