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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9196A6 it is the complementary color #6E6959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9196A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9196A6 shade: #9696A1, #A7A8B4, #B8BAC7, #C9CCDA and #DADEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9196A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9196A6 shade: #9196A6, #808493, #6F7280, #5E606D and #4D4E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9196A6 shade: #9095A6, #9190A6, #9790A6, #9D90A6 and #A290A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9196A6 shade: #9095A6 and #9090A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9196A6 shade matches the following richer shades: #9095A6, #808DB6, #7084C6, #607CD6 and #5074E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9196A6 shade: #9095A6, #A09E96, #B0A686, #C0AF76 and #D0B766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9196A6 shade: #90A1A6, #909BA6, #9096A6, #9090A6 and #9690A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9196A6 shade: #656B7E, #798094, #9095A6, #A7ABB8 and #BEC1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9196A6 shade: #9196A6, #A590A6 and #9EA690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9196A6 shade: #9196A6, #A69096 and #96A690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9196A6 shade: #9196A6, #A590A6, #A6A190 and #91A690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9196A6 shade: #9196A6, #A690A1, #A6A190 and #90A696

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

Complementary color

CMYK 0 / 5 / 19 / 57

HEX #6E6959

RGB 110 105 89

HSL 45.71, 0.11%, 0.39%

LAB 44.43, -1, 9.71

 

CMYK 7 / 7 / 0 / 37

HEX #9696A1

RGB 150 150 161

HSL 240, 0.06%, 0.61%

LAB 62.4, 2.2, -5.77

 

CMYK 7 / 7 / 0 / 29

HEX #A7A8B4

RGB 167 168 180

HSL 235.38, 0.08%, 0.68%

LAB 69.12, 2, -6.29

 

CMYK 8 / 7 / 0 / 22

HEX #B8BAC7

RGB 184 186 199

HSL 232, 0.12%, 0.75%

LAB 75.72, 1.82, -6.8

 

CMYK 8 / 6 / 0 / 15

HEX #C9CCDA

RGB 201 204 218

HSL 229.41, 0.19%, 0.82%

LAB 82.2, 1.64, -7.29

 

CMYK 8 / 6 / 0 / 7

HEX #DADEED

RGB 218 222 237

HSL 227.37, 0.35%, 0.89%

LAB 88.57, 1.48, -7.78

 

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

CMYK 13 / 10 / 0 / 42

HEX #808493

RGB 128 132 147

HSL 227.37, 0.08%, 0.54%

LAB 55.28, 1.71, -8.54

 

CMYK 13 / 11 / 0 / 50

HEX #6F7280

RGB 111 114 128

HSL 229.41, 0.07%, 0.47%

LAB 48.23, 1.92, -8.08

 

CMYK 14 / 12 / 0 / 57

HEX #5E606D

RGB 94 96 109

HSL 232, 0.07%, 0.4%

LAB 40.98, 2.14, -7.63

 

CMYK 14 / 13 / 0 / 65

HEX #4D4E5A

RGB 77 78 90

HSL 235.38, 0.08%, 0.33%

LAB 33.49, 2.38, -7.17

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 13 / 13 / 0 / 35

HEX #9190A6

RGB 145 144 166

HSL 242.73, 0.11%, 0.61%

LAB 60.53, 4.91, -11.42

 

CMYK 9 / 13 / 0 / 35

HEX #9790A6

RGB 151 144 166

HSL 259.09, 0.11%, 0.61%

LAB 61.03, 6.97, -10.63

 

CMYK 5 / 13 / 0 / 35

HEX #9D90A6

RGB 157 144 166

HSL 275.45, 0.11%, 0.61%

LAB 61.54, 9.06, -9.81

 

CMYK 2 / 13 / 0 / 35

HEX #A290A6

RGB 162 144 166

HSL 289.09, 0.11%, 0.61%

LAB 61.98, 10.82, -9.11

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 13 / 13 / 0 / 35

HEX #9090A6

RGB 144 144 166

HSL 240, 0.11%, 0.61%

LAB 60.45, 4.57, -11.55

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 30 / 23 / 0 / 29

HEX #808DB6

RGB 128 141 182

HSL 225.56, 0.27%, 0.61%

LAB 58.99, 4.93, -22.98

 

CMYK 43 / 33 / 0 / 22

HEX #7084C6

RGB 112 132 198

HSL 226.05, 0.43%, 0.61%

LAB 56.11, 10.07, -36.61

 

CMYK 55 / 42 / 0 / 16

HEX #607CD6

RGB 96 124 214

HSL 225.76, 0.59%, 0.61%

LAB 53.77, 16.04, -49.43

 

CMYK 65 / 50 / 0 / 10

HEX #5074E6

RGB 80 116 230

HSL 225.6, 0.75%, 0.61%

LAB 51.73, 23.35, -61.75

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 0 / 1 / 6 / 37

HEX #A09E96

RGB 160 158 150

HSL 48, 0.05%, 0.61%

LAB 65.07, -0.75, 4.42

 

CMYK 0 / 6 / 24 / 31

HEX #B0A686

RGB 176 166 134

HSL 45.71, 0.21%, 0.61%

LAB 68.19, -1.63, 17.9

 

CMYK 0 / 9 / 39 / 25

HEX #C0AF76

RGB 192 175 118

HSL 46.22, 0.37%, 0.61%

LAB 71.67, -2.15, 31.45

 

CMYK 0 / 12 / 51 / 18

HEX #D0B766

RGB 208 183 102

HSL 45.85, 0.53%, 0.61%

LAB 74.97, -1.44, 44.13

 

CMYK 13 / 3 / 0 / 35

HEX #90A1A6

RGB 144 161 166

HSL 193.64, 0.11%, 0.61%

LAB 65.1, -4.91, -4.63

 

CMYK 13 / 7 / 0 / 35

HEX #909BA6

RGB 144 155 166

HSL 210, 0.11%, 0.61%

LAB 63.45, -1.61, -7.08

 

CMYK 13 / 10 / 0 / 35

HEX #9096A6

RGB 144 150 166

HSL 223.64, 0.11%, 0.61%

LAB 62.08, 1.18, -9.12

 

CMYK 13 / 13 / 0 / 35

HEX #9090A6

RGB 144 144 166

HSL 240, 0.11%, 0.61%

LAB 60.45, 4.57, -11.55

 

CMYK 10 / 13 / 0 / 35

HEX #9690A6

RGB 150 144 166

HSL 256.36, 0.11%, 0.61%

LAB 60.94, 6.62, -10.77

 

CMYK 20 / 15 / 0 / 51

HEX #656B7E

RGB 101 107 126

HSL 225.6, 0.11%, 0.45%

LAB 45.34, 2.08, -11.3

 

CMYK 18 / 14 / 0 / 42

HEX #798094

RGB 121 128 148

HSL 224.44, 0.11%, 0.53%

LAB 53.64, 1.84, -11.62

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 9 / 7 / 0 / 28

HEX #A7ABB8

RGB 167 171 184

HSL 225.88, 0.11%, 0.69%

LAB 70.04, 1.18, -7.14

 

CMYK 6 / 5 / 0 / 20

HEX #BEC1CB

RGB 190 193 203

HSL 226.15, 0.11%, 0.77%

LAB 78.11, 0.88, -5.38

 

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

CMYK 1 / 13 / 0 / 35

HEX #A590A6

RGB 165 144 166

HSL 297.27, 0.11%, 0.61%

LAB 62.25, 11.89, -8.67

 

CMYK 5 / 0 / 13 / 35

HEX #9EA690

RGB 158 166 144

HSL 81.82, 0.11%, 0.61%

LAB 66.94, -6.9, 10.43

 

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

CMYK 0 / 13 / 10 / 35

HEX #A69096

RGB 166 144 150

HSL 343.64, 0.11%, 0.61%

LAB 61.87, 9.26, -0.14

 

CMYK 10 / 0 / 13 / 35

HEX #96A690

RGB 150 166 144

HSL 103.64, 0.11%, 0.61%

LAB 66.34, -9.84, 9.5

 

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

CMYK 1 / 13 / 0 / 35

HEX #A590A6

RGB 165 144 166

HSL 297.27, 0.11%, 0.61%

LAB 62.25, 11.89, -8.67

 

CMYK 0 / 3 / 13 / 35

HEX #A6A190

RGB 166 161 144

HSL 46.36, 0.11%, 0.61%

LAB 66.22, -1.2, 9.49

 

CMYK 13 / 0 / 13 / 35

HEX #91A690

RGB 145 166 144

HSL 117.27, 0.11%, 0.61%

LAB 65.99, -11.65, 8.94

 

CMYK 13 / 10 / 0 / 35

HEX #9196A6

RGB 145 150 166

HSL 225.71, 0.11%, 0.61%

LAB 62.16, 1.52, -9

 

CMYK 0 / 13 / 3 / 35

HEX #A690A1

RGB 166 144 161

HSL 313.64, 0.11%, 0.61%

LAB 62.19, 11.28, -5.92

 

CMYK 0 / 3 / 13 / 35

HEX #A6A190

RGB 166 161 144

HSL 46.36, 0.11%, 0.61%

LAB 66.22, -1.2, 9.49

 

CMYK 13 / 0 / 10 / 35

HEX #90A696

RGB 144 166 150

HSL 136.36, 0.11%, 0.61%

LAB 66.06, -10.87, 5.7

 

Description

Color code: HEX #9196A6 | qconv.com Color code: HEX #9196A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 150 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 150 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 10 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 10% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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