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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #915521 it is the complementary color #6EAADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #915521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #915521 shade: #96551C, #A7672F, #B87942, #C98B55 and #DA9D68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #915521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #915521 shade: #915521, #80430E, #6F3100, #5E1F00 and #4D0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #915521 shade: #915521, #913621 and #912121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #915521 shade: #915521, #917321, #919121, #729121 and #549121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #915521 shade matches the following richer shades: #915521, #9F5412 and #AE5304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #915521 shade: #915521, #83562F, #74573D, #66584C and #57595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #915521 shade: #91212A, #913521, #915321, #917121 and #918F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #915521 shade: #4E2D11, #6F4119, #915521, #B36828 and #D07C34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #915521 shade: #915521, #489121 and #262191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #915521 shade: #915521, #219153 and #532191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #915521 shade: #915521, #489121, #215E91 and #6A2191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #915521 shade: #915521, #269121, #215E91 and #8B2191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

Complementary color

CMYK 50 / 23 / 0 / 13

HEX #6EAADE

RGB 110 170 222

HSL 207.86, 0.63%, 0.65%

LAB 67.53, -5.14, -32.24

 

CMYK 0 / 43 / 81 / 41

HEX #96551C

RGB 150 85 28

HSL 28.03, 0.69%, 0.35%

LAB 42.86, 22.57, 42.63

 

CMYK 0 / 38 / 72 / 35

HEX #A7672F

RGB 167 103 47

HSL 28, 0.56%, 0.42%

LAB 49.64, 20.76, 41.25

 

CMYK 0 / 34 / 64 / 28

HEX #B87942

RGB 184 121 66

HSL 27.97, 0.47%, 0.49%

LAB 56.35, 19.22, 39.65

 

CMYK 0 / 31 / 58 / 21

HEX #C98B55

RGB 201 139 85

HSL 27.93, 0.52%, 0.56%

LAB 62.96, 17.9, 38.06

 

CMYK 0 / 28 / 52 / 15

HEX #DA9D68

RGB 218 157 104

HSL 27.89, 0.61%, 0.63%

LAB 69.48, 16.77, 36.55

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 48 / 89 / 50

HEX #80430E

RGB 128 67 14

HSL 27.89, 0.8%, 0.28%

LAB 35.27, 22.58, 40.42

 

CMYK 0 / 56 / 100 / 56

HEX #6F3100

RGB 111 49 0

HSL 26.49, 1%, 0.22%

LAB 28.32, 24.89, 39.2

 

CMYK 0 / 67 / 100 / 63

HEX #5E1F00

RGB 94 31 0

HSL 19.79, 1%, 0.18%

LAB 21.43, 27.33, 31.52

 

CMYK 0 / 83 / 100 / 70

HEX #4D0D00

RGB 77 13 0

HSL 10.13, 1%, 0.15%

LAB 14.77, 28.92, 22.72

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 63 / 77 / 43

HEX #913621

RGB 145 54 33

HSL 11.25, 0.63%, 0.35%

LAB 35.53, 37.26, 32.53

 

CMYK 0 / 77 / 77 / 43

HEX #912121

RGB 145 33 33

HSL 0, 0.63%, 0.35%

LAB 32.3, 46.06, 29.02

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 21 / 77 / 43

HEX #917321

RGB 145 115 33

HSL 43.93, 0.63%, 0.35%

LAB 49.97, 3.23, 47.05

 

CMYK 0 / 0 / 77 / 43

HEX #919121

RGB 145 145 33

HSL 60, 0.63%, 0.35%

LAB 58.4, -13.32, 54.94

 

CMYK 21 / 0 / 77 / 43

HEX #729121

RGB 114 145 33

HSL 76.61, 0.63%, 0.35%

LAB 56.03, -26.88, 51.87

 

CMYK 42 / 0 / 77 / 43

HEX #549121

RGB 84 145 33

HSL 92.68, 0.63%, 0.35%

LAB 54.29, -38.55, 49.6

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 47 / 89 / 38

HEX #9F5412

RGB 159 84 18

HSL 28.09, 0.8%, 0.35%

LAB 43.88, 26.77, 47.95

 

CMYK 0 / 52 / 98 / 32

HEX #AE5304

RGB 174 83 4

HSL 27.88, 0.96%, 0.35%

LAB 45.9, 33.39, 54.28

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 34 / 64 / 49

HEX #83562F

RGB 131 86 47

HSL 27.86, 0.47%, 0.35%

LAB 40.71, 14.48, 29.94

 

CMYK 0 / 25 / 47 / 55

HEX #74573D

RGB 116 87 61

HSL 28.36, 0.31%, 0.35%

LAB 39.35, 8.37, 19.72

 

CMYK 0 / 14 / 25 / 60

HEX #66584C

RGB 102 88 76

HSL 27.69, 0.15%, 0.35%

LAB 38.42, 3.6, 9.07

 

CMYK 3 / 1 / 0 / 65

HEX #57595A

RGB 87 89 90

HSL 200, 0.02%, 0.35%

LAB 37.68, -0.58, -0.86

 

CMYK 0 / 77 / 71 / 43

HEX #91212A

RGB 145 33 42

HSL 355.18, 0.63%, 0.35%

LAB 32.42, 46.48, 23.57

 

CMYK 0 / 63 / 77 / 43

HEX #913521

RGB 145 53 33

HSL 10.71, 0.63%, 0.35%

LAB 35.35, 37.74, 32.33

 

CMYK 0 / 43 / 77 / 43

HEX #915321

RGB 145 83 33

HSL 26.79, 0.63%, 0.35%

LAB 41.71, 21.7, 38.95

 

CMYK 0 / 22 / 77 / 43

HEX #917121

RGB 145 113 33

HSL 42.86, 0.63%, 0.35%

LAB 49.42, 4.37, 46.53

 

CMYK 0 / 1 / 77 / 43

HEX #918F21

RGB 145 143 33

HSL 58.93, 0.63%, 0.35%

LAB 57.82, -12.26, 54.41

 

CMYK 0 / 42 / 78 / 69

HEX #4E2D11

RGB 78 45 17

HSL 27.54, 0.64%, 0.19%

LAB 22.08, 12.38, 23.87

 

CMYK 0 / 41 / 77 / 56

HEX #6F4119

RGB 111 65 25

HSL 27.91, 0.63%, 0.27%

LAB 32.33, 16.35, 31.8

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 0 / 42 / 78 / 30

HEX #B36828

RGB 179 104 40

HSL 27.63, 0.63%, 0.43%

LAB 51.42, 25.07, 46.91

 

CMYK 0 / 40 / 75 / 18

HEX #D07C34

RGB 208 124 52

HSL 27.69, 0.62%, 0.51%

LAB 59.95, 26.99, 51.28

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 50 / 0 / 77 / 43

HEX #489121

RGB 72 145 33

HSL 99.11, 0.63%, 0.35%

LAB 53.75, -42.55, 48.9

 

CMYK 74 / 77 / 0 / 43

HEX #262191

RGB 38 33 145

HSL 242.68, 0.63%, 0.35%

LAB 22.1, 39.75, -60.16

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 77 / 0 / 43 / 43

HEX #219153

RGB 33 145 83

HSL 146.79, 0.63%, 0.35%

LAB 53.17, -45.13, 24.37

 

CMYK 43 / 77 / 0 / 43

HEX #532191

RGB 83 33 145

HSL 266.79, 0.63%, 0.35%

LAB 26.65, 45.91, -52.52

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 50 / 0 / 77 / 43

HEX #489121

RGB 72 145 33

HSL 99.11, 0.63%, 0.35%

LAB 53.75, -42.55, 48.9

 

CMYK 77 / 35 / 0 / 43

HEX #215E91

RGB 33 94 145

HSL 207.32, 0.63%, 0.35%

LAB 38.5, -0.95, -33.63

 

CMYK 27 / 77 / 0 / 43

HEX #6A2191

RGB 106 33 145

HSL 279.11, 0.63%, 0.35%

LAB 29.9, 50.15, -47.08

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 74 / 0 / 77 / 43

HEX #269121

RGB 38 145 33

HSL 117.32, 0.63%, 0.35%

LAB 52.7, -51, 47.51

 

CMYK 77 / 35 / 0 / 43

HEX #215E91

RGB 33 94 145

HSL 207.32, 0.63%, 0.35%

LAB 38.5, -0.95, -33.63

 

CMYK 4 / 77 / 0 / 43

HEX #8B2191

RGB 139 33 145

HSL 296.79, 0.63%, 0.35%

LAB 35.24, 56.92, -38.21

 

Description

Color code: HEX #915521 | qconv.com Color code: HEX #915521 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 85 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 85 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 77 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 77% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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