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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916495 it is the complementary color #6E9B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916495 shade: #966490, #A776A3, #B888B6, #C99AC9 and #DAACDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916495 shade: #916495, #805282, #6F406F, #5E2E5C and #4D1C49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916495 shade: #916395, #95638C, #95637F, #956371 and #956364

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916495 shade: #916395, #846395, #766395, #696395 and #636395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916495 shade matches the following richer shades: #916395, #A24FAA, #B33BBE, #C427D2 and #D513E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916495 shade: #916395, #807881, #708C6D, #5FA059 and #4EB445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916495 shade: #776395, #846395, #916395, #95638C and #95637F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916495 shade: #614264, #79537D, #916395, #A37BA7 and #B594B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916495 shade: #916495, #956963 and #63957D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916495 shade: #916495, #959163 and #639591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916495 shade: #916495, #956963, #689563 and #639095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916495 shade: #916495, #957863, #689563 and #638195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

Complementary color

CMYK 29 / 0 / 32 / 39

HEX #6E9B6A

RGB 110 155 106

HSL 115.1, 0.2%, 0.51%

LAB 59.71, -25.24, 20.95

 

CMYK 0 / 33 / 4 / 41

HEX #966490

RGB 150 100 144

HSL 307.2, 0.2%, 0.49%

LAB 49.02, 27.51, -16

 

CMYK 0 / 29 / 2 / 35

HEX #A776A3

RGB 167 118 163

HSL 304.9, 0.22%, 0.56%

LAB 55.9, 26.78, -16.49

 

CMYK 0 / 26 / 1 / 28

HEX #B888B6

RGB 184 136 182

HSL 302.5, 0.25%, 0.63%

LAB 62.66, 26.1, -16.94

 

CMYK 0 / 23 / 0 / 21

HEX #C99AC9

RGB 201 154 201

HSL 300, 0.3%, 0.7%

LAB 69.29, 25.47, -17.37

 

CMYK 1 / 22 / 0 / 14

HEX #DAACDC

RGB 218 172 220

HSL 297.5, 0.41%, 0.77%

LAB 75.81, 24.89, -17.78

 

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

CMYK 2 / 37 / 0 / 49

HEX #805282

RGB 128 82 130

HSL 297.5, 0.23%, 0.42%

LAB 41.59, 27.56, -19.2

 

CMYK 0 / 42 / 0 / 56

HEX #6F406F

RGB 111 64 111

HSL 300, 0.27%, 0.34%

LAB 34.38, 28.38, -18.73

 

CMYK 0 / 51 / 2 / 63

HEX #5E2E5C

RGB 94 46 92

HSL 302.5, 0.34%, 0.27%

LAB 27.04, 29.2, -18.13

 

CMYK 0 / 64 / 5 / 70

HEX #4D1C49

RGB 77 28 73

HSL 304.9, 0.47%, 0.21%

LAB 19.6, 29.81, -17.25

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 0 / 34 / 6 / 42

HEX #95638C

RGB 149 99 140

HSL 310.8, 0.2%, 0.49%

LAB 48.52, 26.97, -14.4

 

CMYK 0 / 34 / 15 / 42

HEX #95637F

RGB 149 99 127

HSL 326.4, 0.2%, 0.49%

LAB 48.06, 24.62, -7.33

 

CMYK 0 / 34 / 24 / 42

HEX #956371

RGB 149 99 113

HSL 343.2, 0.2%, 0.49%

LAB 47.63, 22.31, 0.43

 

CMYK 0 / 34 / 33 / 42

HEX #956364

RGB 149 99 100

HSL 358.8, 0.2%, 0.49%

LAB 47.28, 20.4, 7.73

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 11 / 34 / 0 / 42

HEX #846395

RGB 132 99 149

HSL 279.6, 0.2%, 0.49%

LAB 46.97, 22.97, -22.29

 

CMYK 21 / 34 / 0 / 42

HEX #766395

RGB 118 99 149

HSL 262.8, 0.2%, 0.49%

LAB 45.56, 18.34, -24.59

 

CMYK 30 / 34 / 0 / 42

HEX #696395

RGB 105 99 149

HSL 247.2, 0.2%, 0.49%

LAB 44.37, 14.19, -26.52

 

CMYK 34 / 34 / 0 / 42

HEX #636395

RGB 99 99 149

HSL 240, 0.2%, 0.49%

LAB 43.87, 12.35, -27.35

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 5 / 54 / 0 / 33

HEX #A24FAA

RGB 162 79 170

HSL 294.73, 0.37%, 0.49%

LAB 47.2, 47.72, -34.07

 

CMYK 6 / 69 / 0 / 25

HEX #B33BBE

RGB 179 59 190

HSL 294.96, 0.53%, 0.49%

LAB 47.53, 64.49, -45.1

 

CMYK 7 / 81 / 0 / 18

HEX #C427D2

RGB 196 39 210

HSL 295.09, 0.69%, 0.49%

LAB 49.3, 77.33, -53.68

 

CMYK 7 / 92 / 0 / 10

HEX #D513E6

RGB 213 19 230

HSL 295.17, 0.85%, 0.49%

LAB 52.2, 86.73, -60.27

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 1 / 7 / 0 / 49

HEX #807881

RGB 128 120 129

HSL 293.33, 0.04%, 0.49%

LAB 51.39, 4.83, -3.81

 

CMYK 20 / 0 / 22 / 45

HEX #708C6D

RGB 112 140 109

HSL 114.19, 0.12%, 0.49%

LAB 55.39, -16.26, 13.36

 

CMYK 41 / 0 / 44 / 37

HEX #5FA059

RGB 95 160 89

HSL 114.93, 0.29%, 0.49%

LAB 60.16, -35.42, 30.58

 

CMYK 57 / 0 / 62 / 29

HEX #4EB445

RGB 78 180 69

HSL 115.14, 0.45%, 0.49%

LAB 65.51, -51.29, 46.7

 

CMYK 20 / 34 / 0 / 42

HEX #776395

RGB 119 99 149

HSL 264, 0.2%, 0.49%

LAB 45.66, 18.66, -24.43

 

CMYK 11 / 34 / 0 / 42

HEX #846395

RGB 132 99 149

HSL 279.6, 0.2%, 0.49%

LAB 46.97, 22.97, -22.29

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 0 / 34 / 6 / 42

HEX #95638C

RGB 149 99 140

HSL 310.8, 0.2%, 0.49%

LAB 48.52, 26.97, -14.4

 

CMYK 0 / 34 / 15 / 42

HEX #95637F

RGB 149 99 127

HSL 326.4, 0.2%, 0.49%

LAB 48.06, 24.62, -7.33

 

CMYK 3 / 34 / 0 / 61

HEX #614264

RGB 97 66 100

HSL 294.71, 0.2%, 0.33%

LAB 32.61, 19.87, -14.66

 

CMYK 3 / 34 / 0 / 51

HEX #79537D

RGB 121 83 125

HSL 294.29, 0.2%, 0.41%

LAB 40.79, 23.49, -17.45

 

CMYK 3 / 34 / 0 / 42

HEX #916395

RGB 145 99 149

HSL 295.2, 0.2%, 0.49%

LAB 48.4, 27.35, -19.97

 

CMYK 2 / 26 / 0 / 35

HEX #A37BA7

RGB 163 123 167

HSL 294.55, 0.2%, 0.57%

LAB 56.82, 23.34, -17.44

 

CMYK 1 / 19 / 0 / 28

HEX #B594B7

RGB 181 148 183

HSL 296.57, 0.2%, 0.65%

LAB 65.3, 18.55, -13.55

 

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

CMYK 0 / 30 / 34 / 42

HEX #956963

RGB 149 105 99

HSL 7.2, 0.2%, 0.49%

LAB 48.75, 16.79, 10.4

 

CMYK 34 / 0 / 16 / 42

HEX #63957D

RGB 99 149 125

HSL 151.2, 0.2%, 0.49%

LAB 57.68, -22.22, 7.38

 

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

CMYK 0 / 3 / 34 / 42

HEX #959163

RGB 149 145 99

HSL 55.2, 0.2%, 0.49%

LAB 59.47, -5.93, 24.99

 

CMYK 34 / 0 / 3 / 42

HEX #639591

RGB 99 149 145

HSL 175.2, 0.2%, 0.49%

LAB 58.22, -17.62, -3.24

 

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

CMYK 0 / 30 / 34 / 42

HEX #956963

RGB 149 105 99

HSL 7.2, 0.2%, 0.49%

LAB 48.75, 16.79, 10.4

 

CMYK 30 / 0 / 34 / 42

HEX #689563

RGB 104 149 99

HSL 114, 0.2%, 0.49%

LAB 57.4, -25.55, 21.66

 

CMYK 34 / 3 / 0 / 42

HEX #639095

RGB 99 144 149

HSL 186, 0.2%, 0.49%

LAB 56.85, -13.94, -7.55

 

CMYK 3 / 33 / 0 / 42

HEX #916495

RGB 145 100 149

HSL 295.1, 0.2%, 0.49%

LAB 48.64, 26.78, -19.6

 

CMYK 0 / 19 / 34 / 42

HEX #957863

RGB 149 120 99

HSL 25.2, 0.2%, 0.49%

LAB 52.65, 8.12, 15.8

 

CMYK 30 / 0 / 34 / 42

HEX #689563

RGB 104 149 99

HSL 114, 0.2%, 0.49%

LAB 57.4, -25.55, 21.66

 

CMYK 34 / 13 / 0 / 42

HEX #638195

RGB 99 129 149

HSL 204, 0.2%, 0.49%

LAB 52.42, -5.58, -14.2

 

Description

Color code: HEX #916495 | qconv.com Color code: HEX #916495 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 100 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 100 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 33 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 33% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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