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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916D7B it is the complementary color #6E9284. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916D7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916D7B shade: #966D76, #A77F89, #B8919C, #C9A3AF and #DAB5C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916D7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916D7B shade: #916D7B, #805B68, #6F4955, #5E3742 and #4D252F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916D7B shade: #916D7B, #916D71 and #916D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916D7B shade: #916D7B, #916D85, #916D8E, #8A6D91 and #806D91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916D7B shade matches the following richer shades: #916D7B, #A55976, #BA4472, #CF2F6D and #E31B69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916D7B shade: #916D7B, #7C8280, #689684, #53AB89 and #3EC08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916D7B shade: #916D8E, #916D85, #916D7B, #916D72 and #91726D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916D7B shade: #624A53, #795B67, #916D7B, #A38590 and #B49CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916D7B shade: #916D7B, #918A6D and #6D8A91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916D7B shade: #916D7B, #7B916D and #6D7B91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916D7B shade: #916D7B, #918A6D, #6D9183 and #6D7491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916D7B shade: #916D7B, #8D916D, #6D9183 and #716D91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

Complementary color

CMYK 25 / 0 / 10 / 43

HEX #6E9284

RGB 110 146 132

HSL 156.67, 0.14%, 0.5%

LAB 57.6, -15.56, 3.36

 

CMYK 0 / 27 / 21 / 41

HEX #966D76

RGB 150 109 118

HSL 346.83, 0.16%, 0.51%

LAB 50.37, 17.71, 1.44

 

CMYK 0 / 24 / 18 / 35

HEX #A77F89

RGB 167 127 137

HSL 345, 0.19%, 0.58%

LAB 57.27, 17.04, 0.59

 

CMYK 0 / 21 / 15 / 28

HEX #B8919C

RGB 184 145 156

HSL 343.08, 0.22%, 0.65%

LAB 64.03, 16.44, -0.18

 

CMYK 0 / 19 / 13 / 21

HEX #C9A3AF

RGB 201 163 175

HSL 341.05, 0.26%, 0.71%

LAB 70.67, 15.9, -0.9

 

CMYK 0 / 17 / 11 / 15

HEX #DAB5C2

RGB 218 181 194

HSL 338.92, 0.33%, 0.78%

LAB 77.19, 15.42, -1.58

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 29 / 19 / 50

HEX #805B68

RGB 128 91 104

HSL 338.92, 0.17%, 0.43%

LAB 42.87, 17.3, -1.38

 

CMYK 0 / 34 / 23 / 56

HEX #6F4955

RGB 111 73 85

HSL 341.05, 0.21%, 0.36%

LAB 35.6, 18.1, -0.47

 

CMYK 0 / 41 / 30 / 63

HEX #5E3742

RGB 94 55 66

HSL 343.08, 0.26%, 0.29%

LAB 28.13, 19.03, 0.62

 

CMYK 0 / 52 / 39 / 70

HEX #4D252F

RGB 77 37 47

HSL 345, 0.35%, 0.22%

LAB 20.46, 20.09, 2.03

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 25 / 22 / 43

HEX #916D71

RGB 145 109 113

HSL 353.33, 0.14%, 0.5%

LAB 49.68, 14.93, 3.34

 

CMYK 0 / 25 / 25 / 43

HEX #916D6D

RGB 145 109 109

HSL 0, 0.14%, 0.5%

LAB 49.57, 14.3, 5.56

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 25 / 8 / 43

HEX #916D85

RGB 145 109 133

HSL 320, 0.14%, 0.5%

LAB 50.28, 18.41, -7.65

 

CMYK 0 / 25 / 2 / 43

HEX #916D8E

RGB 145 109 142

HSL 305, 0.14%, 0.5%

LAB 50.58, 20.14, -12.51

 

CMYK 5 / 25 / 0 / 43

HEX #8A6D91

RGB 138 109 145

HSL 288.33, 0.14%, 0.5%

LAB 49.96, 18.25, -15.29

 

CMYK 12 / 25 / 0 / 43

HEX #806D91

RGB 128 109 145

HSL 271.67, 0.14%, 0.5%

LAB 48.97, 14.75, -16.89

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 46 / 28 / 35

HEX #A55976

RGB 165 89 118

HSL 337.11, 0.3%, 0.5%

LAB 47.56, 34.68, -2.44

 

CMYK 0 / 63 / 39 / 27

HEX #BA4472

RGB 186 68 114

HSL 336.61, 0.46%, 0.5%

LAB 46.7, 51.63, -0.91

 

CMYK 0 / 77 / 47 / 19

HEX #CF2F6D

RGB 207 47 109

HSL 336.75, 0.63%, 0.5%

LAB 47.5, 64.87, 3.77

 

CMYK 0 / 88 / 54 / 11

HEX #E31B69

RGB 227 27 105

HSL 336.6, 0.79%, 0.5%

LAB 49.66, 74.07, 9.82

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 5 / 0 / 2 / 49

HEX #7C8280

RGB 124 130 128

HSL 160, 0.02%, 0.5%

LAB 53.82, -2.62, 0.3

 

CMYK 31 / 0 / 12 / 41

HEX #689684

RGB 104 150 132

HSL 156.52, 0.18%, 0.5%

LAB 58.44, -19.63, 4.52

 

CMYK 51 / 0 / 20 / 33

HEX #53AB89

RGB 83 171 137

HSL 156.82, 0.35%, 0.5%

LAB 63.98, -34.75, 9.51

 

CMYK 68 / 0 / 27 / 25

HEX #3EC08D

RGB 62 192 141

HSL 156.46, 0.51%, 0.5%

LAB 69.93, -47.29, 15.61

 

CMYK 0 / 25 / 2 / 43

HEX #916D8E

RGB 145 109 142

HSL 305, 0.14%, 0.5%

LAB 50.58, 20.14, -12.51

 

CMYK 0 / 25 / 8 / 43

HEX #916D85

RGB 145 109 133

HSL 320, 0.14%, 0.5%

LAB 50.28, 18.41, -7.65

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 25 / 21 / 43

HEX #916D72

RGB 145 109 114

HSL 351.67, 0.14%, 0.5%

LAB 49.7, 15.09, 2.78

 

CMYK 0 / 21 / 25 / 43

HEX #91726D

RGB 145 114 109

HSL 8.33, 0.14%, 0.5%

LAB 50.87, 11.39, 7.42

 

CMYK 0 / 24 / 15 / 62

HEX #624A53

RGB 98 74 83

HSL 337.5, 0.14%, 0.34%

LAB 34.23, 11.79, -1.39

 

CMYK 0 / 25 / 15 / 53

HEX #795B67

RGB 121 91 103

HSL 336, 0.14%, 0.42%

LAB 42.04, 14.35, -2.08

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 18 / 12 / 36

HEX #A38590

RGB 163 133 144

HSL 338, 0.14%, 0.58%

LAB 58.58, 13.3, -1.57

 

CMYK 0 / 13 / 8 / 29

HEX #B49CA6

RGB 180 156 166

HSL 335, 0.14%, 0.66%

LAB 66.7, 10.57, -1.95

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 5 / 25 / 43

HEX #918A6D

RGB 145 138 109

HSL 48.33, 0.14%, 0.5%

LAB 57.37, -2.3, 16.5

 

CMYK 25 / 5 / 0 / 43

HEX #6D8A91

RGB 109 138 145

HSL 191.67, 0.14%, 0.5%

LAB 55.56, -8.55, -7.11

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 15 / 0 / 25 / 43

HEX #7B916D

RGB 123 145 109

HSL 96.67, 0.14%, 0.5%

LAB 57.62, -14.81, 16.58

 

CMYK 25 / 15 / 0 / 43

HEX #6D7B91

RGB 109 123 145

HSL 216.67, 0.14%, 0.5%

LAB 51.22, 0.02, -13.61

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 0 / 5 / 25 / 43

HEX #918A6D

RGB 145 138 109

HSL 48.33, 0.14%, 0.5%

LAB 57.37, -2.3, 16.5

 

CMYK 25 / 0 / 10 / 43

HEX #6D9183

RGB 109 145 131

HSL 156.67, 0.14%, 0.5%

LAB 57.21, -15.58, 3.36

 

CMYK 25 / 20 / 0 / 43

HEX #6D7491

RGB 109 116 145

HSL 228.33, 0.14%, 0.5%

LAB 49.24, 4.14, -16.63

 

CMYK 0 / 25 / 15 / 43

HEX #916D7B

RGB 145 109 123

HSL 336.67, 0.14%, 0.5%

LAB 49.96, 16.61, -2.18

 

CMYK 3 / 0 / 25 / 43

HEX #8D916D

RGB 141 145 109

HSL 66.67, 0.14%, 0.5%

LAB 58.99, -7.78, 18.67

 

CMYK 25 / 0 / 10 / 43

HEX #6D9183

RGB 109 145 131

HSL 156.67, 0.14%, 0.5%

LAB 57.21, -15.58, 3.36

 

CMYK 22 / 25 / 0 / 43

HEX #716D91

RGB 113 109 145

HSL 246.67, 0.14%, 0.5%

LAB 47.61, 9.65, -19.08

 

Description

Color code: HEX #916D7B | qconv.com Color code: HEX #916D7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 109 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 109 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 15 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 15% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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