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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91D4AF it is the complementary color #6E2B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91D4AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91D4AF shade: #96D4AA, #A7E6BD, #B8F8D0, #C9FFE3 and #DAFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91D4AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91D4AF shade: #91D4AF, #80C29C, #6FB089, #5E9E76 and #4D8C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91D4AF shade: #90D4AE, #90D49C, #96D490, #A9D490 and #BBD490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91D4AF shade: #90D4AE, #90D4C1, #90D4D3, #90C2D4 and #90B0D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91D4AF shade matches the following richer shades: #90D4AE, #84E0AD, #78ECAC and #6BF9AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91D4AF shade: #90D4AE, #9DC7B0, #A9BBB1, #B5AFB2 and #C2A2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91D4AF shade: #97D490, #90D49C, #90D4AE, #90D4BF and #90D4D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91D4AF shade: #55BD83, #73C899, #90D4AE, #AEDFC4 and #CCEBDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91D4AF shade: #91D4AF, #90A9D4 and #D49390

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91D4AF shade: #91D4AF, #AE90D4 and #D4AE90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91D4AF shade: #91D4AF, #90A9D4, #D490B6 and #D4BB90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91D4AF shade: #91D4AF, #9095D4, #D490B6 and #D4CF90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

Complementary color

CMYK 0 / 61 / 27 / 57

HEX #6E2B50

RGB 110 43 80

HSL 326.87, 0.44%, 0.3%

LAB 28.44, 34.16, -7.89

 

CMYK 29 / 0 / 20 / 17

HEX #96D4AA

RGB 150 212 170

HSL 139.35, 0.42%, 0.71%

LAB 79.88, -28.33, 14.55

 

CMYK 27 / 0 / 18 / 10

HEX #A7E6BD

RGB 167 230 189

HSL 140.95, 0.56%, 0.78%

LAB 86.25, -28.1, 13.65

 

CMYK 26 / 0 / 16 / 3

HEX #B8F8D0

RGB 184 248 208

HSL 142.5, 0.82%, 0.85%

LAB 92.52, -27.88, 12.81

 

CMYK 21 / 0 / 11 / 0

HEX #C9FFE3

RGB 201 255 227

HSL 148.89, 1%, 0.89%

LAB 95.78, -22.44, 7.81

 

CMYK 15 / 0 / 4 / 0

HEX #DAFFF6

RGB 218 255 246

HSL 165.41, 1%, 0.93%

LAB 97.26, -13.54, 0.31

 

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

CMYK 34 / 0 / 20 / 24

HEX #80C29C

RGB 128 194 156

HSL 145.45, 0.35%, 0.63%

LAB 73.27, -29.16, 12.55

 

CMYK 37 / 0 / 22 / 31

HEX #6FB089

RGB 111 176 137

HSL 144, 0.29%, 0.56%

LAB 66.7, -29.43, 13.52

 

CMYK 41 / 0 / 25 / 38

HEX #5E9E76

RGB 94 158 118

HSL 142.5, 0.25%, 0.49%

LAB 60.02, -29.7, 14.58

 

CMYK 45 / 0 / 29 / 45

HEX #4D8C63

RGB 77 140 99

HSL 140.95, 0.29%, 0.43%

LAB 53.21, -29.97, 15.73

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 32 / 0 / 26 / 17

HEX #90D49C

RGB 144 212 156

HSL 130.59, 0.44%, 0.7%

LAB 79.28, -32.76, 21.05

 

CMYK 29 / 0 / 32 / 17

HEX #96D490

RGB 150 212 144

HSL 114.71, 0.44%, 0.7%

LAB 79.38, -32.84, 27.51

 

CMYK 20 / 0 / 32 / 17

HEX #A9D490

RGB 169 212 144

HSL 97.94, 0.44%, 0.7%

LAB 80.48, -26.34, 29.18

 

CMYK 12 / 0 / 32 / 17

HEX #BBD490

RGB 187 212 144

HSL 82.06, 0.44%, 0.7%

LAB 81.66, -19.82, 30.96

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 32 / 0 / 9 / 17

HEX #90D4C1

RGB 144 212 193

HSL 163.24, 0.44%, 0.7%

LAB 80.1, -25.5, 2.58

 

CMYK 32 / 0 / 0 / 17

HEX #90D4D3

RGB 144 212 211

HSL 179.12, 0.44%, 0.7%

LAB 80.58, -21.47, -6.34

 

CMYK 32 / 8 / 0 / 17

HEX #90C2D4

RGB 144 194 212

HSL 195.88, 0.44%, 0.7%

LAB 75.62, -12.03, -14.28

 

CMYK 32 / 17 / 0 / 17

HEX #90B0D4

RGB 144 176 212

HSL 211.76, 0.44%, 0.7%

LAB 70.69, -2.39, -21.74

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 41 / 0 / 23 / 12

HEX #84E0AD

RGB 132 224 173

HSL 146.74, 0.6%, 0.7%

LAB 82.5, -38.64, 16.52

 

CMYK 49 / 0 / 27 / 7

HEX #78ECAC

RGB 120 236 172

HSL 146.9, 0.75%, 0.7%

LAB 85.49, -47.2, 21.11

 

CMYK 57 / 0 / 31 / 2

HEX #6BF9AB

RGB 107 249 171

HSL 147.04, 0.92%, 0.7%

LAB 88.84, -55.68, 26.16

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 21 / 0 / 12 / 22

HEX #9DC7B0

RGB 157 199 176

HSL 147.14, 0.27%, 0.7%

LAB 76.77, -18.53, 6.97

 

CMYK 10 / 0 / 5 / 27

HEX #A9BBB1

RGB 169 187 177

HSL 146.67, 0.12%, 0.7%

LAB 74.29, -8.12, 2.95

 

CMYK 0 / 3 / 2 / 29

HEX #B5AFB2

RGB 181 175 178

HSL 330, 0.04%, 0.7%

LAB 72.03, 2.69, -0.78

 

CMYK 0 / 16 / 7 / 24

HEX #C2A2B4

RGB 194 162 180

HSL 326.25, 0.21%, 0.7%

LAB 69.9, 14.79, -4.88

 

CMYK 29 / 0 / 32 / 17

HEX #97D490

RGB 151 212 144

HSL 113.82, 0.44%, 0.7%

LAB 79.43, -32.51, 27.59

 

CMYK 32 / 0 / 26 / 17

HEX #90D49C

RGB 144 212 156

HSL 130.59, 0.44%, 0.7%

LAB 79.28, -32.76, 21.05

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 32 / 0 / 10 / 17

HEX #90D4BF

RGB 144 212 191

HSL 161.47, 0.44%, 0.7%

LAB 80.05, -25.93, 3.57

 

CMYK 32 / 0 / 1 / 17

HEX #90D4D1

RGB 144 212 209

HSL 177.35, 0.44%, 0.7%

LAB 80.53, -21.93, -5.35

 

CMYK 55 / 0 / 31 / 26

HEX #55BD83

RGB 85 189 131

HSL 146.54, 0.44%, 0.54%

LAB 69.44, -43.55, 20.42

 

CMYK 43 / 0 / 24 / 22

HEX #73C899

RGB 115 200 153

HSL 146.82, 0.44%, 0.62%

LAB 74.35, -36.35, 15.6

 

CMYK 32 / 0 / 18 / 17

HEX #90D4AE

RGB 144 212 174

HSL 146.47, 0.44%, 0.7%

LAB 79.65, -29.41, 12.06

 

CMYK 22 / 0 / 12 / 13

HEX #AEDFC4

RGB 174 223 196

HSL 146.94, 0.43%, 0.78%

LAB 84.87, -21.18, 8.08

 

CMYK 13 / 0 / 7 / 8

HEX #CCEBDA

RGB 204 235 218

HSL 147.1, 0.44%, 0.86%

LAB 90.47, -13.33, 4.83

 

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

CMYK 32 / 20 / 0 / 17

HEX #90A9D4

RGB 144 169 212

HSL 217.94, 0.44%, 0.7%

LAB 68.79, 1.47, -24.63

 

CMYK 0 / 31 / 32 / 17

HEX #D49390

RGB 212 147 144

HSL 2.65, 0.44%, 0.7%

LAB 67.19, 24.14, 11.49

 

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

CMYK 18 / 32 / 0 / 17

HEX #AE90D4

RGB 174 144 212

HSL 266.47, 0.44%, 0.7%

LAB 64.72, 24.59, -30.7

 

CMYK 0 / 18 / 32 / 17

HEX #D4AE90

RGB 212 174 144

HSL 26.47, 0.44%, 0.7%

LAB 73.73, 9.53, 20.6

 

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

CMYK 32 / 20 / 0 / 17

HEX #90A9D4

RGB 144 169 212

HSL 217.94, 0.44%, 0.7%

LAB 68.79, 1.47, -24.63

 

CMYK 0 / 32 / 14 / 17

HEX #D490B6

RGB 212 144 182

HSL 326.47, 0.44%, 0.7%

LAB 67.52, 31.34, -9.33

 

CMYK 0 / 12 / 32 / 17

HEX #D4BB90

RGB 212 187 144

HSL 37.94, 0.44%, 0.7%

LAB 77.01, 2.6, 25.07

 

CMYK 32 / 0 / 17 / 17

HEX #91D4AF

RGB 145 212 175

HSL 146.87, 0.44%, 0.7%

LAB 79.73, -28.91, 11.64

 

CMYK 32 / 30 / 0 / 17

HEX #9095D4

RGB 144 149 212

HSL 235.59, 0.44%, 0.7%

LAB 63.49, 12.77, -32.81

 

CMYK 0 / 32 / 14 / 17

HEX #D490B6

RGB 212 144 182

HSL 326.47, 0.44%, 0.7%

LAB 67.52, 31.34, -9.33

 

CMYK 0 / 2 / 32 / 17

HEX #D4CF90

RGB 212 207 144

HSL 55.59, 0.44%, 0.7%

LAB 82.18, -7.82, 31.99

 

Description

Color code: HEX #91D4AF | qconv.com Color code: HEX #91D4AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 212 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 212 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 17 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 17% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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