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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918144 it is the complementary color #6E7EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918144 shade: #96813F, #A79352, #B8A565, #C9B778 and #DAC98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918144 shade: #918144, #806F31, #6F5D1E, #5E4B0B and #4D3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918144 shade: #918144, #916C44, #915844 and #914444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918144 shade: #918144, #8C9144, #789144, #639144 and #4E9144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918144 shade matches the following richer shades: #918144, #A28B33, #B49521 and #C5A010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918144 shade: #918144, #807755, #6E6D67, #5D6378 and #4C5989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918144 shade: #915744, #916C44, #918044, #8D9144 and #799144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918144 shade: #594F2A, #756837, #918144, #AD9A51 and #BAAA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918144 shade: #918144, #459144 and #624491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918144 shade: #918144, #449180 and #804491

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918144 shade: #918144, #459144, #445591 and #904491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918144 shade: #918144, #44915A, #445591 and #91447B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

Complementary color

CMYK 41 / 33 / 0 / 27

HEX #6E7EBB

RGB 110 126 187

HSL 227.53, 0.36%, 0.58%

LAB 53.84, 9.91, -33.91

 

CMYK 0 / 14 / 58 / 41

HEX #96813F

RGB 150 129 63

HSL 45.52, 0.41%, 0.42%

LAB 54.6, -0.48, 38.2

 

CMYK 0 / 12 / 51 / 35

HEX #A79352

RGB 167 147 82

HSL 45.88, 0.34%, 0.49%

LAB 61.39, -1.3, 36.89

 

CMYK 0 / 10 / 45 / 28

HEX #B8A565

RGB 184 165 101

HSL 46.27, 0.37%, 0.56%

LAB 68.05, -1.96, 35.6

 

CMYK 0 / 9 / 40 / 21

HEX #C9B778

RGB 201 183 120

HSL 46.67, 0.43%, 0.63%

LAB 74.6, -2.52, 34.35

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 0 / 13 / 62 / 50

HEX #806F31

RGB 128 111 49

HSL 47.09, 0.45%, 0.35%

LAB 47.21, -1.41, 36.28

 

CMYK 0 / 16 / 73 / 56

HEX #6F5D1E

RGB 111 93 30

HSL 46.67, 0.57%, 0.28%

LAB 40.08, -0.28, 37.35

 

CMYK 0 / 20 / 88 / 63

HEX #5E4B0B

RGB 94 75 11

HSL 46.27, 0.79%, 0.21%

LAB 32.78, 1.23, 37.55

 

CMYK 0 / 26 / 100 / 70

HEX #4D3900

RGB 77 57 0

HSL 44.42, 1%, 0.15%

LAB 25.27, 3.3, 34.55

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 0 / 26 / 53 / 43

HEX #916C44

RGB 145 108 68

HSL 31.17, 0.36%, 0.42%

LAB 48.46, 9.71, 27.98

 

CMYK 0 / 39 / 53 / 43

HEX #915844

RGB 145 88 68

HSL 15.58, 0.36%, 0.42%

LAB 43.38, 21.31, 21.5

 

CMYK 0 / 53 / 53 / 43

HEX #914444

RGB 145 68 68

HSL 0, 0.36%, 0.42%

LAB 38.85, 32.5, 15.49

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 3 / 0 / 53 / 43

HEX #8C9144

RGB 140 145 68

HSL 63.9, 0.36%, 0.42%

LAB 58.27, -13.2, 39.73

 

CMYK 17 / 0 / 53 / 43

HEX #789144

RGB 120 145 68

HSL 79.48, 0.36%, 0.42%

LAB 56.74, -21.64, 37.56

 

CMYK 32 / 0 / 53 / 43

HEX #639144

RGB 99 145 68

HSL 95.84, 0.36%, 0.42%

LAB 55.4, -29.89, 35.63

 

CMYK 46 / 0 / 53 / 43

HEX #4E9144

RGB 78 145 68

HSL 112.21, 0.36%, 0.42%

LAB 54.33, -37.15, 34.09

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 0 / 14 / 69 / 36

HEX #A28B33

RGB 162 139 51

HSL 47.57, 0.52%, 0.42%

LAB 58.4, -1.49, 48.46

 

CMYK 0 / 17 / 82 / 29

HEX #B49521

RGB 180 149 33

HSL 47.35, 0.69%, 0.42%

LAB 62.77, 0.33, 60.08

 

CMYK 0 / 19 / 92 / 23

HEX #C5A010

RGB 197 160 16

HSL 47.73, 0.85%, 0.42%

LAB 67.31, 1.61, 68.56

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 0 / 7 / 34 / 50

HEX #807755

RGB 128 119 85

HSL 47.44, 0.2%, 0.42%

LAB 50.02, -2.11, 19.99

 

CMYK 0 / 1 / 6 / 57

HEX #6E6D67

RGB 110 109 103

HSL 51.43, 0.03%, 0.42%

LAB 45.95, -0.8, 3.48

 

CMYK 23 / 18 / 0 / 53

HEX #5D6378

RGB 93 99 120

HSL 226.67, 0.13%, 0.42%

LAB 42.16, 2.65, -12.55

 

CMYK 45 / 35 / 0 / 46

HEX #4C5989

RGB 76 89 137

HSL 227.21, 0.29%, 0.42%

LAB 38.7, 8.37, -28.33

 

CMYK 0 / 40 / 53 / 43

HEX #915744

RGB 145 87 68

HSL 14.81, 0.36%, 0.42%

LAB 43.14, 21.89, 21.18

 

CMYK 0 / 26 / 53 / 43

HEX #916C44

RGB 145 108 68

HSL 31.17, 0.36%, 0.42%

LAB 48.46, 9.71, 27.98

 

CMYK 0 / 12 / 53 / 43

HEX #918044

RGB 145 128 68

HSL 46.75, 0.36%, 0.42%

LAB 53.89, -1.71, 34.65

 

CMYK 3 / 0 / 53 / 43

HEX #8D9144

RGB 141 145 68

HSL 63.12, 0.36%, 0.42%

LAB 58.35, -12.77, 39.85

 

CMYK 17 / 0 / 53 / 43

HEX #799144

RGB 121 145 68

HSL 78.7, 0.36%, 0.42%

LAB 56.81, -21.23, 37.66

 

CMYK 0 / 11 / 53 / 65

HEX #594F2A

RGB 89 79 42

HSL 47.23, 0.36%, 0.26%

LAB 33.74, -1.53, 23.24

 

CMYK 0 / 11 / 53 / 54

HEX #756837

RGB 117 104 55

HSL 47.42, 0.36%, 0.34%

LAB 44.17, -1.91, 29.26

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 0 / 11 / 53 / 32

HEX #AD9A51

RGB 173 154 81

HSL 47.61, 0.36%, 0.5%

LAB 63.83, -2.62, 40.48

 

CMYK 0 / 9 / 41 / 27

HEX #BAAA6D

RGB 186 170 109

HSL 47.53, 0.36%, 0.58%

LAB 69.68, -2.96, 33.51

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 52 / 0 / 53 / 43

HEX #459144

RGB 69 145 68

HSL 119.22, 0.36%, 0.42%

LAB 53.96, -39.87, 33.54

 

CMYK 32 / 53 / 0 / 43

HEX #624491

RGB 98 68 145

HSL 263.38, 0.36%, 0.42%

LAB 35.55, 30.13, -38.06

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 53 / 0 / 12 / 43

HEX #449180

RGB 68 145 128

HSL 166.75, 0.36%, 0.42%

LAB 55.11, -28.13, 1.79

 

CMYK 12 / 53 / 0 / 43

HEX #804491

RGB 128 68 145

HSL 286.75, 0.36%, 0.42%

LAB 39.19, 38.66, -32.06

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 52 / 0 / 53 / 43

HEX #459144

RGB 69 145 68

HSL 119.22, 0.36%, 0.42%

LAB 53.96, -39.87, 33.54

 

CMYK 53 / 41 / 0 / 43

HEX #445591

RGB 68 85 145

HSL 226.75, 0.36%, 0.42%

LAB 37.43, 11.46, -35.23

 

CMYK 1 / 53 / 0 / 43

HEX #904491

RGB 144 68 145

HSL 299.22, 0.36%, 0.42%

LAB 41.39, 43.34, -28.45

 

CMYK 0 / 11 / 53 / 43

HEX #918144

RGB 145 129 68

HSL 47.53, 0.36%, 0.42%

LAB 54.17, -2.27, 34.99

 

CMYK 53 / 0 / 38 / 43

HEX #44915A

RGB 68 145 90

HSL 137.14, 0.36%, 0.42%

LAB 54.26, -36.56, 22.14

 

CMYK 53 / 41 / 0 / 43

HEX #445591

RGB 68 85 145

HSL 226.75, 0.36%, 0.42%

LAB 37.43, 11.46, -35.23

 

CMYK 0 / 53 / 15 / 43

HEX #91447B

RGB 145 68 123

HSL 317.14, 0.36%, 0.42%

LAB 40.55, 39.73, -16.31

 

Description

Color code: HEX #918144 | qconv.com Color code: HEX #918144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 129 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 129 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 53 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 53% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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