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Color name
HEX #912B16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #912B16 it is the complementary color #6ED4E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #912B16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #912B16 shade: #962B11, #A73D24, #B84F37, #C9614A and #DA735D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #912B16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #912B16 shade: #912B16, #801903, #6F0700, #5E0000 and #4D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #912B16 shade: #922B15 and #921515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #912B16 shade: #922B15, #924C15, #926E15, #928F15 and #739215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #912B16 shade matches the following richer shades: #922B15 and #A02208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #912B16 shade: #922B15, #843423, #773D31, #69463E and #5B4F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #912B16 shade: #921543, #921522, #922A15, #924B15 and #926D15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #912B16 shade: #4A150B, #6E2010, #922B15, #B6351B and #DA4020

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #912B16 shade: #912B16, #649215 and #153292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #912B16 shade: #912B16, #15922A and #2A1592

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #912B16 shade: #912B16, #649215, #157D92 and #431592

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #912B16 shade: #912B16, #3F9215, #157D92 and #681592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

Complementary color

CMYK 53 / 9 / 0 / 9

HEX #6ED4E9

RGB 110 212 233

HSL 190.24, 0.74%, 0.67%

LAB 79.78, -24.05, -19.46

 

CMYK 0 / 71 / 89 / 41

HEX #962B11

RGB 150 43 17

HSL 11.73, 0.8%, 0.33%

LAB 34.5, 43.47, 40.11

 

CMYK 0 / 63 / 78 / 35

HEX #A73D24

RGB 167 61 36

HSL 11.45, 0.65%, 0.4%

LAB 40.7, 42.31, 37.5

 

CMYK 0 / 57 / 70 / 28

HEX #B84F37

RGB 184 79 55

HSL 11.16, 0.54%, 0.47%

LAB 47.05, 40.94, 34.83

 

CMYK 0 / 52 / 63 / 21

HEX #C9614A

RGB 201 97 74

HSL 10.87, 0.54%, 0.54%

LAB 53.45, 39.55, 32.42

 

CMYK 0 / 47 / 57 / 15

HEX #DA735D

RGB 218 115 93

HSL 10.56, 0.63%, 0.61%

LAB 59.85, 38.21, 30.31

 

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

CMYK 0 / 80 / 98 / 50

HEX #801903

RGB 128 25 3

HSL 10.56, 0.95%, 0.26%

LAB 27.55, 42.41, 38.64

 

CMYK 0 / 94 / 100 / 56

HEX #6F0700

RGB 111 7 0

HSL 3.78, 1%, 0.22%

LAB 22.06, 41.8, 33.28

 

CMYK 0 / 100 / 100 / 63

HEX #5E0000

RGB 94 0 0

HSL 0, 1%, 0.18%

LAB 17.37, 38.61, 26.85

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 71 / 86 / 43

HEX #922B15

RGB 146 43 21

HSL 10.56, 0.75%, 0.33%

LAB 33.76, 42.16, 37.26

 

CMYK 0 / 86 / 86 / 43

HEX #921515

RGB 146 21 21

HSL 0, 0.75%, 0.33%

LAB 31.12, 49.52, 34.87

 

CMYK 0 / 71 / 86 / 43

HEX #922B15

RGB 146 43 21

HSL 10.56, 0.75%, 0.33%

LAB 33.76, 42.16, 37.26

 

CMYK 0 / 48 / 86 / 43

HEX #924C15

RGB 146 76 21

HSL 26.4, 0.75%, 0.33%

LAB 40.14, 25.65, 42.91

 

CMYK 0 / 25 / 86 / 43

HEX #926E15

RGB 146 110 21

HSL 42.72, 0.75%, 0.33%

LAB 48.66, 6.11, 50.24

 

CMYK 0 / 2 / 86 / 43

HEX #928F15

RGB 146 143 21

HSL 58.56, 0.75%, 0.33%

LAB 57.86, -12.23, 57.98

 

CMYK 21 / 0 / 86 / 43

HEX #739215

RGB 115 146 21

HSL 74.88, 0.75%, 0.33%

LAB 56.34, -27.46, 55.74

 

CMYK 0 / 71 / 86 / 43

HEX #922B15

RGB 146 43 21

HSL 10.56, 0.75%, 0.33%

LAB 33.76, 42.16, 37.26

 

CMYK 0 / 79 / 95 / 37

HEX #A02208

RGB 160 34 8

HSL 10.26, 0.9%, 0.33%

LAB 35.27, 49.88, 45.17

 

CMYK 0 / 71 / 86 / 43

HEX #922B15

RGB 146 43 21

HSL 10.56, 0.75%, 0.33%

LAB 33.76, 42.16, 37.26

 

CMYK 0 / 61 / 73 / 48

HEX #843423

RGB 132 52 35

HSL 10.52, 0.58%, 0.33%

LAB 32.88, 33.31, 27.8

 

CMYK 0 / 49 / 59 / 53

HEX #773D31

RGB 119 61 49

HSL 10.29, 0.42%, 0.33%

LAB 32.88, 24.02, 18.73

 

CMYK 0 / 33 / 41 / 59

HEX #69463E

RGB 105 70 62

HSL 11.16, 0.26%, 0.33%

LAB 33.42, 13.92, 10.91

 

CMYK 0 / 13 / 16 / 64

HEX #5B4F4C

RGB 91 79 76

HSL 12, 0.09%, 0.33%

LAB 34.68, 4.41, 3.6

 

CMYK 0 / 86 / 54 / 43

HEX #921543

RGB 146 21 67

HSL 337.92, 0.75%, 0.33%

LAB 31.93, 51.93, 6.61

 

CMYK 0 / 86 / 77 / 43

HEX #921522

RGB 146 21 34

HSL 353.76, 0.75%, 0.33%

LAB 31.26, 49.95, 27.3

 

CMYK 0 / 71 / 86 / 43

HEX #922A15

RGB 146 42 21

HSL 10.08, 0.75%, 0.33%

LAB 33.61, 42.58, 37.13

 

CMYK 0 / 49 / 86 / 43

HEX #924B15

RGB 146 75 21

HSL 25.92, 0.75%, 0.33%

LAB 39.91, 26.2, 42.71

 

CMYK 0 / 25 / 86 / 43

HEX #926D15

RGB 146 109 21

HSL 42.24, 0.75%, 0.33%

LAB 48.39, 6.68, 50.01

 

CMYK 0 / 72 / 85 / 71

HEX #4A150B

RGB 74 21 11

HSL 9.52, 0.74%, 0.17%

LAB 15.57, 24.56, 19.13

 

CMYK 0 / 71 / 85 / 57

HEX #6E2010

RGB 110 32 16

HSL 10.21, 0.75%, 0.25%

LAB 24.91, 33.66, 29.13

 

CMYK 0 / 71 / 86 / 43

HEX #922B15

RGB 146 43 21

HSL 10.56, 0.75%, 0.33%

LAB 33.76, 42.16, 37.26

 

CMYK 0 / 71 / 85 / 29

HEX #B6351B

RGB 182 53 27

HSL 10.06, 0.74%, 0.41%

LAB 42.11, 50.66, 44.35

 

CMYK 0 / 71 / 85 / 15

HEX #DA4020

RGB 218 64 32

HSL 10.32, 0.74%, 0.49%

LAB 50.31, 58.4, 51.73

 

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

CMYK 32 / 0 / 86 / 43

HEX #649215

RGB 100 146 21

HSL 82.08, 0.75%, 0.33%

LAB 55.4, -33.6, 54.55

 

CMYK 86 / 66 / 0 / 43

HEX #153292

RGB 21 50 146

HSL 226.08, 0.75%, 0.33%

LAB 25.31, 27.85, -55.53

 

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

CMYK 86 / 0 / 71 / 43

HEX #15922A

RGB 21 146 42

HSL 130.08, 0.75%, 0.33%

LAB 52.82, -52.94, 44.1

 

CMYK 71 / 86 / 0 / 43

HEX #2A1592

RGB 42 21 146

HSL 250.08, 0.75%, 0.33%

LAB 20.46, 46.4, -63.5

 

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

CMYK 32 / 0 / 86 / 43

HEX #649215

RGB 100 146 21

HSL 82.08, 0.75%, 0.33%

LAB 55.4, -33.6, 54.55

 

CMYK 86 / 14 / 0 / 43

HEX #157D92

RGB 21 125 146

HSL 190.08, 0.75%, 0.33%

LAB 48.14, -19.95, -19.24

 

CMYK 54 / 86 / 0 / 43

HEX #431592

RGB 67 21 146

HSL 262.08, 0.75%, 0.33%

LAB 23.02, 48.84, -59.18

 

CMYK 0 / 70 / 85 / 43

HEX #912B16

RGB 145 43 22

HSL 10.24, 0.74%, 0.33%

LAB 33.57, 41.84, 36.52

 

CMYK 57 / 0 / 86 / 43

HEX #3F9215

RGB 63 146 21

HSL 99.84, 0.75%, 0.33%

LAB 53.67, -46.29, 52.36

 

CMYK 86 / 14 / 0 / 43

HEX #157D92

RGB 21 125 146

HSL 190.08, 0.75%, 0.33%

LAB 48.14, -19.95, -19.24

 

CMYK 29 / 86 / 0 / 43

HEX #681592

RGB 104 21 146

HSL 279.84, 0.75%, 0.33%

LAB 28.26, 54.1, -50.38

 

Description

Color code: HEX #912B16 | qconv.com Color code: HEX #912B16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 43 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 43 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 85 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 85% 43% C M Y K

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Provide designers and agencies with accurate color values.

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