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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91596E it is the complementary color #6EA691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91596E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91596E shade: #965969, #A76B7C, #B87D8F, #C98FA2 and #DAA1B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91596E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91596E shade: #91596E, #80475B, #6F3548, #5E2335 and #4D1122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91596E shade: #91596E, #91595F and #915959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91596E shade: #91596E, #91597D, #91598C, #875991 and #775991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91596E shade matches the following richer shades: #91596E, #A44669, #B73364, #CA2060 and #DD0D5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91596E shade: #91596E, #7E6C73, #6B7F77, #58927C and #45A581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91596E shade: #91598C, #91597D, #91596E, #91595F and #916159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91596E shade: #5E3947, #77495A, #91596E, #A66D82 and #B58798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91596E shade: #91596E, #918759 and #598591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91596E shade: #91596E, #6E9159 and #596E91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91596E shade: #91596E, #918759, #59917B and #596391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91596E shade: #91596E, #8A9159, #59917B and #5F5991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

Complementary color

CMYK 34 / 0 / 13 / 35

HEX #6EA691

RGB 110 166 145

HSL 157.5, 0.24%, 0.54%

LAB 63.86, -23.12, 5.05

 

CMYK 0 / 41 / 30 / 41

HEX #965969

RGB 150 89 105

HSL 344.26, 0.26%, 0.47%

LAB 45.15, 27.23, 1.66

 

CMYK 0 / 36 / 26 / 35

HEX #A76B7C

RGB 167 107 124

HSL 343, 0.25%, 0.54%

LAB 52.05, 26.33, 0.58

 

CMYK 0 / 32 / 22 / 28

HEX #B87D8F

RGB 184 125 143

HSL 341.69, 0.29%, 0.61%

LAB 58.83, 25.52, -0.37

 

CMYK 0 / 29 / 19 / 21

HEX #C98FA2

RGB 201 143 162

HSL 340.34, 0.35%, 0.67%

LAB 65.49, 24.78, -1.22

 

CMYK 0 / 26 / 17 / 15

HEX #DAA1B5

RGB 218 161 181

HSL 338.95, 0.44%, 0.74%

LAB 72.05, 24.1, -2

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 45 / 29 / 50

HEX #80475B

RGB 128 71 91

HSL 338.95, 0.29%, 0.39%

LAB 37.57, 26.98, -1.09

 

CMYK 0 / 52 / 35 / 56

HEX #6F3548

RGB 111 53 72

HSL 340.34, 0.35%, 0.32%

LAB 30.38, 27.95, 0.27

 

CMYK 0 / 63 / 44 / 63

HEX #5E2335

RGB 94 35 53

HSL 341.69, 0.46%, 0.25%

LAB 23.13, 28.85, 2.11

 

CMYK 0 / 78 / 56 / 70

HEX #4D1122

RGB 77 17 34

HSL 343, 0.64%, 0.18%

LAB 15.97, 29.31, 4.84

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 39 / 34 / 43

HEX #91595F

RGB 145 89 95

HSL 353.57, 0.24%, 0.46%

LAB 44.22, 23.87, 6.33

 

CMYK 0 / 39 / 39 / 43

HEX #915959

RGB 145 89 89

HSL 0, 0.24%, 0.46%

LAB 44.07, 23.09, 9.77

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 39 / 14 / 43

HEX #91597D

RGB 145 89 125

HSL 321.43, 0.24%, 0.46%

LAB 45.14, 28.55, -10.55

 

CMYK 0 / 39 / 3 / 43

HEX #91598C

RGB 145 89 140

HSL 305.36, 0.24%, 0.46%

LAB 45.71, 31.3, -18.72

 

CMYK 7 / 39 / 0 / 43

HEX #875991

RGB 135 89 145

HSL 289.29, 0.24%, 0.46%

LAB 44.72, 28.97, -23.36

 

CMYK 18 / 39 / 0 / 43

HEX #775991

RGB 119 89 145

HSL 272.14, 0.24%, 0.46%

LAB 42.93, 23.73, -26.27

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 57 / 36 / 36

HEX #A44669

RGB 164 70 105

HSL 337.66, 0.4%, 0.46%

LAB 43.2, 42.46, -0.93

 

CMYK 0 / 72 / 45 / 28

HEX #B73364

RGB 183 51 100

HSL 337.73, 0.56%, 0.46%

LAB 43.29, 56.06, 2.69

 

CMYK 0 / 84 / 52 / 21

HEX #CA2060

RGB 202 32 96

HSL 337.41, 0.73%, 0.46%

LAB 44.85, 66.34, 7.89

 

CMYK 0 / 94 / 59 / 13

HEX #DD0D5B

RGB 221 13 91

HSL 337.5, 0.89%, 0.46%

LAB 47.51, 73.52, 15.28

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 14 / 9 / 51

HEX #7E6C73

RGB 126 108 115

HSL 336.67, 0.08%, 0.46%

LAB 47.49, 8.37, -1.27

 

CMYK 16 / 0 / 6 / 50

HEX #6B7F77

RGB 107 127 119

HSL 156, 0.09%, 0.46%

LAB 51.42, -9, 1.9

 

CMYK 40 / 0 / 15 / 43

HEX #58927C

RGB 88 146 124

HSL 157.24, 0.25%, 0.46%

LAB 56.18, -24.28, 5.72

 

CMYK 58 / 0 / 22 / 35

HEX #45A581

RGB 69 165 129

HSL 157.5, 0.41%, 0.46%

LAB 61.45, -37.06, 10.31

 

CMYK 0 / 39 / 3 / 43

HEX #91598C

RGB 145 89 140

HSL 305.36, 0.24%, 0.46%

LAB 45.71, 31.3, -18.72

 

CMYK 0 / 39 / 14 / 43

HEX #91597D

RGB 145 89 125

HSL 321.43, 0.24%, 0.46%

LAB 45.14, 28.55, -10.55

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 39 / 34 / 43

HEX #91595F

RGB 145 89 95

HSL 353.57, 0.24%, 0.46%

LAB 44.22, 23.87, 6.33

 

CMYK 0 / 33 / 39 / 43

HEX #916159

RGB 145 97 89

HSL 8.57, 0.24%, 0.46%

LAB 46.03, 18.45, 12.5

 

CMYK 0 / 39 / 24 / 63

HEX #5E3947

RGB 94 57 71

HSL 337.3, 0.25%, 0.3%

LAB 28.8, 18.61, -1.69

 

CMYK 0 / 39 / 24 / 53

HEX #77495A

RGB 119 73 90

HSL 337.83, 0.24%, 0.38%

LAB 36.79, 22.14, -1.76

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 34 / 22 / 35

HEX #A66D82

RGB 166 109 130

HSL 337.89, 0.24%, 0.54%

LAB 52.57, 25.75, -2.21

 

CMYK 0 / 25 / 16 / 29

HEX #B58798

RGB 181 135 152

HSL 337.83, 0.24%, 0.62%

LAB 61.15, 20.25, -2.17

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 7 / 39 / 43

HEX #918759

RGB 145 135 89

HSL 49.29, 0.24%, 0.46%

LAB 56.16, -3.36, 26.1

 

CMYK 39 / 8 / 0 / 43

HEX #598591

RGB 89 133 145

HSL 192.86, 0.24%, 0.46%

LAB 52.89, -11.84, -11.23

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 24 / 0 / 39 / 43

HEX #6E9159

RGB 110 145 89

HSL 97.5, 0.24%, 0.46%

LAB 56.37, -22.93, 25.87

 

CMYK 39 / 24 / 0 / 43

HEX #596E91

RGB 89 110 145

HSL 217.5, 0.24%, 0.46%

LAB 46.07, 1.49, -21.61

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 0 / 7 / 39 / 43

HEX #918759

RGB 145 135 89

HSL 49.29, 0.24%, 0.46%

LAB 56.16, -3.36, 26.1

 

CMYK 39 / 0 / 15 / 43

HEX #59917B

RGB 89 145 123

HSL 156.43, 0.24%, 0.46%

LAB 55.89, -23.7, 5.89

 

CMYK 39 / 32 / 0 / 43

HEX #596391

RGB 89 99 145

HSL 229.29, 0.24%, 0.46%

LAB 42.9, 8.23, -26.52

 

CMYK 0 / 39 / 24 / 43

HEX #91596E

RGB 145 89 110

HSL 337.5, 0.24%, 0.46%

LAB 44.65, 26.06, -2.19

 

CMYK 5 / 0 / 39 / 43

HEX #8A9159

RGB 138 145 89

HSL 67.5, 0.24%, 0.46%

LAB 58.39, -11.76, 28.88

 

CMYK 39 / 0 / 15 / 43

HEX #59917B

RGB 89 145 123

HSL 156.43, 0.24%, 0.46%

LAB 55.89, -23.7, 5.89

 

CMYK 34 / 39 / 0 / 43

HEX #5F5991

RGB 95 89 145

HSL 246.43, 0.24%, 0.46%

LAB 40.61, 16.24, -30.07

 

Description

Color code: HEX #91596E | qconv.com Color code: HEX #91596E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 89 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 89 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 24 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 24% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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