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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91EDE6 it is the complementary color #6E1219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91EDE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91EDE6 shade: #96EDE1, #A7FFF4, #B8FFFF, #C9FFFF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91EDE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91EDE6 shade: #91EDE6, #80DBD3, #6FC9C0, #5EB7AD and #4DA59A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91EDE6 shade: #91EDE6, #91EDCD, #91EDB4, #91ED9B and #9FED91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91EDE6 shade: #91EDE6, #91DBED, #91C2ED, #91A9ED and #9191ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91EDE6 shade matches the following richer shades: #91EDE6 and #87F7EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91EDE6 shade: #91EDE6, #9BE2DD, #A5D8D4, #B0CECB and #BAC3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91EDE6 shade: #91EDB4, #91EDCD, #91EDE5, #91DCED and #91C3ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91EDE6 shade: #4AE1D6, #6DE7DE, #91EDE6, #B4F2EE and #D8F8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91EDE6 shade: #91EDE6, #9C91ED and #EDC091

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91EDE6 shade: #91EDE6, #E591ED and #EDE591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91EDE6 shade: #91EDE6, #9C91ED, #ED9199 and #E2ED91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91EDE6 shade: #91EDE6, #B791ED, #ED9199 and #C6ED91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

Complementary color

CMYK 0 / 84 / 77 / 57

HEX #6E1219

RGB 110 18 25

HSL 355.43, 0.72%, 0.25%

LAB 23.06, 39.43, 21.67

 

CMYK 37 / 0 / 5 / 7

HEX #96EDE1

RGB 150 237 225

HSL 171.72, 0.71%, 0.76%

LAB 88.2, -28.86, -2.49

 

CMYK 35 / 0 / 4 / 0

HEX #A7FFF4

RGB 167 255 244

HSL 172.5, 1%, 0.83%

LAB 94.43, -28.73, -3.14

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 42 / 0 / 4 / 14

HEX #80DBD3

RGB 128 219 211

HSL 174.73, 0.56%, 0.68%

LAB 81.81, -29.07, -4.61

 

CMYK 45 / 0 / 4 / 21

HEX #6FC9C0

RGB 111 201 192

HSL 174, 0.45%, 0.61%

LAB 75.43, -29.14, -3.91

 

CMYK 49 / 0 / 5 / 28

HEX #5EB7AD

RGB 94 183 173

HSL 173.26, 0.38%, 0.54%

LAB 68.94, -29.16, -3.16

 

CMYK 53 / 0 / 7 / 35

HEX #4DA59A

RGB 77 165 154

HSL 172.5, 0.36%, 0.47%

LAB 62.36, -29.14, -2.35

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 39 / 0 / 14 / 7

HEX #91EDCD

RGB 145 237 205

HSL 159.13, 0.72%, 0.75%

LAB 87.48, -34.55, 6.91

 

CMYK 39 / 0 / 24 / 7

HEX #91EDB4

RGB 145 237 180

HSL 142.83, 0.72%, 0.75%

LAB 86.94, -39.54, 19.15

 

CMYK 39 / 0 / 35 / 7

HEX #91ED9B

RGB 145 237 155

HSL 126.52, 0.72%, 0.75%

LAB 86.48, -43.9, 31.34

 

CMYK 33 / 0 / 39 / 7

HEX #9FED91

RGB 159 237 145

HSL 110.87, 0.72%, 0.75%

LAB 86.99, -41.12, 37.16

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 39 / 8 / 0 / 7

HEX #91DBED

RGB 145 219 237

HSL 191.74, 0.72%, 0.75%

LAB 83.34, -18.46, -16.07

 

CMYK 39 / 18 / 0 / 7

HEX #91C2ED

RGB 145 194 237

HSL 208.04, 0.72%, 0.75%

LAB 76.51, -5.45, -26.43

 

CMYK 39 / 29 / 0 / 7

HEX #91A9ED

RGB 145 169 237

HSL 224.35, 0.72%, 0.75%

LAB 69.83, 8.29, -36.72

 

CMYK 39 / 39 / 0 / 7

HEX #9191ED

RGB 145 145 237

HSL 240, 0.72%, 0.75%

LAB 63.66, 22.01, -46.39

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 45 / 0 / 4 / 3

HEX #87F7EE

RGB 135 247 238

HSL 175.18, 0.88%, 0.75%

LAB 90.71, -34.19, -5.66

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 31 / 0 / 2 / 11

HEX #9BE2DD

RGB 155 226 221

HSL 175.77, 0.55%, 0.75%

LAB 85.29, -23.09, -4.64

 

CMYK 24 / 0 / 2 / 15

HEX #A5D8D4

RGB 165 216 212

HSL 175.29, 0.4%, 0.75%

LAB 82.84, -17.22, -3.41

 

CMYK 15 / 0 / 1 / 19

HEX #B0CECB

RGB 176 206 203

HSL 174, 0.23%, 0.75%

LAB 80.56, -10.57, -1.88

 

CMYK 5 / 0 / 0 / 24

HEX #BAC3C3

RGB 186 195 195

HSL 180, 0.07%, 0.75%

LAB 78.12, -3.08, -1.08

 

CMYK 39 / 0 / 24 / 7

HEX #91EDB4

RGB 145 237 180

HSL 142.83, 0.72%, 0.75%

LAB 86.94, -39.54, 19.15

 

CMYK 39 / 0 / 14 / 7

HEX #91EDCD

RGB 145 237 205

HSL 159.13, 0.72%, 0.75%

LAB 87.48, -34.55, 6.91

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE5

RGB 145 237 229

HSL 174.78, 0.72%, 0.75%

LAB 88.09, -29.22, -4.78

 

CMYK 39 / 7 / 0 / 7

HEX #91DCED

RGB 145 220 237

HSL 191.09, 0.72%, 0.75%

LAB 83.61, -18.96, -15.66

 

CMYK 39 / 18 / 0 / 7

HEX #91C3ED

RGB 145 195 237

HSL 207.39, 0.72%, 0.75%

LAB 76.78, -5.99, -26.01

 

CMYK 67 / 0 / 5 / 12

HEX #4AE1D6

RGB 74 225 214

HSL 175.63, 0.72%, 0.59%

LAB 81.93, -41.6, -6.23

 

CMYK 53 / 0 / 4 / 9

HEX #6DE7DE

RGB 109 231 222

HSL 175.57, 0.72%, 0.67%

LAB 84.83, -36.26, -6.06

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 26 / 0 / 2 / 5

HEX #B4F2EE

RGB 180 242 238

HSL 176.13, 0.7%, 0.83%

LAB 91.41, -20.18, -4.39

 

CMYK 13 / 0 / 1 / 3

HEX #D8F8F6

RGB 216 248 246

HSL 176.25, 0.7%, 0.91%

LAB 95.32, -10.69, -2.54

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 34 / 39 / 0 / 7

HEX #9C91ED

RGB 156 145 237

HSL 247.17, 0.72%, 0.75%

LAB 64.51, 24.91, -44.99

 

CMYK 0 / 19 / 39 / 7

HEX #EDC091

RGB 237 192 145

HSL 30.65, 0.72%, 0.75%

LAB 80.6, 9.87, 29.77

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 3 / 39 / 0 / 7

HEX #E591ED

RGB 229 145 237

HSL 294.78, 0.72%, 0.75%

LAB 71.57, 45.97, -33.45

 

CMYK 0 / 3 / 39 / 7

HEX #EDE591

RGB 237 229 145

HSL 54.78, 0.72%, 0.75%

LAB 89.9, -9.15, 41.91

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 34 / 39 / 0 / 7

HEX #9C91ED

RGB 156 145 237

HSL 247.17, 0.72%, 0.75%

LAB 64.51, 24.91, -44.99

 

CMYK 0 / 39 / 35 / 7

HEX #ED9199

RGB 237 145 153

HSL 354.78, 0.72%, 0.75%

LAB 69.86, 35.67, 10.66

 

CMYK 5 / 0 / 39 / 7

HEX #E2ED91

RGB 226 237 145

HSL 67.17, 0.72%, 0.75%

LAB 91.14, -17.34, 43.32

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE6

RGB 145 237 230

HSL 175.43, 0.72%, 0.75%

LAB 88.11, -28.99, -5.26

 

CMYK 23 / 39 / 0 / 7

HEX #B791ED

RGB 183 145 237

HSL 264.78, 0.72%, 0.75%

LAB 66.85, 32.42, -41.16

 

CMYK 0 / 39 / 35 / 7

HEX #ED9199

RGB 237 145 153

HSL 354.78, 0.72%, 0.75%

LAB 69.86, 35.67, 10.66

 

CMYK 16 / 0 / 39 / 7

HEX #C6ED91

RGB 198 237 145

HSL 85.43, 0.72%, 0.75%

LAB 89.21, -27.75, 40.47

 

Description

Color code: HEX #91EDE6 | qconv.com Color code: HEX #91EDE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 237 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 237 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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