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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #919C8F it is the complementary color #6E6370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #919C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #919C8F shade: #969C8A, #A7AE9D, #B8C0B0, #C9D2C3 and #DAE4D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #919C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #919C8F shade: #919C8F, #808A7C, #6F7869, #5E6656 and #4D5443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #919C8F shade: #929C90, #959C90, #989C90, #9C9C90 and #9C9990

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #919C8F shade: #929C90, #909C91, #909C95, #909C98 and #909C9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #919C8F shade matches the following richer shades: #929C90, #86AD7F, #7ABE6E, #6ECF5D and #63E04C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #919C8F shade: #929C90, #9D8BA1, #A97AB2, #B569C2 and #C059D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #919C8F shade: #989C90, #959C90, #929C90, #909C91 and #909C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #919C8F shade: #687366, #7C897A, #929C90, #A7B0A6 and #BDC3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #919C8F shade: #919C8F, #909C9C and #9C9097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #919C8F shade: #919C8F, #90929C and #9C9092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #919C8F shade: #919C8F, #909C9C, #9A909C and #9C9090

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #919C8F shade: #919C8F, #90989C, #9A909C and #9C9490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

Complementary color

CMYK 2 / 12 / 0 / 56

HEX #6E6370

RGB 110 99 112

HSL 290.77, 0.06%, 0.41%

LAB 43.37, 6.99, -5.73

 

CMYK 4 / 0 / 12 / 39

HEX #969C8A

RGB 150 156 138

HSL 80, 0.08%, 0.58%

LAB 63.42, -5.52, 8.69

 

CMYK 4 / 0 / 10 / 32

HEX #A7AE9D

RGB 167 174 157

HSL 84.71, 0.09%, 0.65%

LAB 70.12, -5.61, 7.87

 

CMYK 4 / 0 / 8 / 25

HEX #B8C0B0

RGB 184 192 176

HSL 90, 0.11%, 0.72%

LAB 76.69, -5.69, 7.1

 

CMYK 4 / 0 / 7 / 18

HEX #C9D2C3

RGB 201 210 195

HSL 96, 0.14%, 0.79%

LAB 83.15, -5.77, 6.37

 

CMYK 4 / 0 / 6 / 11

HEX #DAE4D6

RGB 218 228 214

HSL 102.86, 0.21%, 0.87%

LAB 89.51, -5.85, 5.66

 

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

CMYK 7 / 0 / 10 / 46

HEX #808A7C

RGB 128 138 124

HSL 102.86, 0.06%, 0.51%

LAB 56.31, -6.42, 6.25

 

CMYK 8 / 0 / 13 / 53

HEX #6F7869

RGB 111 120 105

HSL 96, 0.07%, 0.44%

LAB 49.29, -6.38, 7.09

 

CMYK 8 / 0 / 16 / 60

HEX #5E6656

RGB 94 102 86

HSL 90, 0.09%, 0.37%

LAB 42.08, -6.35, 8.01

 

CMYK 8 / 0 / 20 / 67

HEX #4D5443

RGB 77 84 67

HSL 84.71, 0.11%, 0.3%

LAB 34.65, -6.32, 9.02

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 4 / 0 / 8 / 39

HEX #959C90

RGB 149 156 144

HSL 95, 0.06%, 0.59%

LAB 63.49, -4.81, 5.41

 

CMYK 3 / 0 / 8 / 39

HEX #989C90

RGB 152 156 144

HSL 80, 0.06%, 0.59%

LAB 63.73, -3.7, 5.78

 

CMYK 0 / 0 / 8 / 39

HEX #9C9C90

RGB 156 156 144

HSL 60, 0.06%, 0.59%

LAB 64.05, -2.22, 6.28

 

CMYK 0 / 2 / 8 / 39

HEX #9C9990

RGB 156 153 144

HSL 45, 0.06%, 0.59%

LAB 63.23, -0.57, 5.11

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 8 / 0 / 7 / 39

HEX #909C91

RGB 144 156 145

HSL 125, 0.06%, 0.59%

LAB 63.14, -6.44, 4.29

 

CMYK 8 / 0 / 4 / 39

HEX #909C95

RGB 144 156 149

HSL 145, 0.06%, 0.59%

LAB 63.24, -5.66, 2.19

 

CMYK 8 / 0 / 3 / 39

HEX #909C98

RGB 144 156 152

HSL 160, 0.06%, 0.59%

LAB 63.32, -5.07, 0.62

 

CMYK 8 / 0 / 1 / 39

HEX #909C9B

RGB 144 156 155

HSL 175, 0.06%, 0.59%

LAB 63.4, -4.47, -0.95

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 23 / 0 / 27 / 32

HEX #86AD7F

RGB 134 173 127

HSL 110.87, 0.22%, 0.59%

LAB 66.89, -22.21, 19.45

 

CMYK 36 / 0 / 42 / 25

HEX #7ABE6E

RGB 122 190 110

HSL 111, 0.38%, 0.59%

LAB 70.93, -37.12, 33.72

 

CMYK 47 / 0 / 55 / 19

HEX #6ECF5D

RGB 110 207 93

HSL 111.05, 0.54%, 0.59%

LAB 75.28, -50.33, 47.33

 

CMYK 56 / 0 / 66 / 12

HEX #63E04C

RGB 99 224 76

HSL 110.68, 0.7%, 0.59%

LAB 79.89, -61.52, 59.8

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 2 / 14 / 0 / 37

HEX #9D8BA1

RGB 157 139 161

HSL 289.09, 0.1%, 0.59%

LAB 60.07, 10.89, -9.16

 

CMYK 5 / 31 / 0 / 30

HEX #A97AB2

RGB 169 122 178

HSL 290.36, 0.27%, 0.59%

LAB 57.63, 28.14, -22.48

 

CMYK 7 / 46 / 0 / 24

HEX #B569C2

RGB 181 105 194

HSL 291.24, 0.42%, 0.59%

LAB 55.91, 44.44, -34.19

 

CMYK 9 / 58 / 0 / 17

HEX #C059D3

RGB 192 89 211

HSL 290.66, 0.58%, 0.59%

LAB 55.13, 58.72, -45.01

 

CMYK 3 / 0 / 8 / 39

HEX #989C90

RGB 152 156 144

HSL 80, 0.06%, 0.59%

LAB 63.73, -3.7, 5.78

 

CMYK 4 / 0 / 8 / 39

HEX #959C90

RGB 149 156 144

HSL 95, 0.06%, 0.59%

LAB 63.49, -4.81, 5.41

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 8 / 0 / 7 / 39

HEX #909C91

RGB 144 156 145

HSL 125, 0.06%, 0.59%

LAB 63.14, -6.44, 4.29

 

CMYK 8 / 0 / 5 / 39

HEX #909C94

RGB 144 156 148

HSL 140, 0.06%, 0.59%

LAB 63.21, -5.86, 2.71

 

CMYK 10 / 0 / 11 / 55

HEX #687366

RGB 104 115 102

HSL 110.77, 0.06%, 0.43%

LAB 47.19, -6.82, 5.79

 

CMYK 9 / 0 / 11 / 46

HEX #7C897A

RGB 124 137 122

HSL 112, 0.06%, 0.51%

LAB 55.67, -7.74, 6.44

 

CMYK 6 / 0 / 8 / 39

HEX #929C90

RGB 146 156 144

HSL 110, 0.06%, 0.59%

LAB 63.26, -5.9, 5.05

 

CMYK 5 / 0 / 6 / 31

HEX #A7B0A6

RGB 167 176 166

HSL 114, 0.06%, 0.67%

LAB 70.88, -5.05, 4.02

 

CMYK 3 / 0 / 4 / 24

HEX #BDC3BB

RGB 189 195 187

HSL 105, 0.06%, 0.75%

LAB 78.13, -3.54, 3.29

 

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

CMYK 8 / 0 / 0 / 39

HEX #909C9C

RGB 144 156 156

HSL 180, 0.06%, 0.59%

LAB 63.43, -4.26, -1.48

 

CMYK 0 / 8 / 3 / 39

HEX #9C9097

RGB 156 144 151

HSL 325, 0.06%, 0.59%

LAB 61, 5.75, -2.1

 

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

CMYK 8 / 6 / 0 / 39

HEX #90929C

RGB 144 146 156

HSL 230, 0.06%, 0.59%

LAB 60.68, 1.3, -5.53

 

CMYK 0 / 8 / 6 / 39

HEX #9C9092

RGB 156 144 146

HSL 350, 0.06%, 0.59%

LAB 60.86, 4.81, 0.54

 

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

CMYK 8 / 0 / 0 / 39

HEX #909C9C

RGB 144 156 156

HSL 180, 0.06%, 0.59%

LAB 63.43, -4.26, -1.48

 

CMYK 1 / 8 / 0 / 39

HEX #9A909C

RGB 154 144 156

HSL 290, 0.06%, 0.59%

LAB 60.97, 5.99, -5

 

CMYK 0 / 8 / 8 / 39

HEX #9C9090

RGB 156 144 144

HSL 0, 0.06%, 0.59%

LAB 60.81, 4.45, 1.6

 

CMYK 7 / 0 / 8 / 39

HEX #919C8F

RGB 145 156 143

HSL 110.77, 0.06%, 0.59%

LAB 63.16, -6.46, 5.46

 

CMYK 8 / 3 / 0 / 39

HEX #90989C

RGB 144 152 156

HSL 200, 0.06%, 0.59%

LAB 62.33, -2.05, -3.1

 

CMYK 1 / 8 / 0 / 39

HEX #9A909C

RGB 154 144 156

HSL 290, 0.06%, 0.59%

LAB 60.97, 5.99, -5

 

CMYK 0 / 5 / 8 / 39

HEX #9C9490

RGB 156 148 144

HSL 20, 0.06%, 0.59%

LAB 61.88, 2.21, 3.16

 

Description

Color code: HEX #919C8F | qconv.com Color code: HEX #919C8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 156 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 156 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 8 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 8% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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