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Color name
HEX #916B35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916B35 it is the complementary color #6E94CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916B35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916B35 shade: #966B30, #A77D43, #B88F56, #C9A169 and #DAB37C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916B35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916B35 shade: #916B35, #805922, #6F470F, #5E3500 and #4D2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916B35 shade: #916B35, #915235, #913A35 and #913535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916B35 shade: #916B35, #918435, #859135, #6C9135 and #549135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916B35 shade matches the following richer shades: #916B35, #A16E25, #B17115 and #C17305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916B35 shade: #916B35, #816845, #716555, #606365 and #506076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916B35 shade: #913A35, #915235, #916B35, #918335 and #869135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916B35 shade: #543E1F, #73552A, #916B35, #AF8140 and #C19558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916B35 shade: #916B35, #499135 and #463591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916B35 shade: #916B35, #35916B and #6B3591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916B35 shade: #916B35, #499135, #355B91 and #7D3591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916B35 shade: #916B35, #35913D, #355B91 and #913589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

Complementary color

CMYK 46 / 27 / 0 / 21

HEX #6E94CA

RGB 110 148 202

HSL 215.22, 0.46%, 0.61%

LAB 60.57, 1.39, -31.93

 

CMYK 0 / 29 / 68 / 41

HEX #966B30

RGB 150 107 48

HSL 34.71, 0.52%, 0.39%

LAB 48.53, 10.95, 38.92

 

CMYK 0 / 25 / 60 / 35

HEX #A77D43

RGB 167 125 67

HSL 34.8, 0.43%, 0.46%

LAB 55.37, 9.65, 37.49

 

CMYK 0 / 22 / 53 / 28

HEX #B88F56

RGB 184 143 86

HSL 34.9, 0.41%, 0.53%

LAB 62.09, 8.58, 36.04

 

CMYK 0 / 20 / 48 / 21

HEX #C9A169

RGB 201 161 105

HSL 35, 0.47%, 0.6%

LAB 68.7, 7.68, 34.66

 

CMYK 0 / 18 / 43 / 15

HEX #DAB37C

RGB 218 179 124

HSL 35.11, 0.56%, 0.67%

LAB 75.2, 6.91, 33.35

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 30 / 73 / 50

HEX #805922

RGB 128 89 34

HSL 35.11, 0.58%, 0.32%

LAB 40.98, 10.46, 36.98

 

CMYK 0 / 36 / 86 / 56

HEX #6F470F

RGB 111 71 15

HSL 35, 0.76%, 0.25%

LAB 33.82, 12.28, 37.82

 

CMYK 0 / 44 / 100 / 63

HEX #5E3500

RGB 94 53 0

HSL 33.83, 1%, 0.18%

LAB 26.52, 14.57, 36.57

 

CMYK 0 / 55 / 100 / 70

HEX #4D2300

RGB 77 35 0

HSL 27.27, 1%, 0.15%

LAB 19.14, 17.4, 28.09

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 43 / 63 / 43

HEX #915235

RGB 145 82 53

HSL 18.91, 0.46%, 0.39%

LAB 41.71, 23.47, 28.18

 

CMYK 0 / 60 / 63 / 43

HEX #913A35

RGB 145 58 53

HSL 3.26, 0.46%, 0.39%

LAB 36.56, 36.45, 21.81

 

CMYK 0 / 63 / 63 / 43

HEX #913535

RGB 145 53 53

HSL 0, 0.46%, 0.39%

LAB 35.64, 38.88, 20.64

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 9 / 63 / 43

HEX #918435

RGB 145 132 53

HSL 51.52, 0.46%, 0.39%

LAB 54.84, -5.16, 43.26

 

CMYK 8 / 0 / 63 / 43

HEX #859135

RGB 133 145 53

HSL 67.83, 0.46%, 0.39%

LAB 57.55, -17.48, 45.9

 

CMYK 26 / 0 / 63 / 43

HEX #6C9135

RGB 108 145 53

HSL 84.13, 0.46%, 0.39%

LAB 55.78, -27.96, 43.46

 

CMYK 42 / 0 / 63 / 43

HEX #549135

RGB 84 145 53

HSL 99.78, 0.46%, 0.39%

LAB 54.44, -36.93, 41.6

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 32 / 77 / 37

HEX #A16E25

RGB 161 110 37

HSL 35.32, 0.63%, 0.39%

LAB 50.53, 13.63, 46.57

 

CMYK 0 / 36 / 88 / 31

HEX #B17115

RGB 177 113 21

HSL 35.38, 0.79%, 0.39%

LAB 53.18, 18.59, 55.51

 

CMYK 0 / 40 / 97 / 24

HEX #C17305

RGB 193 115 5

HSL 35.11, 0.95%, 0.39%

LAB 55.7, 24.26, 61.78

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 19 / 47 / 49

HEX #816845

RGB 129 104 69

HSL 35, 0.3%, 0.39%

LAB 45.63, 5.02, 23.44

 

CMYK 0 / 11 / 25 / 56

HEX #716555

RGB 113 101 85

HSL 34.29, 0.14%, 0.39%

LAB 43.47, 1.97, 10.8

 

CMYK 5 / 2 / 0 / 60

HEX #606365

RGB 96 99 101

HSL 204, 0.03%, 0.39%

LAB 41.77, -0.74, -1.54

 

CMYK 32 / 19 / 0 / 54

HEX #506076

RGB 80 96 118

HSL 214.74, 0.19%, 0.39%

LAB 40.21, -0.41, -14.39

 

CMYK 0 / 60 / 63 / 43

HEX #913A35

RGB 145 58 53

HSL 3.26, 0.46%, 0.39%

LAB 36.56, 36.45, 21.81

 

CMYK 0 / 43 / 63 / 43

HEX #915235

RGB 145 82 53

HSL 18.91, 0.46%, 0.39%

LAB 41.71, 23.47, 28.18

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 10 / 63 / 43

HEX #918335

RGB 145 131 53

HSL 50.87, 0.46%, 0.39%

LAB 54.56, -4.61, 42.95

 

CMYK 8 / 0 / 63 / 43

HEX #869135

RGB 134 145 53

HSL 67.17, 0.46%, 0.39%

LAB 57.63, -17.04, 46

 

CMYK 0 / 26 / 63 / 67

HEX #543E1F

RGB 84 62 31

HSL 35.09, 0.46%, 0.23%

LAB 27.92, 5.54, 22.54

 

CMYK 0 / 26 / 63 / 55

HEX #73552A

RGB 115 85 42

HSL 35.34, 0.46%, 0.31%

LAB 38.39, 7.26, 29.5

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 26 / 63 / 31

HEX #AF8140

RGB 175 129 64

HSL 35.14, 0.46%, 0.47%

LAB 57.25, 10.7, 41.44

 

CMYK 0 / 23 / 54 / 24

HEX #C19558

RGB 193 149 88

HSL 34.86, 0.46%, 0.55%

LAB 64.59, 9.29, 38.28

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 50 / 0 / 63 / 43

HEX #499135

RGB 73 145 53

HSL 106.96, 0.46%, 0.39%

LAB 53.95, -40.52, 40.91

 

CMYK 52 / 63 / 0 / 43

HEX #463591

RGB 70 53 145

HSL 251.09, 0.46%, 0.39%

LAB 29.14, 32.56, -48.53

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 63 / 0 / 26 / 43

HEX #35916B

RGB 53 145 107

HSL 155.22, 0.46%, 0.39%

LAB 54.1, -36.55, 12.29

 

CMYK 26 / 63 / 0 / 43

HEX #6B3591

RGB 107 53 145

HSL 275.22, 0.46%, 0.39%

LAB 33.39, 41.05, -41.46

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 50 / 0 / 63 / 43

HEX #499135

RGB 73 145 53

HSL 106.96, 0.46%, 0.39%

LAB 53.95, -40.52, 40.91

 

CMYK 63 / 37 / 0 / 43

HEX #355B91

RGB 53 91 145

HSL 215.22, 0.46%, 0.39%

LAB 38.35, 4.28, -33.83

 

CMYK 14 / 63 / 0 / 43

HEX #7D3591

RGB 125 53 145

HSL 286.96, 0.46%, 0.39%

LAB 35.89, 45.59, -37.31

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 63 / 0 / 58 / 43

HEX #35913D

RGB 53 145 61

HSL 125.22, 0.46%, 0.39%

LAB 53.32, -44.98, 36.18

 

CMYK 63 / 37 / 0 / 43

HEX #355B91

RGB 53 91 145

HSL 215.22, 0.46%, 0.39%

LAB 38.35, 4.28, -33.83

 

CMYK 0 / 63 / 6 / 43

HEX #913589

RGB 145 53 137

HSL 305.22, 0.46%, 0.39%

LAB 38.5, 49.34, -28.09

 

Description

Color code: HEX #916B35 | qconv.com Color code: HEX #916B35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 107 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 107 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 63 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 63% 43% C M Y K

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Provide designers and agencies with accurate color values.

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