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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91CEED it is the complementary color #6E3112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91CEED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91CEED shade: #96CEE8, #A7E0FB, #B8F2FF, #C9FFFF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91CEED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91CEED shade: #91CEED, #80BCDA, #6FAAC7, #5E98B4 and #4D86A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91CEED shade: #91CEED, #91B5ED, #919CED, #9E91ED and #B791ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91CEED shade: #91CEED, #91B5ED, #919CED and #9191ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91CEED shade matches the following richer shades: #91CEED and #87D1F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91CEED shade: #91CEED, #9BCAE2, #A5C7D8, #B0C4CE and #BAC0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91CEED shade: #91EDDA, #91E7ED, #91CEED, #91B6ED and #919DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91CEED shade: #4AAEE1, #6DBEE7, #91CEED, #B4DEF2 and #D8EDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91CEED shade: #91CEED, #C291ED and #EDE791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91CEED shade: #91CEED, #ED91CE and #CEED91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91CEED shade: #91CEED, #C291ED, #EDAF91 and #BCED91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91CEED shade: #91CEED, #DD91ED, #EDAF91 and #A0ED91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

Complementary color

CMYK 0 / 55 / 84 / 57

HEX #6E3112

RGB 110 49 18

HSL 20.22, 0.72%, 0.25%

LAB 28.26, 24.98, 31.29

 

CMYK 35 / 11 / 0 / 9

HEX #96CEE8

RGB 150 206 232

HSL 199.02, 0.64%, 0.75%

LAB 79.87, -11.73, -18.6

 

CMYK 33 / 11 / 0 / 2

HEX #A7E0FB

RGB 167 224 251

HSL 199.29, 0.91%, 0.82%

LAB 86.25, -11.81, -18.96

 

CMYK 28 / 5 / 0 / 0

HEX #B8F2FF

RGB 184 242 255

HSL 190.99, 1%, 0.86%

LAB 92.09, -15.32, -12.2

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 41 / 14 / 0 / 15

HEX #80BCDA

RGB 128 188 218

HSL 200, 0.55%, 0.68%

LAB 73.3, -11.65, -21.13

 

CMYK 44 / 15 / 0 / 22

HEX #6FAAC7

RGB 111 170 199

HSL 199.77, 0.44%, 0.61%

LAB 66.71, -11.46, -20.8

 

CMYK 48 / 16 / 0 / 29

HEX #5E98B4

RGB 94 152 180

HSL 199.53, 0.36%, 0.54%

LAB 60.01, -11.23, -20.47

 

CMYK 52 / 17 / 0 / 37

HEX #4D86A1

RGB 77 134 161

HSL 199.29, 0.35%, 0.47%

LAB 53.17, -10.91, -20.13

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 39 / 24 / 0 / 7

HEX #91B5ED

RGB 145 181 237

HSL 216.52, 0.72%, 0.75%

LAB 73.01, 1.61, -31.8

 

CMYK 39 / 34 / 0 / 7

HEX #919CED

RGB 145 156 237

HSL 232.83, 0.72%, 0.75%

LAB 66.45, 15.68, -42

 

CMYK 33 / 39 / 0 / 7

HEX #9E91ED

RGB 158 145 237

HSL 248.48, 0.72%, 0.75%

LAB 64.67, 25.44, -44.73

 

CMYK 23 / 39 / 0 / 7

HEX #B791ED

RGB 183 145 237

HSL 264.78, 0.72%, 0.75%

LAB 66.85, 32.42, -41.16

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 39 / 24 / 0 / 7

HEX #91B5ED

RGB 145 181 237

HSL 216.52, 0.72%, 0.75%

LAB 73.01, 1.61, -31.8

 

CMYK 39 / 34 / 0 / 7

HEX #919CED

RGB 145 156 237

HSL 232.83, 0.72%, 0.75%

LAB 66.45, 15.68, -42

 

CMYK 39 / 39 / 0 / 7

HEX #9191ED

RGB 145 145 237

HSL 240, 0.72%, 0.75%

LAB 63.66, 22.01, -46.39

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 45 / 15 / 0 / 3

HEX #87D1F7

RGB 135 209 247

HSL 200.36, 0.88%, 0.75%

LAB 80.44, -13.2, -25.82

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 31 / 11 / 0 / 11

HEX #9BCAE2

RGB 155 202 226

HSL 200.28, 0.55%, 0.75%

LAB 78.87, -9.74, -16.87

 

CMYK 24 / 8 / 0 / 15

HEX #A5C7D8

RGB 165 199 216

HSL 200, 0.4%, 0.75%

LAB 78.35, -7.57, -12.22

 

CMYK 15 / 5 / 0 / 19

HEX #B0C4CE

RGB 176 196 206

HSL 200, 0.23%, 0.75%

LAB 77.97, -4.73, -7.31

 

CMYK 5 / 2 / 0 / 24

HEX #BAC0C3

RGB 186 192 195

HSL 200, 0.07%, 0.75%

LAB 77.33, -1.49, -2.24

 

CMYK 39 / 0 / 8 / 7

HEX #91EDDA

RGB 145 237 218

HSL 167.61, 0.72%, 0.75%

LAB 87.8, -31.73, 0.56

 

CMYK 39 / 3 / 0 / 7

HEX #91E7ED

RGB 145 231 237

HSL 183.91, 0.72%, 0.75%

LAB 86.65, -24.42, -11.12

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 39 / 23 / 0 / 7

HEX #91B6ED

RGB 145 182 237

HSL 215.87, 0.72%, 0.75%

LAB 73.28, 1.06, -31.39

 

CMYK 39 / 34 / 0 / 7

HEX #919DED

RGB 145 157 237

HSL 232.17, 0.72%, 0.75%

LAB 66.71, 15.1, -41.6

 

CMYK 67 / 23 / 0 / 12

HEX #4AAEE1

RGB 74 174 225

HSL 200.26, 0.72%, 0.59%

LAB 67.4, -13.28, -34.2

 

CMYK 53 / 18 / 0 / 9

HEX #6DBEE7

RGB 109 190 231

HSL 200.16, 0.72%, 0.67%

LAB 73.45, -13.54, -28.03

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 26 / 8 / 0 / 5

HEX #B4DEF2

RGB 180 222 242

HSL 199.35, 0.7%, 0.83%

LAB 86.18, -9.23, -14.25

 

CMYK 13 / 4 / 0 / 3

HEX #D8EDF8

RGB 216 237 248

HSL 200.63, 0.7%, 0.91%

LAB 92.55, -4.73, -7.67

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 18 / 39 / 0 / 7

HEX #C291ED

RGB 194 145 237

HSL 271.96, 0.72%, 0.75%

LAB 67.9, 35.6, -39.44

 

CMYK 0 / 3 / 39 / 7

HEX #EDE791

RGB 237 231 145

HSL 56.09, 0.72%, 0.75%

LAB 90.41, -10.15, 42.57

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 0 / 39 / 13 / 7

HEX #ED91CE

RGB 237 145 206

HSL 320.22, 0.72%, 0.75%

LAB 71.36, 43.1, -16.63

 

CMYK 13 / 0 / 39 / 7

HEX #CEED91

RGB 206 237 145

HSL 80.22, 0.72%, 0.75%

LAB 89.74, -24.83, 41.25

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 18 / 39 / 0 / 7

HEX #C291ED

RGB 194 145 237

HSL 271.96, 0.72%, 0.75%

LAB 67.9, 35.6, -39.44

 

CMYK 0 / 26 / 39 / 7

HEX #EDAF91

RGB 237 175 145

HSL 19.57, 0.72%, 0.75%

LAB 76.5, 18.86, 24.26

 

CMYK 21 / 0 / 39 / 7

HEX #BCED91

RGB 188 237 145

HSL 91.96, 0.72%, 0.75%

LAB 88.59, -31.33, 39.55

 

CMYK 39 / 13 / 0 / 7

HEX #91CEED

RGB 145 206 237

HSL 200.22, 0.72%, 0.75%

LAB 79.77, -11.79, -21.45

 

CMYK 7 / 39 / 0 / 7

HEX #DD91ED

RGB 221 145 237

HSL 289.57, 0.72%, 0.75%

LAB 70.69, 43.58, -34.88

 

CMYK 0 / 26 / 39 / 7

HEX #EDAF91

RGB 237 175 145

HSL 19.57, 0.72%, 0.75%

LAB 76.5, 18.86, 24.26

 

CMYK 32 / 0 / 39 / 7

HEX #A0ED91

RGB 160 237 145

HSL 110.22, 0.72%, 0.75%

LAB 87.04, -40.8, 37.23

 

Description

Color code: HEX #91CEED | qconv.com Color code: HEX #91CEED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 206 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 206 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 13 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 13% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - イオン品川シーサイド店
Link: http://shop.aeon.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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