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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #915C2B it is the complementary color #6EA3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #915C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #915C2B shade: #965C26, #A76E39, #B8804C, #C9925F and #DAA472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #915C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #915C2B shade: #915C2B, #804A18, #6F3805, #5E2600 and #4D1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #915C2B shade: #915C2B, #91402B and #912B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #915C2B shade: #915C2B, #91772B, #8F912B, #73912B and #58912B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #915C2B shade matches the following richer shades: #915C2B, #A05B1C and #AF5B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #915C2B shade: #915C2B, #825C3A, #725D49, #635E59 and #545E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #915C2B shade: #912B32, #913F2B, #915A2B, #91762B and #91912B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #915C2B shade: #513318, #714821, #915C2B, #B17034 and #C88547

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #915C2B shade: #915C2B, #4D912B and #322B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #915C2B shade: #915C2B, #2B915A and #5A2B91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #915C2B shade: #915C2B, #4D912B, #2B6191 and #6F2B91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #915C2B shade: #915C2B, #2E912B, #2B6191 and #8D2B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

Complementary color

CMYK 48 / 23 / 0 / 17

HEX #6EA3D4

RGB 110 163 212

HSL 208.82, 0.54%, 0.63%

LAB 65.17, -4.18, -30.37

 

CMYK 0 / 39 / 75 / 41

HEX #965C26

RGB 150 92 38

HSL 28.93, 0.6%, 0.37%

LAB 44.63, 19.02, 39.71

 

CMYK 0 / 34 / 66 / 35

HEX #A76E39

RGB 167 110 57

HSL 28.91, 0.49%, 0.44%

LAB 51.45, 17.41, 38.16

 

CMYK 0 / 30 / 59 / 28

HEX #B8804C

RGB 184 128 76

HSL 28.89, 0.43%, 0.51%

LAB 58.18, 16.06, 36.57

 

CMYK 0 / 27 / 53 / 21

HEX #C9925F

RGB 201 146 95

HSL 28.87, 0.5%, 0.58%

LAB 64.8, 14.91, 35.05

 

CMYK 0 / 25 / 48 / 15

HEX #DAA472

RGB 218 164 114

HSL 28.85, 0.58%, 0.65%

LAB 71.33, 13.92, 33.62

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 42 / 81 / 50

HEX #804A18

RGB 128 74 24

HSL 28.85, 0.68%, 0.3%

LAB 37.03, 18.85, 37.78

 

CMYK 0 / 50 / 95 / 56

HEX #6F3805

RGB 111 56 5

HSL 28.87, 0.91%, 0.23%

LAB 29.96, 21, 38.46

 

CMYK 0 / 60 / 100 / 63

HEX #5E2600

RGB 94 38 0

HSL 24.26, 1%, 0.18%

LAB 22.88, 23.54, 33.06

 

CMYK 0 / 74 / 100 / 70

HEX #4D1400

RGB 77 20 0

HSL 15.58, 1%, 0.15%

LAB 15.89, 25.83, 24.16

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 56 / 70 / 43

HEX #91402B

RGB 145 64 43

HSL 12.35, 0.54%, 0.37%

LAB 37.59, 32.72, 29.09

 

CMYK 0 / 70 / 70 / 43

HEX #912B2B

RGB 145 43 43

HSL 0, 0.54%, 0.37%

LAB 33.82, 42.72, 24.63

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 18 / 70 / 43

HEX #91772B

RGB 145 119 43

HSL 44.71, 0.54%, 0.37%

LAB 51.14, 1.47, 43.94

 

CMYK 1 / 0 / 70 / 43

HEX #8F912B

RGB 143 145 43

HSL 61.18, 0.54%, 0.37%

LAB 58.29, -13.73, 51.13

 

CMYK 21 / 0 / 70 / 43

HEX #73912B

RGB 115 145 43

HSL 77.65, 0.54%, 0.37%

LAB 56.16, -25.87, 48.29

 

CMYK 39 / 0 / 70 / 43

HEX #58912B

RGB 88 145 43

HSL 93.53, 0.54%, 0.37%

LAB 54.55, -36.42, 46.13

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 43 / 83 / 37

HEX #A05B1C

RGB 160 91 28

HSL 28.64, 0.7%, 0.37%

LAB 45.69, 23.6, 45.76

 

CMYK 0 / 48 / 93 / 31

HEX #AF5B0C

RGB 175 91 12

HSL 29.08, 0.87%, 0.37%

LAB 47.78, 29.67, 53.71

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 29 / 55 / 49

HEX #825C3A

RGB 130 92 58

HSL 28.33, 0.38%, 0.37%

LAB 42.32, 11.41, 25.6

 

CMYK 0 / 18 / 36 / 55

HEX #725D49

RGB 114 93 73

HSL 29.27, 0.22%, 0.37%

LAB 41.04, 5.38, 14.7

 

CMYK 0 / 5 / 10 / 61

HEX #635E59

RGB 99 94 89

HSL 30, 0.05%, 0.37%

LAB 40.21, 1.01, 3.57

 

CMYK 19 / 10 / 0 / 59

HEX #545E68

RGB 84 94 104

HSL 210, 0.11%, 0.37%

LAB 39.39, -1.49, -7.01

 

CMYK 0 / 70 / 66 / 43

HEX #912B32

RGB 145 43 50

HSL 355.88, 0.54%, 0.37%

LAB 33.94, 43.14, 20.36

 

CMYK 0 / 57 / 70 / 43

HEX #913F2B

RGB 145 63 43

HSL 11.76, 0.54%, 0.37%

LAB 37.39, 33.25, 28.85

 

CMYK 0 / 38 / 70 / 43

HEX #915A2B

RGB 145 90 43

HSL 27.65, 0.54%, 0.37%

LAB 43.52, 18.21, 35.79

 

CMYK 0 / 19 / 70 / 43

HEX #91762B

RGB 145 118 43

HSL 44.12, 0.54%, 0.37%

LAB 50.86, 2.04, 43.65

 

CMYK 0 / 0 / 70 / 43

HEX #91912B

RGB 145 145 43

HSL 60, 0.54%, 0.37%

LAB 58.46, -12.83, 51.36

 

CMYK 0 / 37 / 70 / 68

HEX #513318

RGB 81 51 24

HSL 28.42, 0.54%, 0.21%

LAB 24.27, 10.5, 22.33

 

CMYK 0 / 36 / 71 / 56

HEX #714821

RGB 113 72 33

HSL 29.25, 0.55%, 0.29%

LAB 34.51, 13.53, 29.96

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 0 / 37 / 71 / 31

HEX #B17034

RGB 177 112 52

HSL 28.8, 0.55%, 0.45%

LAB 53.15, 20.35, 42.93

 

CMYK 0 / 34 / 65 / 22

HEX #C88547

RGB 200 133 71

HSL 28.84, 0.54%, 0.53%

LAB 61.23, 19.76, 43.22

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 47 / 0 / 70 / 43

HEX #4D912B

RGB 77 145 43

HSL 100, 0.54%, 0.37%

LAB 54.03, -40.19, 45.43

 

CMYK 66 / 70 / 0 / 43

HEX #322B91

RGB 50 43 145

HSL 244.12, 0.54%, 0.37%

LAB 25.11, 35.25, -55.18

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 70 / 0 / 38 / 43

HEX #2B915A

RGB 43 145 90

HSL 147.65, 0.54%, 0.37%

LAB 53.5, -42.15, 20.99

 

CMYK 38 / 70 / 0 / 43

HEX #5A2B91

RGB 90 43 145

HSL 267.65, 0.54%, 0.37%

LAB 29.28, 42.39, -48.21

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 47 / 0 / 70 / 43

HEX #4D912B

RGB 77 145 43

HSL 100, 0.54%, 0.37%

LAB 54.03, -40.19, 45.43

 

CMYK 70 / 33 / 0 / 43

HEX #2B6191

RGB 43 97 145

HSL 208.24, 0.54%, 0.37%

LAB 39.76, -1.34, -31.62

 

CMYK 23 / 70 / 0 / 43

HEX #6F2B91

RGB 111 43 145

HSL 280, 0.54%, 0.37%

LAB 32.15, 46.93, -43.42

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 68 / 0 / 70 / 43

HEX #2E912B

RGB 46 145 43

HSL 118.24, 0.54%, 0.37%

LAB 52.96, -48.58, 43.97

 

CMYK 70 / 33 / 0 / 43

HEX #2B6191

RGB 43 97 145

HSL 208.24, 0.54%, 0.37%

LAB 39.76, -1.34, -31.62

 

CMYK 3 / 70 / 0 / 43

HEX #8D2B91

RGB 141 43 145

HSL 297.65, 0.54%, 0.37%

LAB 36.81, 53.87, -35.7

 

Description

Color code: HEX #915C2B | qconv.com Color code: HEX #915C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 92 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 92 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 70 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 70% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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