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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918120 it is the complementary color #6E7EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918120 shade: #96811B, #A7932E, #B8A541, #C9B754 and #DAC967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918120 shade: #918120, #806F0D, #6F5D00, #5E4B00 and #4D3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918120 shade: #928220, #926320, #924420, #922520 and #922020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918120 shade: #928220, #839220, #649220, #469220 and #279220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918120 shade matches the following richer shades: #928220, #A08C11 and #AF9603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918120 shade: #928220, #83772E, #756D3D, #67634B and #585859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918120 shade: #924420, #926220, #928120, #859220 and #669220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918120 shade: #4E4611, #706418, #928220, #B4A027 and #D2BB32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918120 shade: #918120, #209225 and #532092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918120 shade: #918120, #209281 and #812092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918120 shade: #918120, #209225, #203192 and #92208C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918120 shade: #918120, #209248, #203192 and #92206A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

Complementary color

CMYK 51 / 43 / 0 / 13

HEX #6E7EDF

RGB 110 126 223

HSL 231.5, 0.64%, 0.65%

LAB 55.65, 20.7, -51.45

 

CMYK 0 / 14 / 82 / 41

HEX #96811B

RGB 150 129 27

HSL 49.76, 0.69%, 0.35%

LAB 54.31, -2.58, 53.39

 

CMYK 0 / 12 / 72 / 35

HEX #A7932E

RGB 167 147 46

HSL 50.08, 0.57%, 0.42%

LAB 61.03, -3.89, 53.38

 

CMYK 0 / 10 / 65 / 28

HEX #B8A541

RGB 184 165 65

HSL 50.42, 0.48%, 0.49%

LAB 67.64, -4.96, 52.68

 

CMYK 0 / 9 / 58 / 21

HEX #C9B754

RGB 201 183 84

HSL 50.77, 0.52%, 0.56%

LAB 74.14, -5.83, 51.67

 

CMYK 0 / 8 / 53 / 15

HEX #DAC967

RGB 218 201 103

HSL 51.13, 0.61%, 0.63%

LAB 80.55, -6.57, 50.53

 

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

CMYK 0 / 13 / 90 / 50

HEX #806F0D

RGB 128 111 13

HSL 51.13, 0.82%, 0.28%

LAB 46.96, -3.23, 50.27

 

CMYK 0 / 16 / 100 / 56

HEX #6F5D00

RGB 111 93 0

HSL 50.27, 1%, 0.22%

LAB 39.93, -1.39, 47.32

 

CMYK 0 / 20 / 100 / 63

HEX #5E4B00

RGB 94 75 0

HSL 47.87, 1%, 0.18%

LAB 32.73, 0.87, 41.38

 

CMYK 0 / 26 / 100 / 70

HEX #4D3900

RGB 77 57 0

HSL 44.42, 1%, 0.15%

LAB 25.27, 3.3, 34.55

 

CMYK 0 / 11 / 78 / 43

HEX #928220

RGB 146 130 32

HSL 51.58, 0.64%, 0.35%

LAB 54.22, -4.79, 51.47

 

CMYK 0 / 32 / 78 / 43

HEX #926320

RGB 146 99 32

HSL 35.26, 0.64%, 0.35%

LAB 45.82, 12.87, 43.52

 

CMYK 0 / 53 / 78 / 43

HEX #924420

RGB 146 68 32

HSL 18.95, 0.64%, 0.35%

LAB 38.46, 30.44, 36.19

 

CMYK 0 / 75 / 78 / 43

HEX #922520

RGB 146 37 32

HSL 2.63, 0.64%, 0.35%

LAB 33, 44.91, 30.44

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 0 / 11 / 78 / 43

HEX #928220

RGB 146 130 32

HSL 51.58, 0.64%, 0.35%

LAB 54.22, -4.79, 51.47

 

CMYK 10 / 0 / 78 / 43

HEX #839220

RGB 131 146 32

HSL 67.89, 0.64%, 0.35%

LAB 57.55, -20.12, 54.07

 

CMYK 32 / 0 / 78 / 43

HEX #649220

RGB 100 146 32

HSL 84.21, 0.64%, 0.35%

LAB 55.45, -33.09, 51.36

 

CMYK 52 / 0 / 78 / 43

HEX #469220

RGB 70 146 32

HSL 100, 0.64%, 0.35%

LAB 53.99, -43.63, 49.45

 

CMYK 73 / 0 / 78 / 43

HEX #279220

RGB 39 146 32

HSL 116.32, 0.64%, 0.35%

LAB 53.05, -51.23, 48.21

 

CMYK 0 / 11 / 78 / 43

HEX #928220

RGB 146 130 32

HSL 51.58, 0.64%, 0.35%

LAB 54.22, -4.79, 51.47

 

CMYK 0 / 13 / 89 / 37

HEX #A08C11

RGB 160 140 17

HSL 51.61, 0.81%, 0.35%

LAB 58.29, -4.3, 59.79

 

CMYK 0 / 14 / 98 / 31

HEX #AF9603

RGB 175 150 3

HSL 51.28, 0.97%, 0.35%

LAB 62.45, -3.09, 65.86

 

CMYK 0 / 11 / 78 / 43

HEX #928220

RGB 146 130 32

HSL 51.58, 0.64%, 0.35%

LAB 54.22, -4.79, 51.47

 

CMYK 0 / 9 / 65 / 49

HEX #83772E

RGB 131 119 46

HSL 51.53, 0.48%, 0.35%

LAB 49.76, -4.79, 40.66

 

CMYK 0 / 7 / 48 / 54

HEX #756D3D

RGB 117 109 61

HSL 51.43, 0.31%, 0.35%

LAB 45.71, -4.18, 27.83

 

CMYK 0 / 4 / 27 / 60

HEX #67634B

RGB 103 99 75

HSL 51.43, 0.16%, 0.35%

LAB 41.71, -2.72, 14.24

 

CMYK 1 / 1 / 0 / 65

HEX #585859

RGB 88 88 89

HSL 240, 0.01%, 0.35%

LAB 37.44, 0.22, -0.58

 

CMYK 0 / 53 / 78 / 43

HEX #924420

RGB 146 68 32

HSL 18.95, 0.64%, 0.35%

LAB 38.46, 30.44, 36.19

 

CMYK 0 / 33 / 78 / 43

HEX #926220

RGB 146 98 32

HSL 34.74, 0.64%, 0.35%

LAB 45.57, 13.45, 43.27

 

CMYK 0 / 12 / 78 / 43

HEX #928120

RGB 146 129 32

HSL 51.05, 0.64%, 0.35%

LAB 53.94, -4.23, 51.21

 

CMYK 9 / 0 / 78 / 43

HEX #859220

RGB 133 146 32

HSL 66.84, 0.64%, 0.35%

LAB 57.7, -19.24, 54.27

 

CMYK 30 / 0 / 78 / 43

HEX #669220

RGB 102 146 32

HSL 83.16, 0.64%, 0.35%

LAB 55.57, -32.31, 51.51

 

CMYK 0 / 10 / 78 / 69

HEX #4E4611

RGB 78 70 17

HSL 52.13, 0.64%, 0.19%

LAB 29.51, -3.57, 31.51

 

CMYK 0 / 11 / 79 / 56

HEX #706418

RGB 112 100 24

HSL 51.82, 0.65%, 0.27%

LAB 42.19, -4.22, 42.01

 

CMYK 0 / 11 / 78 / 43

HEX #928220

RGB 146 130 32

HSL 51.58, 0.64%, 0.35%

LAB 54.22, -4.79, 51.47

 

CMYK 0 / 11 / 78 / 29

HEX #B4A027

RGB 180 160 39

HSL 51.49, 0.64%, 0.43%

LAB 65.74, -5.37, 60.82

 

CMYK 0 / 11 / 76 / 18

HEX #D2BB32

RGB 210 187 50

HSL 51.38, 0.64%, 0.51%

LAB 75.74, -5.97, 67.35

 

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

CMYK 78 / 0 / 75 / 43

HEX #209225

RGB 32 146 37

HSL 122.63, 0.64%, 0.35%

LAB 52.95, -52, 46.25

 

CMYK 43 / 78 / 0 / 43

HEX #532092

RGB 83 32 146

HSL 266.84, 0.64%, 0.35%

LAB 26.58, 46.62, -53.25

 

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

CMYK 78 / 0 / 12 / 43

HEX #209281

RGB 32 146 129

HSL 171.05, 0.64%, 0.35%

LAB 54.5, -34.66, 0.21

 

CMYK 12 / 78 / 0 / 43

HEX #812092

RGB 129 32 146

HSL 291.05, 0.64%, 0.35%

LAB 33.51, 55.33, -41.69

 

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

CMYK 78 / 0 / 75 / 43

HEX #209225

RGB 32 146 37

HSL 122.63, 0.64%, 0.35%

LAB 52.95, -52, 46.25

 

CMYK 78 / 66 / 0 / 43

HEX #203192

RGB 32 49 146

HSL 231.05, 0.64%, 0.35%

LAB 25.5, 29.52, -55.2

 

CMYK 0 / 78 / 4 / 43

HEX #92208C

RGB 146 32 140

HSL 303.16, 0.64%, 0.35%

LAB 36.06, 57.91, -33.77

 

CMYK 0 / 11 / 78 / 43

HEX #918120

RGB 145 129 32

HSL 51.5, 0.64%, 0.35%

LAB 53.84, -4.7, 51.08

 

CMYK 78 / 0 / 51 / 43

HEX #209248

RGB 32 146 72

HSL 141.05, 0.64%, 0.35%

LAB 53.31, -47.62, 30.44

 

CMYK 78 / 66 / 0 / 43

HEX #203192

RGB 32 49 146

HSL 231.05, 0.64%, 0.35%

LAB 25.5, 29.52, -55.2

 

CMYK 0 / 78 / 27 / 43

HEX #92206A

RGB 146 32 106

HSL 321.05, 0.64%, 0.35%

LAB 34.36, 52.95, -15.12

 

Description

Color code: HEX #918120 | qconv.com Color code: HEX #918120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 129 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 129 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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