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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91C1E8 it is the complementary color #6E3E17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91C1E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91C1E8 shade: #96C1E3, #A7D3F6, #B8E5FF, #C9F7FF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91C1E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91C1E8 shade: #91C1E8, #80AFD5, #6F9DC2, #5E8BAF and #4D799C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91C1E8 shade: #91C1E7, #91A9E7, #9192E7, #A791E7 and #BF91E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91C1E8 shade: #91C1E7, #91A9E7, #9192E7 and #9191E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91C1E8 shade matches the following richer shades: #91C1E7, #86C2F2 and #7CC3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91C1E8 shade: #91C1E7, #9CC0DD, #A7BED2, #B1BDC7 and #BCBCBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91C1E8 shade: #91E7DF, #91D9E7, #91C2E7, #91ABE7 and #9194E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91C1E8 shade: #4D9AD9, #6FADE0, #91C1E7, #B3D4EF and #D5E7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91C1E8 shade: #91C1E8, #C891E7 and #E4E791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91C1E8 shade: #91C1E8, #E791C2 and #C2E791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91C1E8 shade: #91C1E8, #C891E7, #E7B691 and #B1E791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91C1E8 shade: #91C1E8, #E291E7, #E7B691 and #97E791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

Complementary color

CMYK 0 / 44 / 79 / 57

HEX #6E3E17

RGB 110 62 23

HSL 26.9, 0.65%, 0.26%

LAB 31.4, 17.59, 31.84

 

CMYK 34 / 15 / 0 / 11

HEX #96C1E3

RGB 150 193 227

HSL 206.49, 0.58%, 0.74%

LAB 76.17, -6.13, -21.52

 

CMYK 32 / 14 / 0 / 4

HEX #A7D3F6

RGB 167 211 246

HSL 206.58, 0.81%, 0.81%

LAB 82.62, -6.27, -21.81

 

CMYK 28 / 10 / 0 / 0

HEX #B8E5FF

RGB 184 229 255

HSL 201.97, 1%, 0.86%

LAB 88.66, -8.73, -17.34

 

CMYK 21 / 3 / 0 / 0

HEX #C9F7FF

RGB 201 247 255

HSL 188.89, 1%, 0.89%

LAB 94.38, -12.92, -8.69

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

CMYK 40 / 18 / 0 / 16

HEX #80AFD5

RGB 128 175 213

HSL 206.82, 0.5%, 0.67%

LAB 69.51, -5.99, -24.17

 

CMYK 43 / 19 / 0 / 24

HEX #6F9DC2

RGB 111 157 194

HSL 206.75, 0.4%, 0.6%

LAB 62.83, -5.73, -23.94

 

CMYK 46 / 21 / 0 / 31

HEX #5E8BAF

RGB 94 139 175

HSL 206.67, 0.34%, 0.53%

LAB 56.03, -5.4, -23.72

 

CMYK 51 / 22 / 0 / 39

HEX #4D799C

RGB 77 121 156

HSL 206.58, 0.34%, 0.46%

LAB 49.07, -4.99, -23.52

 

CMYK 37 / 16 / 0 / 9

HEX #91C1E7

RGB 145 193 231

HSL 206.51, 0.64%, 0.74%

LAB 76.03, -6.47, -23.93

 

CMYK 37 / 27 / 0 / 9

HEX #91A9E7

RGB 145 169 231

HSL 223.26, 0.64%, 0.74%

LAB 69.59, 6.68, -33.83

 

CMYK 37 / 37 / 0 / 9

HEX #9192E7

RGB 145 146 231

HSL 239.3, 0.64%, 0.74%

LAB 63.63, 19.8, -43.13

 

CMYK 28 / 37 / 0 / 9

HEX #A791E7

RGB 167 145 231

HSL 255.35, 0.64%, 0.74%

LAB 65.15, 26.42, -40.61

 

CMYK 17 / 37 / 0 / 9

HEX #BF91E7

RGB 191 145 231

HSL 272.09, 0.64%, 0.74%

LAB 67.35, 33.4, -37.02

 

CMYK 37 / 16 / 0 / 9

HEX #91C1E7

RGB 145 193 231

HSL 206.51, 0.64%, 0.74%

LAB 76.03, -6.47, -23.93

 

CMYK 37 / 27 / 0 / 9

HEX #91A9E7

RGB 145 169 231

HSL 223.26, 0.64%, 0.74%

LAB 69.59, 6.68, -33.83

 

CMYK 37 / 37 / 0 / 9

HEX #9192E7

RGB 145 146 231

HSL 239.3, 0.64%, 0.74%

LAB 63.63, 19.8, -43.13

 

CMYK 37 / 37 / 0 / 9

HEX #9191E7

RGB 145 145 231

HSL 240, 0.64%, 0.74%

LAB 63.38, 20.38, -43.52

 

CMYK 37 / 16 / 0 / 9

HEX #91C1E7

RGB 145 193 231

HSL 206.51, 0.64%, 0.74%

LAB 76.03, -6.47, -23.93

 

CMYK 45 / 20 / 0 / 5

HEX #86C2F2

RGB 134 194 242

HSL 206.67, 0.81%, 0.74%

LAB 76.11, -6.88, -29.78

 

CMYK 51 / 23 / 0 / 1

HEX #7CC3FD

RGB 124 195 253

HSL 206.98, 0.97%, 0.74%

LAB 76.32, -6.63, -35.4

 

CMYK 37 / 16 / 0 / 9

HEX #91C1E7

RGB 145 193 231

HSL 206.51, 0.64%, 0.74%

LAB 76.03, -6.47, -23.93

 

CMYK 29 / 13 / 0 / 13

HEX #9CC0DD

RGB 156 192 221

HSL 206.77, 0.49%, 0.74%

LAB 76.06, -5.36, -18.41

 

CMYK 20 / 10 / 0 / 18

HEX #A7BED2

RGB 167 190 210

HSL 207.91, 0.32%, 0.74%

LAB 75.88, -3.53, -12.66

 

CMYK 11 / 5 / 0 / 22

HEX #B1BDC7

RGB 177 189 199

HSL 207.27, 0.16%, 0.74%

LAB 75.99, -2.13, -6.46

 

CMYK 0 / 0 / 0 / 26

HEX #BCBCBC

RGB 188 188 188

HSL 0, 0%, 0.74%

LAB 76.25, 0, -0.01

 

CMYK 37 / 0 / 3 / 9

HEX #91E7DF

RGB 145 231 223

HSL 174.42, 0.64%, 0.74%

LAB 86.26, -27.74, -4.33

 

CMYK 37 / 6 / 0 / 9

HEX #91D9E7

RGB 145 217 231

HSL 189.77, 0.64%, 0.74%

LAB 82.6, -18.93, -13.99

 

CMYK 37 / 16 / 0 / 9

HEX #91C2E7

RGB 145 194 231

HSL 205.81, 0.64%, 0.74%

LAB 76.3, -7.01, -23.52

 

CMYK 37 / 26 / 0 / 9

HEX #91ABE7

RGB 145 171 231

HSL 221.86, 0.64%, 0.74%

LAB 70.12, 5.56, -33.01

 

CMYK 37 / 36 / 0 / 9

HEX #9194E7

RGB 145 148 231

HSL 237.91, 0.64%, 0.74%

LAB 64.14, 18.65, -42.33

 

CMYK 65 / 29 / 0 / 15

HEX #4D9AD9

RGB 77 154 217

HSL 207, 0.65%, 0.58%

LAB 61.39, -4.34, -39.13

 

CMYK 50 / 23 / 0 / 12

HEX #6FADE0

RGB 111 173 224

HSL 207.08, 0.65%, 0.66%

LAB 68.5, -5.98, -31.84

 

CMYK 37 / 16 / 0 / 9

HEX #91C1E7

RGB 145 193 231

HSL 206.51, 0.64%, 0.74%

LAB 76.03, -6.47, -23.93

 

CMYK 25 / 11 / 0 / 6

HEX #B3D4EF

RGB 179 212 239

HSL 207, 0.65%, 0.82%

LAB 83.39, -5.01, -16.86

 

CMYK 13 / 6 / 0 / 4

HEX #D5E7F6

RGB 213 231 246

HSL 207.27, 0.65%, 0.9%

LAB 90.76, -3, -9.3

 

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

CMYK 13 / 37 / 0 / 9

HEX #C891E7

RGB 200 145 231

HSL 278.37, 0.64%, 0.74%

LAB 68.24, 36.08, -35.56

 

CMYK 1 / 0 / 37 / 9

HEX #E4E791

RGB 228 231 145

HSL 62.09, 0.64%, 0.74%

LAB 89.72, -13.62, 41.54

 

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

CMYK 0 / 37 / 16 / 9

HEX #E791C2

RGB 231 145 194

HSL 325.81, 0.64%, 0.74%

LAB 70.27, 39.22, -11.68

 

CMYK 16 / 0 / 37 / 9

HEX #C2E791

RGB 194 231 145

HSL 85.81, 0.64%, 0.74%

LAB 87.32, -26.35, 37.98

 

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

CMYK 13 / 37 / 0 / 9

HEX #C891E7

RGB 200 145 231

HSL 278.37, 0.64%, 0.74%

LAB 68.24, 36.08, -35.56

 

CMYK 0 / 21 / 37 / 9

HEX #E7B691

RGB 231 182 145

HSL 25.81, 0.64%, 0.74%

LAB 77.57, 12.81, 25.6

 

CMYK 23 / 0 / 37 / 9

HEX #B1E791

RGB 177 231 145

HSL 97.67, 0.64%, 0.74%

LAB 86.28, -32.39, 36.41

 

CMYK 38 / 17 / 0 / 9

HEX #91C1E8

RGB 145 193 232

HSL 206.9, 0.65%, 0.74%

LAB 76.06, -6.21, -24.42

 

CMYK 2 / 37 / 0 / 9

HEX #E291E7

RGB 226 145 231

HSL 296.51, 0.64%, 0.74%

LAB 71, 43.95, -31.07

 

CMYK 0 / 21 / 37 / 9

HEX #E7B691

RGB 231 182 145

HSL 25.81, 0.64%, 0.74%

LAB 77.57, 12.81, 25.6

 

CMYK 35 / 0 / 37 / 9

HEX #97E791

RGB 151 231 145

HSL 115.81, 0.64%, 0.74%

LAB 84.88, -41, 34.32

 

Description

Color code: HEX #91C1E8 | qconv.com Color code: HEX #91C1E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 193 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 193 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 17 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 17% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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