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Color name
HEX #916E1C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916E1C it is the complementary color #6E91E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916E1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916E1C shade: #966E17, #A7802A, #B8923D, #C9A450 and #DAB663

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916E1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916E1C shade: #916E1C, #805C09, #6F4A00, #5E3800 and #4D2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916E1C shade: #916E1B, #914E1B, #912E1B and #911B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916E1C shade: #916E1B, #918E1B, #75911B, #55911B and #35911B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916E1C shade matches the following richer shades: #916E1B and #9F740D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916E1C shade: #916E1B, #836829, #756337, #675D45 and #595753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916E1C shade: #912F1B, #914E1B, #916E1B, #918D1B and #76911B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916E1C shade: #4C390E, #6E5415, #916E1B, #B48822 and #D6A229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916E1C shade: #916E1C, #27911B and #3F1B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916E1C shade: #916E1C, #1B916E and #6E1B91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916E1C shade: #916E1C, #27911B, #1B3F91 and #851B91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916E1C shade: #916E1C, #1B9133, #1B3F91 and #911B7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

Complementary color

CMYK 52 / 36 / 0 / 11

HEX #6E91E3

RGB 110 145 227

HSL 222.05, 0.68%, 0.66%

LAB 60.88, 10.64, -45.39

 

CMYK 0 / 27 / 85 / 41

HEX #966E17

RGB 150 110 23

HSL 41.1, 0.73%, 0.34%

LAB 49.13, 8.04, 50.17

 

CMYK 0 / 23 / 75 / 35

HEX #A7802A

RGB 167 128 42

HSL 41.28, 0.6%, 0.41%

LAB 55.91, 6.4, 49.96

 

CMYK 0 / 21 / 67 / 28

HEX #B8923D

RGB 184 146 61

HSL 41.46, 0.5%, 0.48%

LAB 62.58, 5.06, 49.05

 

CMYK 0 / 18 / 60 / 21

HEX #C9A450

RGB 201 164 80

HSL 41.65, 0.53%, 0.55%

LAB 69.15, 3.93, 47.88

 

CMYK 0 / 17 / 55 / 15

HEX #DAB663

RGB 218 182 99

HSL 41.85, 0.62%, 0.62%

LAB 75.61, 2.99, 46.61

 

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

CMYK 0 / 28 / 93 / 50

HEX #805C09

RGB 128 92 9

HSL 41.85, 0.87%, 0.27%

LAB 41.63, 7.73, 47.02

 

CMYK 0 / 33 / 100 / 56

HEX #6F4A00

RGB 111 74 0

HSL 40, 1%, 0.22%

LAB 34.55, 10.03, 43.63

 

CMYK 0 / 40 / 100 / 63

HEX #5E3800

RGB 94 56 0

HSL 35.74, 1%, 0.18%

LAB 27.32, 12.7, 37.27

 

CMYK 0 / 51 / 100 / 70

HEX #4D2600

RGB 77 38 0

HSL 29.61, 1%, 0.15%

LAB 19.9, 15.53, 28.96

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 46 / 81 / 43

HEX #914E1B

RGB 145 78 27

HSL 25.93, 0.69%, 0.34%

LAB 40.49, 24.29, 40.58

 

CMYK 0 / 68 / 81 / 43

HEX #912E1B

RGB 145 46 27

HSL 9.66, 0.69%, 0.34%

LAB 34.09, 40.72, 34.37

 

CMYK 0 / 81 / 81 / 43

HEX #911B1B

RGB 145 27 27

HSL 0, 0.69%, 0.34%

LAB 31.54, 47.77, 31.79

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 2 / 81 / 43

HEX #918E1B

RGB 145 142 27

HSL 58.47, 0.69%, 0.34%

LAB 57.51, -11.96, 56.02

 

CMYK 19 / 0 / 81 / 43

HEX #75911B

RGB 117 145 27

HSL 74.24, 0.69%, 0.34%

LAB 56.2, -25.9, 54.03

 

CMYK 41 / 0 / 81 / 43

HEX #55911B

RGB 85 145 27

HSL 90.51, 0.69%, 0.34%

LAB 54.3, -38.54, 51.59

 

CMYK 63 / 0 / 81 / 43

HEX #35911B

RGB 53 145 27

HSL 106.78, 0.69%, 0.34%

LAB 53.04, -48.23, 49.97

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 27 / 92 / 38

HEX #9F740D

RGB 159 116 13

HSL 42.33, 0.85%, 0.34%

LAB 51.71, 8.55, 55.46

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 21 / 69 / 49

HEX #836829

RGB 131 104 41

HSL 42, 0.52%, 0.34%

LAB 45.48, 3.46, 38.44

 

CMYK 0 / 15 / 53 / 54

HEX #756337

RGB 117 99 55

HSL 42.58, 0.36%, 0.34%

LAB 42.74, 1.02, 27.51

 

CMYK 0 / 10 / 33 / 60

HEX #675D45

RGB 103 93 69

HSL 42.35, 0.2%, 0.34%

LAB 39.82, -0.06, 15.28

 

CMYK 0 / 2 / 7 / 65

HEX #595753

RGB 89 87 83

HSL 40, 0.03%, 0.34%

LAB 37.05, -0.01, 2.6

 

CMYK 0 / 68 / 81 / 43

HEX #912F1B

RGB 145 47 27

HSL 10.17, 0.69%, 0.34%

LAB 34.26, 40.27, 34.53

 

CMYK 0 / 46 / 81 / 43

HEX #914E1B

RGB 145 78 27

HSL 25.93, 0.69%, 0.34%

LAB 40.49, 24.29, 40.58

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 3 / 81 / 43

HEX #918D1B

RGB 145 141 27

HSL 57.97, 0.69%, 0.34%

LAB 57.22, -11.43, 55.77

 

CMYK 19 / 0 / 81 / 43

HEX #76911B

RGB 118 145 27

HSL 73.73, 0.69%, 0.34%

LAB 56.27, -25.47, 54.11

 

CMYK 0 / 25 / 82 / 70

HEX #4C390E

RGB 76 57 14

HSL 41.61, 0.69%, 0.18%

LAB 25.24, 3.42, 28.61

 

CMYK 0 / 24 / 81 / 57

HEX #6E5415

RGB 110 84 21

HSL 42.47, 0.68%, 0.26%

LAB 37.32, 4.14, 38.54

 

CMYK 0 / 24 / 81 / 43

HEX #916E1B

RGB 145 110 27

HSL 42.2, 0.69%, 0.34%

LAB 48.57, 5.84, 48.07

 

CMYK 0 / 24 / 81 / 29

HEX #B48822

RGB 180 136 34

HSL 41.92, 0.68%, 0.42%

LAB 59.37, 7.5, 56.75

 

CMYK 0 / 24 / 81 / 16

HEX #D6A229

RGB 214 162 41

HSL 41.97, 0.68%, 0.5%

LAB 69.68, 8.64, 64.97

 

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

CMYK 73 / 0 / 81 / 43

HEX #27911B

RGB 39 145 27

HSL 113.9, 0.69%, 0.34%

LAB 52.69, -51.23, 49.5

 

CMYK 57 / 81 / 0 / 43

HEX #3F1B91

RGB 63 27 145

HSL 258.31, 0.69%, 0.34%

LAB 23.29, 45.62, -58.13

 

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

CMYK 81 / 0 / 24 / 43

HEX #1B916E

RGB 27 145 110

HSL 162.2, 0.69%, 0.34%

LAB 53.61, -39.87, 9.81

 

CMYK 24 / 81 / 0 / 43

HEX #6E1B91

RGB 110 27 145

HSL 282.2, 0.69%, 0.34%

LAB 29.77, 53.08, -47.27

 

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

CMYK 73 / 0 / 81 / 43

HEX #27911B

RGB 39 145 27

HSL 113.9, 0.69%, 0.34%

LAB 52.69, -51.23, 49.5

 

CMYK 81 / 57 / 0 / 43

HEX #1B3F91

RGB 27 63 145

HSL 221.69, 0.69%, 0.34%

LAB 28.99, 19.02, -48.9

 

CMYK 8 / 81 / 0 / 43

HEX #851B91

RGB 133 27 145

HSL 293.9, 0.69%, 0.34%

LAB 33.59, 57.48, -40.91

 

CMYK 0 / 24 / 81 / 43

HEX #916E1C

RGB 145 110 28

HSL 42.05, 0.68%, 0.34%

LAB 48.58, 5.88, 47.7

 

CMYK 81 / 0 / 65 / 43

HEX #1B9133

RGB 27 145 51

HSL 132.2, 0.69%, 0.34%

LAB 52.64, -50.94, 40.02

 

CMYK 81 / 57 / 0 / 43

HEX #1B3F91

RGB 27 63 145

HSL 221.69, 0.69%, 0.34%

LAB 28.99, 19.02, -48.9

 

CMYK 0 / 81 / 16 / 43

HEX #911B7A

RGB 145 27 122

HSL 311.69, 0.69%, 0.34%

LAB 34.41, 56.35, -25.18

 

Description

Color code: HEX #916E1C | qconv.com Color code: HEX #916E1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 110 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 110 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 81 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 81% 43% C M Y K

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Provide designers and agencies with accurate color values.

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