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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91AFCE it is the complementary color #6E5031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91AFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91AFCE shade: #96AFC9, #A7C1DC, #B8D3EF, #C9E5FF and #DAF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91AFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91AFCE shade: #91AFCE, #809DBB, #6F8BA8, #5E7995 and #4D6782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91AFCE shade: #91AFCD, #919FCD, #9491CD, #A491CD and #B591CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91AFCE shade: #91AFCD, #919FCD and #9191CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91AFCE shade matches the following richer shades: #91AFCD, #85AFDA, #78AFE7 and #6BAEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91AFCE shade: #91AFCD, #9EAFC1, #ABAFB4, #B8B0A7 and #C5B09A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91AFCE shade: #91CDCB, #91BFCD, #91AFCD, #919FCD and #9391CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91AFCE shade: #5885B4, #759AC1, #91AFCD, #AEC4DA and #CAD8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91AFCE shade: #91AFCE, #BB91CD and #C7CD91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91AFCE shade: #91AFCE, #CD91AF and #AFCD91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91AFCE shade: #91AFCE, #BB91CD, #CDAF91 and #A3CD91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91AFCE shade: #91AFCE, #CD91CD, #CDAF91 and #91CD91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

Complementary color

CMYK 0 / 27 / 55 / 57

HEX #6E5031

RGB 110 80 49

HSL 30.49, 0.38%, 0.31%

LAB 36.51, 8.56, 23.08

 

CMYK 25 / 13 / 0 / 21

HEX #96AFC9

RGB 150 175 201

HSL 210.59, 0.32%, 0.69%

LAB 70.43, -2.74, -16.05

 

CMYK 24 / 12 / 0 / 14

HEX #A7C1DC

RGB 167 193 220

HSL 210.57, 0.43%, 0.76%

LAB 76.99, -2.88, -16.4

 

CMYK 23 / 12 / 0 / 6

HEX #B8D3EF

RGB 184 211 239

HSL 210.55, 0.63%, 0.83%

LAB 83.45, -3, -16.74

 

CMYK 21 / 10 / 0 / 0

HEX #C9E5FF

RGB 201 229 255

HSL 208.89, 1%, 0.89%

LAB 89.71, -3.77, -15.66

 

CMYK 15 / 3 / 0 / 0

HEX #DAF7FF

RGB 218 247 255

HSL 192.97, 1%, 0.93%

LAB 95.43, -7.79, -7.02

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

CMYK 32 / 16 / 0 / 27

HEX #809DBB

RGB 128 157 187

HSL 210.51, 0.3%, 0.62%

LAB 63.58, -2.87, -18.79

 

CMYK 34 / 17 / 0 / 34

HEX #6F8BA8

RGB 111 139 168

HSL 210.53, 0.25%, 0.55%

LAB 56.75, -2.67, -18.52

 

CMYK 37 / 19 / 0 / 42

HEX #5E7995

RGB 94 121 149

HSL 210.55, 0.23%, 0.48%

LAB 49.77, -2.44, -18.27

 

CMYK 41 / 21 / 0 / 49

HEX #4D6782

RGB 77 103 130

HSL 210.57, 0.26%, 0.41%

LAB 42.6, -2.16, -18.04

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 29 / 22 / 0 / 20

HEX #919FCD

RGB 145 159 205

HSL 226, 0.38%, 0.69%

LAB 65.92, 5.59, -25.15

 

CMYK 28 / 29 / 0 / 20

HEX #9491CD

RGB 148 145 205

HSL 243, 0.38%, 0.69%

LAB 62.47, 14.46, -30.46

 

CMYK 20 / 29 / 0 / 20

HEX #A491CD

RGB 164 145 205

HSL 259, 0.38%, 0.69%

LAB 63.8, 19.33, -28.3

 

CMYK 12 / 29 / 0 / 20

HEX #B591CD

RGB 181 145 205

HSL 276, 0.38%, 0.69%

LAB 65.34, 24.7, -25.78

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 29 / 22 / 0 / 20

HEX #919FCD

RGB 145 159 205

HSL 226, 0.38%, 0.69%

LAB 65.92, 5.59, -25.15

 

CMYK 29 / 29 / 0 / 20

HEX #9191CD

RGB 145 145 205

HSL 240, 0.38%, 0.69%

LAB 62.24, 13.57, -30.84

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 39 / 20 / 0 / 15

HEX #85AFDA

RGB 133 175 218

HSL 210.35, 0.53%, 0.69%

LAB 69.97, -3.33, -26.18

 

CMYK 48 / 24 / 0 / 9

HEX #78AFE7

RGB 120 175 231

HSL 210.27, 0.7%, 0.69%

LAB 69.77, -2.98, -33.66

 

CMYK 56 / 29 / 0 / 4

HEX #6BAEF4

RGB 107 174 244

HSL 210.66, 0.86%, 0.69%

LAB 69.42, -1.37, -41.33

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 18 / 9 / 0 / 24

HEX #9EAFC1

RGB 158 175 193

HSL 210.86, 0.22%, 0.69%

LAB 70.72, -2.06, -11.16

 

CMYK 5 / 3 / 0 / 29

HEX #ABAFB4

RGB 171 175 180

HSL 213.33, 0.06%, 0.69%

LAB 71.29, -0.43, -3.05

 

CMYK 0 / 4 / 9 / 28

HEX #B8B0A7

RGB 184 176 167

HSL 31.76, 0.11%, 0.69%

LAB 72.25, 1.26, 5.61

 

CMYK 0 / 11 / 22 / 23

HEX #C5B09A

RGB 197 176 154

HSL 30.7, 0.27%, 0.69%

LAB 73.06, 4.04, 14.03

 

CMYK 29 / 0 / 1 / 20

HEX #91CDCB

RGB 145 205 203

HSL 178, 0.38%, 0.69%

LAB 78.46, -19.52, -5.19

 

CMYK 29 / 7 / 0 / 20

HEX #91BFCD

RGB 145 191 205

HSL 194, 0.38%, 0.69%

LAB 74.63, -11.85, -11.96

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 29 / 22 / 0 / 20

HEX #919FCD

RGB 145 159 205

HSL 226, 0.38%, 0.69%

LAB 65.92, 5.59, -25.15

 

CMYK 28 / 29 / 0 / 20

HEX #9391CD

RGB 147 145 205

HSL 242, 0.38%, 0.69%

LAB 62.39, 14.16, -30.58

 

CMYK 51 / 26 / 0 / 29

HEX #5885B4

RGB 88 133 180

HSL 210.65, 0.38%, 0.53%

LAB 54.18, -1.92, -29.47

 

CMYK 39 / 20 / 0 / 24

HEX #759AC1

RGB 117 154 193

HSL 210.79, 0.38%, 0.61%

LAB 62.29, -2.73, -24.18

 

CMYK 29 / 15 / 0 / 20

HEX #91AFCD

RGB 145 175 205

HSL 210, 0.38%, 0.69%

LAB 70.24, -3.28, -18.57

 

CMYK 20 / 10 / 0 / 15

HEX #AEC4DA

RGB 174 196 218

HSL 210, 0.37%, 0.77%

LAB 78.19, -2.78, -13.47

 

CMYK 13 / 6 / 0 / 9

HEX #CAD8E7

RGB 202 216 231

HSL 211.03, 0.38%, 0.85%

LAB 85.72, -1.74, -8.97

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

CMYK 9 / 29 / 0 / 20

HEX #BB91CD

RGB 187 145 205

HSL 282, 0.38%, 0.69%

LAB 65.92, 26.63, -24.85

 

CMYK 3 / 0 / 29 / 20

HEX #C7CD91

RGB 199 205 145

HSL 66, 0.38%, 0.69%

LAB 80.65, -11.66, 29.26

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

CMYK 0 / 29 / 15 / 20

HEX #CD91AF

RGB 205 145 175

HSL 330, 0.38%, 0.69%

LAB 66.77, 27.2, -6.6

 

CMYK 15 / 0 / 29 / 20

HEX #AFCD91

RGB 175 205 145

HSL 90, 0.38%, 0.69%

LAB 78.94, -20.61, 26.66

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

CMYK 9 / 29 / 0 / 20

HEX #BB91CD

RGB 187 145 205

HSL 282, 0.38%, 0.69%

LAB 65.92, 26.63, -24.85

 

CMYK 0 / 15 / 29 / 20

HEX #CDAF91

RGB 205 175 145

HSL 30, 0.38%, 0.69%

LAB 73.34, 6.39, 19.42

 

CMYK 20 / 0 / 29 / 20

HEX #A3CD91

RGB 163 205 145

HSL 102, 0.38%, 0.69%

LAB 78.17, -24.91, 25.48

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCE

RGB 145 175 206

HSL 210.49, 0.38%, 0.69%

LAB 70.27, -3.04, -19.07

 

CMYK 0 / 29 / 0 / 20

HEX #CD91CD

RGB 205 145 205

HSL 300, 0.38%, 0.69%

LAB 67.75, 32.47, -21.89

 

CMYK 0 / 15 / 29 / 20

HEX #CDAF91

RGB 205 175 145

HSL 30, 0.38%, 0.69%

LAB 73.34, 6.39, 19.42

 

CMYK 29 / 0 / 29 / 20

HEX #91CD91

RGB 145 205 145

HSL 120, 0.38%, 0.69%

LAB 77.12, -31.03, 23.89

 

Description

Color code: HEX #91AFCE | qconv.com Color code: HEX #91AFCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 175 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 175 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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