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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91DD9C it is the complementary color #6E2263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91DD9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91DD9C shade: #96DD97, #A7EFAA, #B8FFBD, #C9FFD0 and #DAFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91DD9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91DD9C shade: #91DD9C, #80CB89, #6FB976, #5EA763 and #4D9550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91DD9C shade: #91DD9C, #9BDD91, #AFDD91, #C4DD91 and #D8DD91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91DD9C shade: #91DD9C, #91DDB1, #91DDC5, #91DDD9 and #91CCDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91DD9C shade matches the following richer shades: #91DD9C, #86E894 and #7AF48C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91DD9C shade: #91DD9C, #9DD1A4, #A8C6AD, #B4BAB5 and #BFAFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91DD9C shade: #B0DD91, #9BDD91, #91DD9B, #91DDB0 and #91DDC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91DD9C shade: #52CA63, #72D380, #91DD9C, #B1E7B9 and #D0F0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91DD9C shade: #91DD9C, #91C4DD and #DD91A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91DD9C shade: #91DD9C, #9B91DD and #DD9B91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91DD9C shade: #91DD9C, #91C4DD, #DD91D3 and #DDAA91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91DD9C shade: #91DD9C, #91ADDD, #DD91D3 and #DDC191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

Complementary color

CMYK 0 / 69 / 10 / 57

HEX #6E2263

RGB 110 34 99

HSL 308.68, 0.53%, 0.28%

LAB 27.74, 41.51, -21.41

 

CMYK 32 / 0 / 32 / 13

HEX #96DD97

RGB 150 221 151

HSL 120.85, 0.51%, 0.73%

LAB 82.07, -35.88, 27.51

 

CMYK 30 / 0 / 29 / 6

HEX #A7EFAA

RGB 167 239 170

HSL 122.5, 0.69%, 0.8%

LAB 88.38, -35.63, 26.44

 

CMYK 28 / 0 / 26 / 0

HEX #B8FFBD

RGB 184 255 189

HSL 124.23, 1%, 0.86%

LAB 94.05, -34.48, 24.67

 

CMYK 21 / 0 / 18 / 0

HEX #C9FFD0

RGB 201 255 208

HSL 127.78, 1%, 0.89%

LAB 95.37, -25.86, 16.97

 

CMYK 15 / 0 / 11 / 0

HEX #DAFFE3

RGB 218 255 227

HSL 134.59, 1%, 0.93%

LAB 96.81, -17.05, 9.42

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 37 / 0 / 33 / 20

HEX #80CB89

RGB 128 203 137

HSL 127.2, 0.42%, 0.65%

LAB 75.52, -36.87, 25.78

 

CMYK 40 / 0 / 36 / 27

HEX #6FB976

RGB 111 185 118

HSL 125.68, 0.35%, 0.58%

LAB 69.03, -37.12, 26.96

 

CMYK 44 / 0 / 41 / 35

HEX #5EA763

RGB 94 167 99

HSL 124.11, 0.29%, 0.51%

LAB 62.44, -37.33, 28.22

 

CMYK 48 / 0 / 46 / 42

HEX #4D9550

RGB 77 149 80

HSL 122.5, 0.32%, 0.44%

LAB 55.74, -37.48, 29.56

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 30 / 0 / 34 / 13

HEX #9BDD91

RGB 155 221 145

HSL 112.11, 0.53%, 0.72%

LAB 82.23, -35.2, 30.86

 

CMYK 21 / 0 / 34 / 13

HEX #AFDD91

RGB 175 221 145

HSL 96.32, 0.53%, 0.72%

LAB 83.37, -28.39, 32.58

 

CMYK 11 / 0 / 34 / 13

HEX #C4DD91

RGB 196 221 145

HSL 79.74, 0.53%, 0.72%

LAB 84.74, -20.78, 34.63

 

CMYK 2 / 0 / 34 / 13

HEX #D8DD91

RGB 216 221 145

HSL 63.95, 0.53%, 0.72%

LAB 86.18, -13.24, 36.79

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 34 / 0 / 20 / 13

HEX #91DDB1

RGB 145 221 177

HSL 145.26, 0.53%, 0.72%

LAB 82.33, -32.78, 14.26

 

CMYK 34 / 0 / 11 / 13

HEX #91DDC5

RGB 145 221 197

HSL 161.05, 0.53%, 0.72%

LAB 82.79, -28.71, 4.34

 

CMYK 34 / 0 / 2 / 13

HEX #91DDD9

RGB 145 221 217

HSL 176.84, 0.53%, 0.72%

LAB 83.31, -24.26, -5.5

 

CMYK 34 / 8 / 0 / 13

HEX #91CCDD

RGB 145 204 221

HSL 193.42, 0.53%, 0.72%

LAB 78.71, -14.76, -14.48

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 42 / 0 / 36 / 9

HEX #86E894

RGB 134 232 148

HSL 128.57, 0.68%, 0.72%

LAB 84.44, -46.05, 32.09

 

CMYK 50 / 0 / 43 / 4

HEX #7AF48C

RGB 122 244 140

HSL 128.85, 0.85%, 0.72%

LAB 87.35, -55.48, 39.79

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 25 / 0 / 22 / 18

HEX #9DD1A4

RGB 157 209 164

HSL 128.08, 0.36%, 0.72%

LAB 79.3, -25.73, 16.97

 

CMYK 15 / 0 / 13 / 22

HEX #A8C6AD

RGB 168 198 173

HSL 130, 0.21%, 0.72%

LAB 77.12, -14.92, 9.18

 

CMYK 3 / 0 / 3 / 27

HEX #B4BAB5

RGB 180 186 181

HSL 130, 0.04%, 0.72%

LAB 74.92, -3.02, 1.8

 

CMYK 0 / 8 / 1 / 25

HEX #BFAFBD

RGB 191 175 189

HSL 307.5, 0.11%, 0.72%

LAB 73.16, 8.25, -5.06

 

CMYK 20 / 0 / 34 / 13

HEX #B0DD91

RGB 176 221 145

HSL 95.53, 0.53%, 0.72%

LAB 83.44, -28.03, 32.67

 

CMYK 30 / 0 / 34 / 13

HEX #9BDD91

RGB 155 221 145

HSL 112.11, 0.53%, 0.72%

LAB 82.23, -35.2, 30.86

 

CMYK 34 / 0 / 30 / 13

HEX #91DD9B

RGB 145 221 155

HSL 127.89, 0.53%, 0.72%

LAB 81.89, -36.78, 25.16

 

CMYK 34 / 0 / 20 / 13

HEX #91DDB0

RGB 145 221 176

HSL 144.47, 0.53%, 0.72%

LAB 82.31, -32.98, 14.75

 

CMYK 34 / 0 / 11 / 13

HEX #91DDC4

RGB 145 221 196

HSL 160.26, 0.53%, 0.72%

LAB 82.76, -28.93, 4.84

 

CMYK 59 / 0 / 51 / 21

HEX #52CA63

RGB 82 202 99

HSL 128.5, 0.53%, 0.56%

LAB 72.85, -54.89, 41.3

 

CMYK 46 / 0 / 39 / 17

HEX #72D380

RGB 114 211 128

HSL 128.66, 0.52%, 0.64%

LAB 77.12, -45.97, 32.45

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 23 / 0 / 20 / 9

HEX #B1E7B9

RGB 177 231 185

HSL 128.89, 0.53%, 0.8%

LAB 87, -26.13, 16.88

 

CMYK 13 / 0 / 11 / 6

HEX #D0F0D5

RGB 208 240 213

HSL 129.38, 0.52%, 0.88%

LAB 91.92, -15.42, 9.56

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 34 / 11 / 0 / 13

HEX #91C4DD

RGB 145 196 221

HSL 199.74, 0.53%, 0.72%

LAB 76.51, -10.59, -17.8

 

CMYK 0 / 34 / 25 / 13

HEX #DD91A5

RGB 221 145 165

HSL 344.21, 0.53%, 0.72%

LAB 68.27, 31.41, 1.42

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 30 / 34 / 0 / 13

HEX #9B91DD

RGB 155 145 221

HSL 247.89, 0.53%, 0.72%

LAB 63.7, 20.52, -37.41

 

CMYK 0 / 30 / 34 / 13

HEX #DD9B91

RGB 221 155 145

HSL 7.89, 0.53%, 0.72%

LAB 70.08, 23.38, 15.14

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 34 / 11 / 0 / 13

HEX #91C4DD

RGB 145 196 221

HSL 199.74, 0.53%, 0.72%

LAB 76.51, -10.59, -17.8

 

CMYK 0 / 34 / 5 / 13

HEX #DD91D3

RGB 221 145 211

HSL 307.89, 0.53%, 0.72%

LAB 69.7, 38.75, -22.09

 

CMYK 0 / 23 / 34 / 13

HEX #DDAA91

RGB 221 170 145

HSL 19.74, 0.53%, 0.72%

LAB 73.65, 15.31, 20.1

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9C

RGB 145 221 156

HSL 128.68, 0.53%, 0.72%

LAB 81.91, -36.61, 24.66

 

CMYK 34 / 22 / 0 / 13

HEX #91ADDD

RGB 145 173 221

HSL 217.89, 0.53%, 0.72%

LAB 70.27, 1.83, -27.31

 

CMYK 0 / 34 / 5 / 13

HEX #DD91D3

RGB 221 145 211

HSL 307.89, 0.53%, 0.72%

LAB 69.7, 38.75, -22.09

 

CMYK 0 / 13 / 34 / 13

HEX #DDC191

RGB 221 193 145

HSL 37.89, 0.53%, 0.72%

LAB 79.36, 3.08, 27.85

 

Description

Color code: HEX #91DD9C | qconv.com Color code: HEX #91DD9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 221 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 221 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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