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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91797C it is the complementary color #6E8683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91797C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91797C shade: #967977, #A78B8A, #B89D9D, #C9AFB0 and #DAC1C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91797C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91797C shade: #91797C, #806769, #6F5556, #5E4343 and #4D3130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91797C shade: #90787B and #907878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91797C shade: #90787B, #907882, #907888, #90788F and #8B7890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91797C shade matches the following richer shades: #90787B, #A4646C, #B8505D, #CC3C4E and #E02940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91797C shade: #90787B, #7D8C8A, #699F99, #55B3A7 and #41C7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91797C shade: #907888, #907882, #90787B, #907B78 and #908278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91797C shade: #645254, #7B6467, #90787B, #A38F91 and #B5A5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91797C shade: #91797C, #8F9078 and #788590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91797C shade: #91797C, #7B9078 and #787B90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91797C shade: #91797C, #8F9078, #78908D and #797890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91797C shade: #91797C, #879078, #78908D and #817890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

Complementary color

CMYK 18 / 0 / 2 / 47

HEX #6E8683

RGB 110 134 131

HSL 172.5, 0.1%, 0.48%

LAB 54.03, -9.24, -1.26

 

CMYK 0 / 19 / 21 / 41

HEX #967977

RGB 150 121 119

HSL 3.87, 0.13%, 0.53%

LAB 53.48, 10.93, 5.35

 

CMYK 0 / 17 / 17 / 35

HEX #A78B8A

RGB 167 139 138

HSL 2.07, 0.14%, 0.6%

LAB 60.35, 10.41, 4.49

 

CMYK 0 / 15 / 15 / 28

HEX #B89D9D

RGB 184 157 157

HSL 0, 0.16%, 0.67%

LAB 67.08, 9.95, 3.69

 

CMYK 0 / 13 / 12 / 21

HEX #C9AFB0

RGB 201 175 176

HSL 357.69, 0.19%, 0.74%

LAB 73.68, 9.53, 2.94

 

CMYK 0 / 11 / 11 / 15

HEX #DAC1C3

RGB 218 193 195

HSL 355.2, 0.25%, 0.81%

LAB 80.17, 9.16, 2.23

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 0 / 20 / 18 / 50

HEX #806769

RGB 128 103 105

HSL 355.2, 0.11%, 0.45%

LAB 46.06, 10.32, 2.65

 

CMYK 0 / 23 / 23 / 56

HEX #6F5556

RGB 111 85 86

HSL 357.69, 0.13%, 0.38%

LAB 38.81, 10.94, 3.56

 

CMYK 0 / 29 / 29 / 63

HEX #5E4343

RGB 94 67 67

HSL 0, 0.17%, 0.32%

LAB 31.35, 11.68, 4.6

 

CMYK 0 / 36 / 38 / 70

HEX #4D3130

RGB 77 49 48

HSL 2.07, 0.23%, 0.25%

LAB 23.63, 12.6, 5.86

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 0 / 17 / 17 / 44

HEX #907878

RGB 144 120 120

HSL 0, 0.1%, 0.52%

LAB 52.64, 9.3, 3.47

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 0 / 17 / 10 / 44

HEX #907882

RGB 144 120 130

HSL 335, 0.1%, 0.52%

LAB 52.92, 11.07, -1.98

 

CMYK 0 / 17 / 6 / 44

HEX #907888

RGB 144 120 136

HSL 320, 0.1%, 0.52%

LAB 53.1, 12.19, -5.22

 

CMYK 0 / 17 / 1 / 44

HEX #90788F

RGB 144 120 143

HSL 302.5, 0.1%, 0.52%

LAB 53.33, 13.55, -8.98

 

CMYK 3 / 17 / 0 / 44

HEX #8B7890

RGB 139 120 144

HSL 287.5, 0.1%, 0.52%

LAB 52.88, 11.94, -10.29

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 0 / 39 / 34 / 36

HEX #A4646C

RGB 164 100 108

HSL 352.5, 0.26%, 0.52%

LAB 49.6, 26.86, 6.51

 

CMYK 0 / 57 / 49 / 28

HEX #B8505D

RGB 184 80 93

HSL 352.5, 0.42%, 0.52%

LAB 47.9, 43.25, 13.53

 

CMYK 0 / 71 / 62 / 20

HEX #CC3C4E

RGB 204 60 78

HSL 352.5, 0.59%, 0.52%

LAB 47.78, 57.37, 23.01

 

CMYK 0 / 82 / 71 / 12

HEX #E02940

RGB 224 41 64

HSL 352.46, 0.75%, 0.52%

LAB 49.26, 68.21, 34.04

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 11 / 0 / 1 / 45

HEX #7D8C8A

RGB 125 140 138

HSL 172, 0.06%, 0.52%

LAB 57.03, -5.82, -0.79

 

CMYK 34 / 0 / 4 / 38

HEX #699F99

RGB 105 159 153

HSL 173.33, 0.22%, 0.52%

LAB 61.74, -19.17, -2.55

 

CMYK 53 / 0 / 7 / 30

HEX #55B3A7

RGB 85 179 167

HSL 172.34, 0.38%, 0.52%

LAB 67.25, -30.79, -2.38

 

CMYK 67 / 0 / 9 / 22

HEX #41C7B6

RGB 65 199 182

HSL 172.39, 0.54%, 0.52%

LAB 73.12, -39.79, -2.04

 

CMYK 0 / 17 / 6 / 44

HEX #907888

RGB 144 120 136

HSL 320, 0.1%, 0.52%

LAB 53.1, 12.19, -5.22

 

CMYK 0 / 17 / 10 / 44

HEX #907882

RGB 144 120 130

HSL 335, 0.1%, 0.52%

LAB 52.92, 11.07, -1.98

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 0 / 15 / 17 / 44

HEX #907B78

RGB 144 123 120

HSL 7.5, 0.1%, 0.52%

LAB 53.44, 7.57, 4.63

 

CMYK 0 / 10 / 17 / 44

HEX #908278

RGB 144 130 120

HSL 25, 0.1%, 0.52%

LAB 55.33, 3.55, 7.33

 

CMYK 0 / 18 / 16 / 61

HEX #645254

RGB 100 82 84

HSL 353.33, 0.1%, 0.36%

LAB 36.71, 7.83, 1.63

 

CMYK 0 / 19 / 16 / 52

HEX #7B6467

RGB 123 100 103

HSL 352.17, 0.1%, 0.44%

LAB 44.67, 9.75, 1.78

 

CMYK 0 / 17 / 15 / 44

HEX #90787B

RGB 144 120 123

HSL 352.5, 0.1%, 0.52%

LAB 52.72, 9.82, 1.84

 

CMYK 0 / 12 / 11 / 36

HEX #A38F91

RGB 163 143 145

HSL 354, 0.1%, 0.6%

LAB 61.2, 7.82, 1.68

 

CMYK 0 / 9 / 8 / 29

HEX #B5A5A7

RGB 181 165 167

HSL 352.5, 0.1%, 0.68%

LAB 69.13, 6.15, 1.06

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 1 / 0 / 17 / 44

HEX #8F9078

RGB 143 144 120

HSL 62.5, 0.1%, 0.52%

LAB 59.11, -4.7, 12.66

 

CMYK 17 / 8 / 0 / 44

HEX #788590

RGB 120 133 144

HSL 207.5, 0.1%, 0.52%

LAB 54.85, -2.3, -7.51

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 15 / 0 / 17 / 44

HEX #7B9078

RGB 123 144 120

HSL 112.5, 0.1%, 0.52%

LAB 57.57, -12.32, 10.28

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 1 / 0 / 17 / 44

HEX #8F9078

RGB 143 144 120

HSL 62.5, 0.1%, 0.52%

LAB 59.11, -4.7, 12.66

 

CMYK 17 / 0 / 2 / 44

HEX #78908D

RGB 120 144 141

HSL 172.5, 0.1%, 0.52%

LAB 57.91, -9.14, -1.26

 

CMYK 16 / 17 / 0 / 44

HEX #797890

RGB 121 120 144

HSL 242.5, 0.1%, 0.52%

LAB 51.28, 5.58, -12.85

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 6 / 0 / 17 / 44

HEX #879078

RGB 135 144 120

HSL 82.5, 0.1%, 0.52%

LAB 58.47, -7.8, 11.66

 

CMYK 17 / 0 / 2 / 44

HEX #78908D

RGB 120 144 141

HSL 172.5, 0.1%, 0.52%

LAB 57.91, -9.14, -1.26

 

CMYK 10 / 17 / 0 / 44

HEX #817890

RGB 129 120 144

HSL 262.5, 0.1%, 0.52%

LAB 51.97, 8.37, -11.75

 

Description

Color code: HEX #91797C | qconv.com Color code: HEX #91797C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 121 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 121 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 14 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 14% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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