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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9199E7 it is the complementary color #6E6618. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9199E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9199E7 shade: #9699E2, #A7ABF5, #B8BDFF, #C9CFFF and #DAE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9199E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9199E7 shade: #9199E7, #8087D4, #6F75C1, #5E63AE and #4D519B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9199E7 shade: #929AE7, #A192E7, #B892E7, #CF92E7 and #E592E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9199E7 shade: #929AE7 and #9292E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9199E7 shade matches the following richer shades: #929AE7, #8791F1 and #7C88FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9199E7 shade: #929AE7, #9CA2DC, #A7ABD1, #B2B4C6 and #BDBDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9199E7 shade: #92C8E7, #92B1E7, #929AE7, #A092E7 and #B792E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9199E7 shade: #4E5BD8, #707ADF, #929AE7, #B4B9EE and #D5D8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9199E7 shade: #9199E7, #E792DE and #BCE792

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9199E7 shade: #9199E7, #E7929A and #9AE792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9199E7 shade: #9199E7, #E792DE, #E7DE92 and #92E79A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9199E7 shade: #9199E7, #E792C5, #E7DE92 and #92E7B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

Complementary color

CMYK 0 / 7 / 78 / 57

HEX #6E6618

RGB 110 102 24

HSL 54.42, 0.64%, 0.26%

LAB 42.59, -6.34, 42.31

 

CMYK 34 / 32 / 0 / 11

HEX #9699E2

RGB 150 153 226

HSL 237.63, 0.57%, 0.74%

LAB 65.56, 15.81, -37.31

 

CMYK 32 / 30 / 0 / 4

HEX #A7ABF5

RGB 167 171 245

HSL 236.92, 0.8%, 0.81%

LAB 72.18, 15.23, -37.3

 

CMYK 28 / 26 / 0 / 0

HEX #B8BDFF

RGB 184 189 255

HSL 235.77, 1%, 0.86%

LAB 78.35, 12.53, -33.05

 

CMYK 21 / 19 / 0 / 0

HEX #C9CFFF

RGB 201 207 255

HSL 233.33, 1%, 0.89%

LAB 84.1, 7.79, -24.13

 

CMYK 15 / 12 / 0 / 0

HEX #DAE1FF

RGB 218 225 255

HSL 228.65, 1%, 0.93%

LAB 89.85, 3.5, -15.33

 

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

CMYK 40 / 36 / 0 / 17

HEX #8087D4

RGB 128 135 212

HSL 235, 0.49%, 0.67%

LAB 58.67, 16.49, -40.42

 

CMYK 42 / 39 / 0 / 24

HEX #6F75C1

RGB 111 117 193

HSL 235.61, 0.4%, 0.6%

LAB 51.78, 17.33, -40.57

 

CMYK 46 / 43 / 0 / 32

HEX #5E63AE

RGB 94 99 174

HSL 236.25, 0.33%, 0.53%

LAB 44.74, 18.32, -40.78

 

CMYK 50 / 48 / 0 / 39

HEX #4D519B

RGB 77 81 155

HSL 236.92, 0.34%, 0.45%

LAB 37.53, 19.52, -41.06

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 30 / 37 / 0 / 9

HEX #A192E7

RGB 161 146 231

HSL 250.59, 0.64%, 0.74%

LAB 64.89, 24.16, -41.06

 

CMYK 20 / 37 / 0 / 9

HEX #B892E7

RGB 184 146 231

HSL 266.82, 0.64%, 0.74%

LAB 66.91, 30.78, -37.75

 

CMYK 10 / 37 / 0 / 9

HEX #CF92E7

RGB 207 146 231

HSL 283.06, 0.64%, 0.74%

LAB 69.18, 37.65, -34.05

 

CMYK 1 / 37 / 0 / 9

HEX #E592E7

RGB 229 146 231

HSL 298.59, 0.64%, 0.74%

LAB 71.54, 44.34, -30.2

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 37 / 37 / 0 / 9

HEX #9292E7

RGB 146 146 231

HSL 240, 0.64%, 0.74%

LAB 63.7, 20.07, -43

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 44 / 40 / 0 / 5

HEX #8791F1

RGB 135 145 241

HSL 234.34, 0.79%, 0.74%

LAB 63.14, 20.63, -49.46

 

CMYK 51 / 46 / 0 / 1

HEX #7C88FC

RGB 124 136 252

HSL 234.38, 0.96%, 0.74%

LAB 60.71, 26.65, -59.42

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 29 / 26 / 0 / 14

HEX #9CA2DC

RGB 156 162 220

HSL 234.38, 0.48%, 0.74%

LAB 68.08, 10.88, -30.07

 

CMYK 20 / 18 / 0 / 18

HEX #A7ABD1

RGB 167 171 209

HSL 234.29, 0.31%, 0.74%

LAB 70.83, 6.58, -19.72

 

CMYK 10 / 9 / 0 / 22

HEX #B2B4C6

RGB 178 180 198

HSL 234, 0.15%, 0.74%

LAB 73.67, 2.85, -9.35

 

CMYK 0 / 0 / 1 / 26

HEX #BDBDBC

RGB 189 189 188

HSL 60, 0.01%, 0.74%

LAB 76.58, -0.18, 0.5

 

CMYK 37 / 13 / 0 / 9

HEX #92C8E7

RGB 146 200 231

HSL 201.88, 0.64%, 0.74%

LAB 77.99, -9.92, -20.94

 

CMYK 37 / 23 / 0 / 9

HEX #92B1E7

RGB 146 177 231

HSL 218.12, 0.64%, 0.74%

LAB 71.77, 2.5, -30.44

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 31 / 37 / 0 / 9

HEX #A092E7

RGB 160 146 231

HSL 249.88, 0.64%, 0.74%

LAB 64.8, 23.89, -41.2

 

CMYK 21 / 37 / 0 / 9

HEX #B792E7

RGB 183 146 231

HSL 266.12, 0.64%, 0.74%

LAB 66.82, 30.48, -37.9

 

CMYK 64 / 58 / 0 / 15

HEX #4E5BD8

RGB 78 91 216

HSL 234.35, 0.64%, 0.58%

LAB 44.32, 33.78, -65.83

 

CMYK 50 / 45 / 0 / 13

HEX #707ADF

RGB 112 122 223

HSL 234.59, 0.63%, 0.66%

LAB 54.75, 23.55, -52.87

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 24 / 22 / 0 / 7

HEX #B4B9EE

RGB 180 185 238

HSL 234.83, 0.63%, 0.82%

LAB 76.42, 9.53, -26.9

 

CMYK 13 / 12 / 0 / 4

HEX #D5D8F5

RGB 213 216 245

HSL 234.38, 0.62%, 0.9%

LAB 86.92, 4.6, -14.5

 

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

CMYK 0 / 37 / 4 / 9

HEX #E792DE

RGB 231 146 222

HSL 306.35, 0.64%, 0.74%

LAB 71.43, 43.34, -25.41

 

CMYK 19 / 0 / 37 / 9

HEX #BCE792

RGB 188 231 146

HSL 90.35, 0.64%, 0.74%

LAB 86.96, -28.38, 36.93

 

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

CMYK 0 / 37 / 33 / 9

HEX #E7929A

RGB 231 146 154

HSL 354.35, 0.64%, 0.74%

LAB 69.38, 33.07, 9.32

 

CMYK 33 / 0 / 37 / 9

HEX #9AE792

RGB 154 231 146

HSL 114.35, 0.64%, 0.74%

LAB 85.05, -39.9, 34.06

 

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

CMYK 0 / 37 / 4 / 9

HEX #E792DE

RGB 231 146 222

HSL 306.35, 0.64%, 0.74%

LAB 71.43, 43.34, -25.41

 

CMYK 0 / 4 / 37 / 9

HEX #E7DE92

RGB 231 222 146

HSL 53.65, 0.64%, 0.74%

LAB 87.63, -7.85, 38.4

 

CMYK 37 / 0 / 33 / 9

HEX #92E79A

RGB 146 231 154

HSL 125.65, 0.64%, 0.74%

LAB 84.79, -41.13, 29.59

 

CMYK 37 / 34 / 0 / 9

HEX #9199E7

RGB 145 153 231

HSL 234.42, 0.64%, 0.74%

LAB 65.41, 15.77, -40.33

 

CMYK 0 / 37 / 15 / 9

HEX #E792C5

RGB 231 146 197

HSL 324, 0.64%, 0.74%

LAB 70.58, 39.16, -12.89

 

CMYK 0 / 4 / 37 / 9

HEX #E7DE92

RGB 231 222 146

HSL 53.65, 0.64%, 0.74%

LAB 87.63, -7.85, 38.4

 

CMYK 37 / 0 / 22 / 9

HEX #92E7B4

RGB 146 231 180

HSL 144, 0.64%, 0.74%

LAB 85.28, -36.54, 16.84

 

Description

Color code: HEX #9199E7 | qconv.com Color code: HEX #9199E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 153 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 153 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 34 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 34% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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