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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918CC4 it is the complementary color #6E733B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918CC4 shade: #968CBF, #A79ED2, #B8B0E5, #C9C2F8 and #DAD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918CC4 shade: #918CC4, #807AB1, #6F689E, #5E568B and #4D4478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918CC4 shade: #918CC4, #A08CC4, #AF8CC4, #BE8CC4 and #C48CBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918CC4 shade: #918CC4 and #8C8CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918CC4 shade matches the following richer shades: #918CC4, #857ED2, #7A70E0, #6E62EE and #6354FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918CC4 shade: #918CC4, #9D9AB6, #A8A8A7, #B4B699 and #BFC48B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918CC4 shade: #8CA5C4, #8C96C4, #918CC4, #9F8CC4 and #AE8CC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918CC4 shade: #5D56A7, #7771B6, #918CC4, #ABA7D2 and #C5C3E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918CC4 shade: #918CC4, #C48CB4 and #9EC48C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918CC4 shade: #918CC4, #C4918C and #8CC491

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918CC4 shade: #918CC4, #C48CB4, #BFC48C and #8CC49C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918CC4 shade: #918CC4, #C48CA3, #BFC48C and #8CC4AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

Complementary color

CMYK 4 / 0 / 49 / 55

HEX #6E733B

RGB 110 115 59

HSL 65.36, 0.32%, 0.34%

LAB 46.83, -10.92, 30.16

 

CMYK 21 / 27 / 0 / 25

HEX #968CBF

RGB 150 140 191

HSL 251.76, 0.28%, 0.65%

LAB 60.78, 14.54, -25.17

 

CMYK 20 / 25 / 0 / 18

HEX #A79ED2

RGB 167 158 210

HSL 250.38, 0.37%, 0.72%

LAB 67.52, 14.06, -25.33

 

CMYK 20 / 23 / 0 / 10

HEX #B8B0E5

RGB 184 176 229

HSL 249.06, 0.5%, 0.79%

LAB 74.12, 13.63, -25.52

 

CMYK 19 / 22 / 0 / 3

HEX #C9C2F8

RGB 201 194 248

HSL 247.78, 0.79%, 0.87%

LAB 80.62, 13.24, -25.72

 

CMYK 15 / 17 / 0 / 0

HEX #DAD4FF

RGB 218 212 255

HSL 248.37, 1%, 0.92%

LAB 86.61, 10.34, -20.21

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 28 / 31 / 0 / 31

HEX #807AB1

RGB 128 122 177

HSL 246.55, 0.26%, 0.59%

LAB 53.69, 14.76, -28.3

 

CMYK 30 / 34 / 0 / 38

HEX #6F689E

RGB 111 104 158

HSL 247.78, 0.22%, 0.51%

LAB 46.64, 15.39, -28.28

 

CMYK 32 / 38 / 0 / 45

HEX #5E568B

RGB 94 86 139

HSL 249.06, 0.24%, 0.44%

LAB 39.41, 16.14, -28.33

 

CMYK 36 / 43 / 0 / 53

HEX #4D4478

RGB 77 68 120

HSL 250.38, 0.28%, 0.37%

LAB 31.96, 17.02, -28.45

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 18 / 29 / 0 / 23

HEX #A08CC4

RGB 160 140 196

HSL 261.43, 0.32%, 0.66%

LAB 61.84, 18.86, -26.29

 

CMYK 11 / 29 / 0 / 23

HEX #AF8CC4

RGB 175 140 196

HSL 277.5, 0.32%, 0.66%

LAB 63.22, 23.67, -24.05

 

CMYK 3 / 29 / 0 / 23

HEX #BE8CC4

RGB 190 140 196

HSL 293.57, 0.32%, 0.66%

LAB 64.71, 28.58, -21.64

 

CMYK 0 / 29 / 5 / 23

HEX #C48CBA

RGB 196 140 186

HSL 310.71, 0.32%, 0.66%

LAB 64.99, 28.71, -15.54

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 29 / 29 / 0 / 23

HEX #8C8CC4

RGB 140 140 196

HSL 240, 0.32%, 0.66%

LAB 60.17, 12.69, -29

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 37 / 40 / 0 / 18

HEX #857ED2

RGB 133 126 210

HSL 245, 0.48%, 0.66%

LAB 56.65, 22.57, -42.46

 

CMYK 46 / 50 / 0 / 12

HEX #7A70E0

RGB 122 112 224

HSL 245.36, 0.64%, 0.66%

LAB 53.07, 32.09, -56.09

 

CMYK 54 / 59 / 0 / 7

HEX #6E62EE

RGB 110 98 238

HSL 245.14, 0.8%, 0.66%

LAB 49.77, 42.06, -69.33

 

CMYK 61 / 67 / 0 / 1

HEX #6354FC

RGB 99 84 252

HSL 245.36, 0.97%, 0.66%

LAB 47, 52.54, -81.69

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 14 / 15 / 0 / 29

HEX #9D9AB6

RGB 157 154 182

HSL 246.43, 0.16%, 0.66%

LAB 64.69, 6.8, -14.11

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 1 / 0 / 16 / 29

HEX #B4B699

RGB 180 182 153

HSL 64.14, 0.17%, 0.66%

LAB 73.19, -5.74, 14.55

 

CMYK 3 / 0 / 29 / 23

HEX #BFC48B

RGB 191 196 139

HSL 65.26, 0.33%, 0.66%

LAB 77.53, -10.91, 28.12

 

CMYK 29 / 16 / 0 / 23

HEX #8CA5C4

RGB 140 165 196

HSL 213.21, 0.32%, 0.66%

LAB 66.88, -1.49, -18.73

 

CMYK 29 / 23 / 0 / 23

HEX #8C96C4

RGB 140 150 196

HSL 229.29, 0.32%, 0.66%

LAB 62.82, 6.94, -24.92

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 19 / 29 / 0 / 23

HEX #9F8CC4

RGB 159 140 196

HSL 260.36, 0.32%, 0.66%

LAB 61.75, 18.54, -26.44

 

CMYK 11 / 29 / 0 / 23

HEX #AE8CC4

RGB 174 140 196

HSL 276.43, 0.32%, 0.66%

LAB 63.13, 23.35, -24.21

 

CMYK 44 / 49 / 0 / 35

HEX #5D56A7

RGB 93 86 167

HSL 245.19, 0.32%, 0.5%

LAB 40.85, 24.04, -42.85

 

CMYK 35 / 38 / 0 / 29

HEX #7771B6

RGB 119 113 182

HSL 245.22, 0.32%, 0.58%

LAB 50.82, 18.8, -35.72

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 19 / 20 / 0 / 18

HEX #ABA7D2

RGB 171 167 210

HSL 245.58, 0.32%, 0.74%

LAB 70.14, 10.29, -21.3

 

CMYK 12 / 13 / 0 / 12

HEX #C5C3E0

RGB 197 195 224

HSL 244.14, 0.32%, 0.82%

LAB 79.77, 6.34, -14.16

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 0 / 29 / 8 / 23

HEX #C48CB4

RGB 196 140 180

HSL 317.14, 0.32%, 0.66%

LAB 64.79, 27.63, -12.46

 

CMYK 19 / 0 / 29 / 23

HEX #9EC48C

RGB 158 196 140

HSL 100.71, 0.32%, 0.66%

LAB 75.23, -23.04, 24.09

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 0 / 26 / 29 / 23

HEX #C4918C

RGB 196 145 140

HSL 5.36, 0.32%, 0.66%

LAB 64.87, 18.56, 10.21

 

CMYK 29 / 0 / 26 / 23

HEX #8CC491

RGB 140 196 145

HSL 125.36, 0.32%, 0.66%

LAB 74.25, -28.38, 19.92

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 0 / 29 / 8 / 23

HEX #C48CB4

RGB 196 140 180

HSL 317.14, 0.32%, 0.66%

LAB 64.79, 27.63, -12.46

 

CMYK 3 / 0 / 29 / 23

HEX #BFC48C

RGB 191 196 140

HSL 65.36, 0.32%, 0.66%

LAB 77.55, -10.78, 27.61

 

CMYK 29 / 0 / 20 / 23

HEX #8CC49C

RGB 140 196 156

HSL 137.14, 0.32%, 0.66%

LAB 74.48, -26.39, 14.35

 

CMYK 26 / 29 / 0 / 23

HEX #918CC4

RGB 145 140 196

HSL 245.36, 0.32%, 0.66%

LAB 60.57, 14.2, -28.36

 

CMYK 0 / 29 / 17 / 23

HEX #C48CA3

RGB 196 140 163

HSL 335.36, 0.32%, 0.66%

LAB 64.27, 24.77, -3.64

 

CMYK 3 / 0 / 29 / 23

HEX #BFC48C

RGB 191 196 140

HSL 65.36, 0.32%, 0.66%

LAB 77.55, -10.78, 27.61

 

CMYK 29 / 0 / 12 / 23

HEX #8CC4AC

RGB 140 196 172

HSL 154.29, 0.32%, 0.66%

LAB 74.85, -23.23, 6.24

 

Description

Color code: HEX #918CC4 | qconv.com Color code: HEX #918CC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 140 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 140 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 29 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 29% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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