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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918225 it is the complementary color #6E7DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918225 shade: #968220, #A79433, #B8A646, #C9B859 and #DACA6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918225 shade: #918225, #807012, #6F5E00, #5E4C00 and #4D3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918225 shade: #918225, #916525, #914825, #912B25 and #912525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918225 shade: #918225, #839125, #669125, #499125 and #2C9125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918225 shade matches the following richer shades: #918225, #A08D16 and #AF9807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918225 shade: #918225, #837834, #746D43, #656252 and #565861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918225 shade: #914725, #916425, #918125, #859125 and #689125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918225 shade: #504814, #71651D, #918225, #B2A02E and #CDB93D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918225 shade: #918225, #25912B and #562591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918225 shade: #918225, #259181 and #812591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918225 shade: #918225, #25912B, #253591 and #91258C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918225 shade: #918225, #25914B, #253591 and #91256C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

Complementary color

CMYK 50 / 43 / 0 / 15

HEX #6E7DDA

RGB 110 125 218

HSL 231.67, 0.59%, 0.64%

LAB 55.12, 19.77, -49.49

 

CMYK 0 / 13 / 79 / 41

HEX #968220

RGB 150 130 32

HSL 49.83, 0.65%, 0.36%

LAB 54.61, -2.94, 51.97

 

CMYK 0 / 11 / 69 / 35

HEX #A79433

RGB 167 148 51

HSL 50.17, 0.53%, 0.43%

LAB 61.34, -4.17, 51.64

 

CMYK 0 / 10 / 62 / 28

HEX #B8A646

RGB 184 166 70

HSL 50.53, 0.45%, 0.5%

LAB 67.95, -5.16, 50.78

 

CMYK 0 / 8 / 56 / 21

HEX #C9B859

RGB 201 184 89

HSL 50.89, 0.51%, 0.57%

LAB 74.46, -5.97, 49.69

 

CMYK 0 / 7 / 50 / 15

HEX #DACA6C

RGB 218 202 108

HSL 51.27, 0.6%, 0.64%

LAB 80.87, -6.65, 48.51

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 13 / 86 / 50

HEX #807012

RGB 128 112 18

HSL 51.27, 0.75%, 0.29%

LAB 47.26, -3.66, 49.19

 

CMYK 0 / 15 / 100 / 56

HEX #6F5E00

RGB 111 94 0

HSL 50.81, 1%, 0.22%

LAB 40.22, -1.98, 47.53

 

CMYK 0 / 19 / 100 / 63

HEX #5E4C00

RGB 94 76 0

HSL 48.51, 1%, 0.18%

LAB 33.02, 0.25, 41.59

 

CMYK 0 / 25 / 100 / 70

HEX #4D3A00

RGB 77 58 0

HSL 45.19, 1%, 0.15%

LAB 25.58, 2.66, 34.83

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 30 / 74 / 43

HEX #916525

RGB 145 101 37

HSL 35.56, 0.59%, 0.36%

LAB 46.26, 11.49, 41.66

 

CMYK 0 / 50 / 74 / 43

HEX #914825

RGB 145 72 37

HSL 19.44, 0.59%, 0.36%

LAB 39.22, 28.08, 34.29

 

CMYK 0 / 70 / 74 / 43

HEX #912B25

RGB 145 43 37

HSL 3.33, 0.59%, 0.36%

LAB 33.73, 42.42, 28.21

 

CMYK 0 / 74 / 74 / 43

HEX #912525

RGB 145 37 37

HSL 0, 0.59%, 0.36%

LAB 32.87, 44.8, 27.22

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 10 / 0 / 74 / 43

HEX #839125

RGB 131 145 37

HSL 67.78, 0.59%, 0.36%

LAB 57.28, -19.36, 52.09

 

CMYK 30 / 0 / 74 / 43

HEX #669125

RGB 102 145 37

HSL 83.89, 0.59%, 0.36%

LAB 55.29, -31.55, 49.47

 

CMYK 50 / 0 / 74 / 43

HEX #499125

RGB 73 145 37

HSL 100, 0.59%, 0.36%

LAB 53.82, -41.95, 47.52

 

CMYK 70 / 0 / 74 / 43

HEX #2C9125

RGB 44 145 37

HSL 116.11, 0.59%, 0.36%

LAB 52.86, -49.53, 46.25

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 12 / 86 / 37

HEX #A08D16

RGB 160 141 22

HSL 51.74, 0.76%, 0.36%

LAB 58.58, -4.73, 58.86

 

CMYK 0 / 13 / 96 / 31

HEX #AF9807

RGB 175 152 7

HSL 51.79, 0.92%, 0.36%

LAB 63, -4.12, 65.69

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 8 / 60 / 49

HEX #837834

RGB 131 120 52

HSL 51.65, 0.43%, 0.36%

LAB 50.1, -4.91, 38.12

 

CMYK 0 / 6 / 42 / 55

HEX #746D43

RGB 116 109 67

HSL 51.43, 0.27%, 0.36%

LAB 45.71, -3.93, 24.43

 

CMYK 0 / 3 / 19 / 60

HEX #656252

RGB 101 98 82

HSL 50.53, 0.1%, 0.36%

LAB 41.39, -1.83, 9.55

 

CMYK 11 / 9 / 0 / 62

HEX #565861

RGB 86 88 97

HSL 229.09, 0.06%, 0.36%

LAB 37.52, 1.23, -5.46

 

CMYK 0 / 51 / 74 / 43

HEX #914725

RGB 145 71 37

HSL 18.89, 0.59%, 0.36%

LAB 39, 28.63, 34.05

 

CMYK 0 / 31 / 74 / 43

HEX #916425

RGB 145 100 37

HSL 35, 0.59%, 0.36%

LAB 46, 12.07, 41.4

 

CMYK 0 / 11 / 74 / 43

HEX #918125

RGB 145 129 37

HSL 51.11, 0.59%, 0.36%

LAB 53.87, -4.46, 49.22

 

CMYK 8 / 0 / 74 / 43

HEX #859125

RGB 133 145 37

HSL 66.67, 0.59%, 0.36%

LAB 57.44, -18.48, 52.3

 

CMYK 28 / 0 / 74 / 43

HEX #689125

RGB 104 145 37

HSL 82.78, 0.59%, 0.36%

LAB 55.41, -30.75, 49.63

 

CMYK 0 / 10 / 75 / 69

HEX #504814

RGB 80 72 20

HSL 52, 0.6%, 0.2%

LAB 30.38, -3.6, 31.05

 

CMYK 0 / 11 / 74 / 56

HEX #71651D

RGB 113 101 29

HSL 51.43, 0.59%, 0.28%

LAB 42.62, -4.06, 40.41

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 0 / 10 / 74 / 30

HEX #B2A02E

RGB 178 160 46

HSL 51.82, 0.59%, 0.44%

LAB 65.6, -5.97, 58.17

 

CMYK 0 / 10 / 70 / 20

HEX #CDB93D

RGB 205 185 61

HSL 51.67, 0.59%, 0.52%

LAB 74.83, -6.6, 62.36

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 74 / 0 / 70 / 43

HEX #25912B

RGB 37 145 43

HSL 123.33, 0.59%, 0.36%

LAB 52.75, -50.3, 43.69

 

CMYK 41 / 74 / 0 / 43

HEX #562591

RGB 86 37 145

HSL 267.22, 0.59%, 0.36%

LAB 27.7, 44.58, -50.79

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 74 / 0 / 11 / 43

HEX #259181

RGB 37 145 129

HSL 171.11, 0.59%, 0.36%

LAB 54.27, -33.58, -0.12

 

CMYK 11 / 74 / 0 / 43

HEX #812591

RGB 129 37 145

HSL 291.11, 0.59%, 0.36%

LAB 34.05, 53.4, -40.21

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 74 / 0 / 70 / 43

HEX #25912B

RGB 37 145 43

HSL 123.33, 0.59%, 0.36%

LAB 52.75, -50.3, 43.69

 

CMYK 74 / 63 / 0 / 43

HEX #253591

RGB 37 53 145

HSL 231.11, 0.59%, 0.36%

LAB 26.69, 27.04, -52.63

 

CMYK 0 / 74 / 3 / 43

HEX #91258C

RGB 145 37 140

HSL 302.78, 0.59%, 0.36%

LAB 36.44, 56.1, -33.19

 

CMYK 0 / 10 / 74 / 43

HEX #918225

RGB 145 130 37

HSL 51.67, 0.59%, 0.36%

LAB 54.15, -5.02, 49.5

 

CMYK 74 / 0 / 48 / 43

HEX #25914B

RGB 37 145 75

HSL 141.11, 0.59%, 0.36%

LAB 53.12, -45.98, 28.63

 

CMYK 74 / 63 / 0 / 43

HEX #253591

RGB 37 53 145

HSL 231.11, 0.59%, 0.36%

LAB 26.69, 27.04, -52.63

 

CMYK 0 / 74 / 26 / 43

HEX #91256C

RGB 145 37 108

HSL 320.56, 0.59%, 0.36%

LAB 34.85, 51.28, -15.66

 

Description

Color code: HEX #918225 | qconv.com Color code: HEX #918225 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 130 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 130 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 74 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 74% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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