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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9139D8 it is the complementary color #6EC627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9139D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9139D8 shade: #9639D3, #A74BE6, #B85DF9, #C96FFF and #DA81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9139D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9139D8 shade: #9139D8, #8027C5, #6F15B2, #5E039F and #4D008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9139D8 shade: #923BD8, #BC3BD8, #D83BC9, #D83B9F and #D83B74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9139D8 shade: #923BD8, #673BD8, #3D3BD8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9139D8 shade matches the following richer shades: #923BD8, #9428EB and #9615FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9139D8 shade: #923BD8, #904EC5, #8E61B2, #8C749F and #89878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9139D8 shade: #3D3BD8, #673BD8, #913BD8, #BB3BD8 and #D83BCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9139D8 shade: #671FA1, #7D26C3, #923BD8, #A55DDF and #B880E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9139D8 shade: #9139D8, #D83B62 and #3BD852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9139D8 shade: #9139D8, #D8913B and #3BD891

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9139D8 shade: #9139D8, #D83B62, #81D83B and #3BD8B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9139D8 shade: #9139D8, #D8423B, #81D83B and #3BD0D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

Complementary color

CMYK 44 / 0 / 80 / 22

HEX #6EC627

RGB 110 198 39

HSL 93.21, 0.67%, 0.46%

LAB 72.13, -51.22, 64.95

 

CMYK 29 / 73 / 0 / 17

HEX #9639D3

RGB 150 57 211

HSL 276.23, 0.64%, 0.53%

LAB 44.4, 63.41, -62.52

 

CMYK 27 / 67 / 0 / 10

HEX #A74BE6

RGB 167 75 230

HSL 275.61, 0.76%, 0.6%

LAB 50.64, 63.23, -63.13

 

CMYK 26 / 63 / 0 / 2

HEX #B85DF9

RGB 184 93 249

HSL 275, 0.93%, 0.67%

LAB 56.94, 62.73, -63.51

 

CMYK 21 / 56 / 0 / 0

HEX #C96FFF

RGB 201 111 255

HSL 277.5, 1%, 0.72%

LAB 62.51, 59.26, -57.78

 

CMYK 15 / 49 / 0 / 0

HEX #DA81FF

RGB 218 129 255

HSL 282.38, 1%, 0.75%

LAB 67.89, 54.58, -49.13

 

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

CMYK 35 / 80 / 0 / 23

HEX #8027C5

RGB 128 39 197

HSL 273.8, 0.67%, 0.46%

LAB 37.97, 63.3, -64.99

 

CMYK 38 / 88 / 0 / 30

HEX #6F15B2

RGB 111 21 178

HSL 274.39, 0.79%, 0.39%

LAB 32.1, 62.02, -63.47

 

CMYK 41 / 98 / 0 / 38

HEX #5E039F

RGB 94 3 159

HSL 275, 0.96%, 0.32%

LAB 26.59, 59.41, -61.16

 

CMYK 45 / 100 / 0 / 45

HEX #4D008C

RGB 77 0 140

HSL 273, 1%, 0.27%

LAB 21.84, 54.12, -57.34

 

CMYK 32 / 73 / 0 / 15

HEX #923BD8

RGB 146 59 216

HSL 273.25, 0.67%, 0.54%

LAB 44.51, 62.96, -65.22

 

CMYK 13 / 73 / 0 / 15

HEX #BC3BD8

RGB 188 59 216

HSL 289.3, 0.67%, 0.54%

LAB 50.43, 71.03, -55.38

 

CMYK 0 / 73 / 7 / 15

HEX #D83BC9

RGB 216 59 201

HSL 305.73, 0.67%, 0.54%

LAB 53.97, 74.43, -40.9

 

CMYK 0 / 73 / 26 / 15

HEX #D83B9F

RGB 216 59 159

HSL 321.78, 0.67%, 0.54%

LAB 52.1, 68.72, -19.34

 

CMYK 0 / 73 / 46 / 15

HEX #D83B74

RGB 216 59 116

HSL 338.22, 0.67%, 0.54%

LAB 50.67, 64.16, 4.29

 

CMYK 32 / 73 / 0 / 15

HEX #923BD8

RGB 146 59 216

HSL 273.25, 0.67%, 0.54%

LAB 44.51, 62.96, -65.22

 

CMYK 52 / 73 / 0 / 15

HEX #673BD8

RGB 103 59 216

HSL 256.82, 0.67%, 0.54%

LAB 39.53, 55.81, -73.57

 

CMYK 72 / 73 / 0 / 15

HEX #3D3BD8

RGB 61 59 216

HSL 240.76, 0.67%, 0.54%

LAB 36.13, 50.69, -79.27

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 32 / 73 / 0 / 15

HEX #923BD8

RGB 146 59 216

HSL 273.25, 0.67%, 0.54%

LAB 44.51, 62.96, -65.22

 

CMYK 37 / 83 / 0 / 8

HEX #9428EB

RGB 148 40 235

HSL 273.23, 0.83%, 0.54%

LAB 43.96, 74.11, -76.93

 

CMYK 41 / 92 / 0 / 0

HEX #9615FE

RGB 150 21 254

HSL 273.22, 0.99%, 0.54%

LAB 44.48, 82.48, -86.75

 

CMYK 32 / 73 / 0 / 15

HEX #923BD8

RGB 146 59 216

HSL 273.25, 0.67%, 0.54%

LAB 44.51, 62.96, -65.22

 

CMYK 27 / 60 / 0 / 23

HEX #904EC5

RGB 144 78 197

HSL 273.28, 0.51%, 0.54%

LAB 46.19, 49.3, -51.59

 

CMYK 20 / 46 / 0 / 30

HEX #8E61B2

RGB 142 97 178

HSL 273.33, 0.34%, 0.54%

LAB 48.9, 33.92, -36.26

 

CMYK 12 / 27 / 0 / 38

HEX #8C749F

RGB 140 116 159

HSL 273.49, 0.18%, 0.54%

LAB 52.48, 17.86, -19.65

 

CMYK 2 / 4 / 0 / 45

HEX #89878C

RGB 137 135 140

HSL 264, 0.02%, 0.54%

LAB 56.62, 1.73, -2.42

 

CMYK 72 / 73 / 0 / 15

HEX #3D3BD8

RGB 61 59 216

HSL 240.76, 0.67%, 0.54%

LAB 36.13, 50.69, -79.27

 

CMYK 52 / 73 / 0 / 15

HEX #673BD8

RGB 103 59 216

HSL 256.82, 0.67%, 0.54%

LAB 39.53, 55.81, -73.57

 

CMYK 33 / 73 / 0 / 15

HEX #913BD8

RGB 145 59 216

HSL 272.87, 0.67%, 0.54%

LAB 44.38, 62.78, -65.44

 

CMYK 13 / 73 / 0 / 15

HEX #BB3BD8

RGB 187 59 216

HSL 288.92, 0.67%, 0.54%

LAB 50.28, 70.83, -55.63

 

CMYK 0 / 73 / 6 / 15

HEX #D83BCB

RGB 216 59 203

HSL 304.97, 0.67%, 0.54%

LAB 54.07, 74.73, -41.89

 

CMYK 36 / 81 / 0 / 37

HEX #671FA1

RGB 103 31 161

HSL 273.23, 0.68%, 0.38%

LAB 30.49, 54, -55.93

 

CMYK 36 / 81 / 0 / 24

HEX #7D26C3

RGB 125 38 195

HSL 273.25, 0.67%, 0.46%

LAB 37.27, 62.73, -64.98

 

CMYK 32 / 73 / 0 / 15

HEX #923BD8

RGB 146 59 216

HSL 273.25, 0.67%, 0.54%

LAB 44.51, 62.96, -65.22

 

CMYK 26 / 58 / 0 / 13

HEX #A55DDF

RGB 165 93 223

HSL 273.23, 0.67%, 0.62%

LAB 53.12, 52.61, -55.21

 

CMYK 20 / 44 / 0 / 10

HEX #B880E5

RGB 184 128 229

HSL 273.27, 0.66%, 0.7%

LAB 62.75, 40.28, -43.16

 

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

CMYK 0 / 73 / 55 / 15

HEX #D83B62

RGB 216 59 98

HSL 345.1, 0.67%, 0.54%

LAB 50.23, 62.69, 14.56

 

CMYK 73 / 0 / 62 / 15

HEX #3BD852

RGB 59 216 82

HSL 128.79, 0.67%, 0.54%

LAB 76.47, -66.34, 53.25

 

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

CMYK 0 / 33 / 73 / 15

HEX #D8913B

RGB 216 145 59

HSL 32.87, 0.67%, 0.54%

LAB 65.88, 19.37, 54.51

 

CMYK 73 / 0 / 33 / 15

HEX #3BD891

RGB 59 216 145

HSL 152.87, 0.67%, 0.54%

LAB 77.33, -56.39, 23.68

 

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

CMYK 0 / 73 / 55 / 15

HEX #D83B62

RGB 216 59 98

HSL 345.1, 0.67%, 0.54%

LAB 50.23, 62.69, 14.56

 

CMYK 40 / 0 / 73 / 15

HEX #81D83B

RGB 129 216 59

HSL 93.25, 0.67%, 0.54%

LAB 78.52, -51.08, 65.07

 

CMYK 73 / 0 / 19 / 15

HEX #3BD8B0

RGB 59 216 176

HSL 164.71, 0.67%, 0.54%

LAB 77.98, -49.46, 8.21

 

CMYK 33 / 74 / 0 / 15

HEX #9139D8

RGB 145 57 216

HSL 273.21, 0.67%, 0.54%

LAB 44.09, 63.6, -65.91

 

CMYK 0 / 69 / 73 / 15

HEX #D8423B

RGB 216 66 59

HSL 2.68, 0.67%, 0.54%

LAB 50.47, 57.89, 37.94

 

CMYK 40 / 0 / 73 / 15

HEX #81D83B

RGB 129 216 59

HSL 93.25, 0.67%, 0.54%

LAB 78.52, -51.08, 65.07

 

CMYK 73 / 4 / 0 / 15

HEX #3BD0D8

RGB 59 208 216

HSL 183.06, 0.67%, 0.54%

LAB 76.68, -35.2, -15.15

 

Description

Color code: HEX #9139D8 | qconv.com Color code: HEX #9139D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 57 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 57 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 74 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 74% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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