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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9199EE it is the complementary color #6E6611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9199EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9199EE shade: #9699E9, #A7ABFC, #B8BDFF, #C9CFFF and #DAE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9199EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9199EE shade: #9199EE, #8087DB, #6F75C8, #5E63B5 and #4D51A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9199EE shade: #9098ED, #A190ED, #BA90ED, #D490ED and #ED90ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9199EE shade: #9098ED and #9090ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9199EE shade matches the following richer shades: #9098ED and #8690F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9199EE shade: #9098ED, #9BA1E3, #A5A9D9, #AFB2CE and #B9BAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9199EE shade: #90CBED, #90B2ED, #909AED, #A090ED and #B990ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9199EE shade: #4956E2, #6D77E8, #9098ED, #B4B9F3 and #D8DAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9199EE shade: #9199EE, #ED90E4 and #BFED90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9199EE shade: #9199EE, #ED909A and #9AED90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9199EE shade: #9199EE, #ED90E4, #EDE490 and #90ED9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9199EE shade: #9199EE, #ED90C8, #EDE490 and #90EDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

Complementary color

CMYK 0 / 7 / 85 / 57

HEX #6E6611

RGB 110 102 17

HSL 54.84, 0.73%, 0.25%

LAB 42.55, -6.63, 44.73

 

CMYK 36 / 34 / 0 / 9

HEX #9699E9

RGB 150 153 233

HSL 237.83, 0.65%, 0.75%

LAB 65.87, 17.65, -40.69

 

CMYK 34 / 32 / 0 / 1

HEX #A7ABFC

RGB 167 171 252

HSL 237.18, 0.93%, 0.82%

LAB 72.47, 17.01, -40.64

 

CMYK 28 / 26 / 0 / 0

HEX #B8BDFF

RGB 184 189 255

HSL 235.77, 1%, 0.86%

LAB 78.35, 12.53, -33.05

 

CMYK 21 / 19 / 0 / 0

HEX #C9CFFF

RGB 201 207 255

HSL 233.33, 1%, 0.89%

LAB 84.1, 7.79, -24.13

 

CMYK 15 / 12 / 0 / 0

HEX #DAE1FF

RGB 218 225 255

HSL 228.65, 1%, 0.93%

LAB 89.85, 3.5, -15.33

 

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

CMYK 42 / 38 / 0 / 14

HEX #8087DB

RGB 128 135 219

HSL 235.38, 0.56%, 0.68%

LAB 59, 18.47, -43.82

 

CMYK 45 / 42 / 0 / 22

HEX #6F75C8

RGB 111 117 200

HSL 235.96, 0.45%, 0.61%

LAB 52.14, 19.39, -44.01

 

CMYK 48 / 45 / 0 / 29

HEX #5E63B5

RGB 94 99 181

HSL 236.55, 0.37%, 0.54%

LAB 45.14, 20.49, -44.25

 

CMYK 52 / 50 / 0 / 36

HEX #4D51A2

RGB 77 81 162

HSL 237.18, 0.36%, 0.47%

LAB 37.97, 21.81, -44.56

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 32 / 39 / 0 / 7

HEX #A190ED

RGB 161 144 237

HSL 250.97, 0.72%, 0.75%

LAB 64.67, 26.83, -44.7

 

CMYK 22 / 39 / 0 / 7

HEX #BA90ED

RGB 186 144 237

HSL 267.1, 0.72%, 0.75%

LAB 66.9, 33.83, -41.06

 

CMYK 11 / 39 / 0 / 7

HEX #D490ED

RGB 212 144 237

HSL 283.87, 0.72%, 0.75%

LAB 69.51, 41.43, -36.79

 

CMYK 0 / 39 / 0 / 7

HEX #ED90ED

RGB 237 144 237

HSL 300, 0.72%, 0.75%

LAB 72.27, 48.87, -32.29

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 39 / 39 / 0 / 7

HEX #9090ED

RGB 144 144 237

HSL 240, 0.72%, 0.75%

LAB 63.33, 22.33, -46.91

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 46 / 42 / 0 / 3

HEX #8690F8

RGB 134 144 248

HSL 234.74, 0.89%, 0.75%

LAB 63.17, 23, -53.26

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 32 / 29 / 0 / 11

HEX #9BA1E3

RGB 155 161 227

HSL 235, 0.56%, 0.75%

LAB 68.02, 12.92, -34

 

CMYK 24 / 22 / 0 / 15

HEX #A5A9D9

RGB 165 169 217

HSL 235.38, 0.41%, 0.75%

LAB 70.44, 8.92, -24.72

 

CMYK 15 / 14 / 0 / 19

HEX #AFB2CE

RGB 175 178 206

HSL 234.19, 0.24%, 0.75%

LAB 73.16, 4.63, -14.5

 

CMYK 6 / 5 / 0 / 23

HEX #B9BAC4

RGB 185 186 196

HSL 234.55, 0.09%, 0.75%

LAB 75.71, 1.57, -5.17

 

CMYK 39 / 14 / 0 / 7

HEX #90CBED

RGB 144 203 237

HSL 201.94, 0.72%, 0.75%

LAB 78.9, -10.48, -22.78

 

CMYK 39 / 25 / 0 / 7

HEX #90B2ED

RGB 144 178 237

HSL 218.06, 0.72%, 0.75%

LAB 72.15, 3, -33.13

 

CMYK 39 / 35 / 0 / 7

HEX #909AED

RGB 144 154 237

HSL 233.55, 0.72%, 0.75%

LAB 65.87, 16.56, -42.92

 

CMYK 32 / 39 / 0 / 7

HEX #A090ED

RGB 160 144 237

HSL 250.32, 0.72%, 0.75%

LAB 64.59, 26.56, -44.84

 

CMYK 22 / 39 / 0 / 7

HEX #B990ED

RGB 185 144 237

HSL 266.45, 0.72%, 0.75%

LAB 66.81, 33.55, -41.21

 

CMYK 68 / 62 / 0 / 11

HEX #4956E2

RGB 73 86 226

HSL 234.9, 0.73%, 0.59%

LAB 43.6, 39.52, -72.71

 

CMYK 53 / 49 / 0 / 9

HEX #6D77E8

RGB 109 119 232

HSL 235.12, 0.73%, 0.67%

LAB 54.31, 27.5, -58.63

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 26 / 24 / 0 / 5

HEX #B4B9F3

RGB 180 185 243

HSL 235.24, 0.72%, 0.83%

LAB 76.6, 10.71, -29.32

 

CMYK 13 / 12 / 0 / 3

HEX #D8DAF8

RGB 216 218 248

HSL 236.25, 0.7%, 0.91%

LAB 87.74, 5.11, -14.84

 

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

CMYK 0 / 39 / 4 / 7

HEX #ED90E4

RGB 237 144 228

HSL 305.81, 0.72%, 0.75%

LAB 71.93, 47.28, -27.89

 

CMYK 19 / 0 / 39 / 7

HEX #BFED90

RGB 191 237 144

HSL 89.68, 0.72%, 0.75%

LAB 88.76, -30.39, 40.3

 

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

CMYK 0 / 39 / 35 / 7

HEX #ED909A

RGB 237 144 154

HSL 353.55, 0.72%, 0.75%

LAB 69.67, 36.31, 9.83

 

CMYK 35 / 0 / 39 / 7

HEX #9AED90

RGB 154 237 144

HSL 113.55, 0.72%, 0.75%

LAB 86.73, -42.84, 37.27

 

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

CMYK 0 / 39 / 4 / 7

HEX #ED90E4

RGB 237 144 228

HSL 305.81, 0.72%, 0.75%

LAB 71.93, 47.28, -27.89

 

CMYK 0 / 4 / 39 / 7

HEX #EDE490

RGB 237 228 144

HSL 54.19, 0.72%, 0.75%

LAB 89.63, -8.76, 42.06

 

CMYK 39 / 0 / 35 / 7

HEX #90ED9A

RGB 144 237 154

HSL 126.45, 0.72%, 0.75%

LAB 86.42, -44.35, 31.76

 

CMYK 39 / 36 / 0 / 7

HEX #9199EE

RGB 145 153 238

HSL 234.84, 0.73%, 0.75%

LAB 65.73, 17.67, -43.68

 

CMYK 0 / 39 / 16 / 7

HEX #ED90C8

RGB 237 144 200

HSL 323.87, 0.72%, 0.75%

LAB 70.95, 42.67, -13.92

 

CMYK 0 / 4 / 39 / 7

HEX #EDE490

RGB 237 228 144

HSL 54.19, 0.72%, 0.75%

LAB 89.63, -8.76, 42.06

 

CMYK 39 / 0 / 24 / 7

HEX #90EDB5

RGB 144 237 181

HSL 143.87, 0.72%, 0.75%

LAB 86.92, -39.63, 18.59

 

Description

Color code: HEX #9199EE | qconv.com Color code: HEX #9199EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 153 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 153 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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