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Color name
HEX #91F66D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91F66D it is the complementary color #6E0992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91F66D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91F66D shade: #96F668, #A7FF7B, #B8FF8E, #C9FFA1 and #DAFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91F66D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91F66D shade: #91F66D, #80E45A, #6FD247, #5EC034 and #4DAE21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91F66D shade: #92F56F, #B6F56F, #DBF56F, #F5EC6F and #F5C76F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91F66D shade: #92F56F, #6FF570, #6FF594, #6FF5B8 and #6FF5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91F66D shade matches the following richer shades: #92F56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91F66D shade: #92F56F, #98E97B, #9EDD87, #A4D094 and #AAC4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91F66D shade: #DAF56F, #B6F56F, #93F56F, #6FF56F and #6FF593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91F66D shade: #58F021, #75F348, #92F56F, #AFF895 and #CDFABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91F66D shade: #91F66D, #6FF5EC and #F56FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91F66D shade: #91F66D, #6F93F5 and #F56F93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91F66D shade: #91F66D, #6FF5EC, #D16FF5 and #F56F78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91F66D shade: #91F66D, #6FD6F5, #D16FF5 and #F58E6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

Complementary color

CMYK 25 / 94 / 0 / 43

HEX #6E0992

RGB 110 9 146

HSL 284.23, 0.88%, 0.3%

LAB 28.34, 57.71, -50.21

 

CMYK 39 / 0 / 58 / 4

HEX #96F668

RGB 150 246 104

HSL 100.56, 0.89%, 0.69%

LAB 88.64, -52.76, 58.38

 

CMYK 35 / 0 / 52 / 0

HEX #A7FF7B

RGB 167 255 123

HSL 100, 1%, 0.74%

LAB 92.21, -49.06, 54.3

 

CMYK 28 / 0 / 44 / 0

HEX #B8FF8E

RGB 184 255 142

HSL 97.7, 1%, 0.78%

LAB 93.3, -41.25, 46.96

 

CMYK 21 / 0 / 37 / 0

HEX #C9FFA1

RGB 201 255 161

HSL 94.47, 1%, 0.82%

LAB 94.53, -33.03, 39.5

 

CMYK 15 / 0 / 29 / 0

HEX #DAFFB4

RGB 218 255 180

HSL 89.6, 1%, 0.85%

LAB 95.88, -24.54, 32.03

 

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

CMYK 44 / 0 / 61 / 11

HEX #80E45A

RGB 128 228 90

HSL 103.48, 0.72%, 0.62%

LAB 82.28, -53.69, 56.94

 

CMYK 47 / 0 / 66 / 18

HEX #6FD247

RGB 111 210 71

HSL 102.73, 0.61%, 0.55%

LAB 76.02, -53.45, 57.77

 

CMYK 51 / 0 / 73 / 25

HEX #5EC034

RGB 94 192 52

HSL 102, 0.57%, 0.48%

LAB 69.7, -53, 58.24

 

CMYK 56 / 0 / 81 / 32

HEX #4DAE21

RGB 77 174 33

HSL 101.28, 0.68%, 0.41%

LAB 63.31, -52.24, 58.04

 

CMYK 40 / 0 / 55 / 4

HEX #92F56F

RGB 146 245 111

HSL 104.33, 0.87%, 0.7%

LAB 88.24, -52.87, 54.78

 

CMYK 26 / 0 / 55 / 4

HEX #B6F56F

RGB 182 245 111

HSL 88.21, 0.87%, 0.7%

LAB 90.04, -40.9, 57.34

 

CMYK 11 / 0 / 55 / 4

HEX #DBF56F

RGB 219 245 111

HSL 71.64, 0.87%, 0.7%

LAB 92.36, -27.15, 60.62

 

CMYK 0 / 4 / 55 / 4

HEX #F5EC6F

RGB 245 236 111

HSL 55.97, 0.87%, 0.7%

LAB 91.93, -12.57, 60.64

 

CMYK 0 / 19 / 55 / 4

HEX #F5C76F

RGB 245 199 111

HSL 39.4, 0.87%, 0.7%

LAB 82.6, 6.18, 49.72

 

CMYK 40 / 0 / 55 / 4

HEX #92F56F

RGB 146 245 111

HSL 104.33, 0.87%, 0.7%

LAB 88.24, -52.87, 54.78

 

CMYK 55 / 0 / 54 / 4

HEX #6FF570

RGB 111 245 112

HSL 120.45, 0.87%, 0.7%

LAB 86.93, -62.41, 52.44

 

CMYK 55 / 0 / 40 / 4

HEX #6FF594

RGB 111 245 148

HSL 136.57, 0.87%, 0.7%

LAB 87.4, -57.28, 35.83

 

CMYK 55 / 0 / 25 / 4

HEX #6FF5B8

RGB 111 245 184

HSL 152.69, 0.87%, 0.7%

LAB 88.04, -50.66, 18.42

 

CMYK 55 / 0 / 10 / 4

HEX #6FF5DD

RGB 111 245 221

HSL 169.25, 0.87%, 0.7%

LAB 88.88, -42.44, 0.41

 

CMYK 40 / 0 / 55 / 4

HEX #92F56F

RGB 146 245 111

HSL 104.33, 0.87%, 0.7%

LAB 88.24, -52.87, 54.78

 

CMYK 40 / 0 / 55 / 4

HEX #92F56F

RGB 146 245 111

HSL 104.33, 0.87%, 0.7%

LAB 88.24, -52.87, 54.78

 

CMYK 35 / 0 / 47 / 9

HEX #98E97B

RGB 152 233 123

HSL 104.18, 0.71%, 0.7%

LAB 85.19, -44.57, 45.57

 

CMYK 29 / 0 / 39 / 13

HEX #9EDD87

RGB 158 221 135

HSL 103.95, 0.56%, 0.7%

LAB 82.23, -35.67, 35.97

 

CMYK 21 / 0 / 29 / 18

HEX #A4D094

RGB 164 208 148

HSL 104, 0.39%, 0.7%

LAB 79.12, -25.55, 25.22

 

CMYK 13 / 0 / 18 / 23

HEX #AAC4A0

RGB 170 196 160

HSL 103.33, 0.23%, 0.7%

LAB 76.41, -15.51, 15.18

 

CMYK 11 / 0 / 55 / 4

HEX #DAF56F

RGB 218 245 111

HSL 72.09, 0.87%, 0.7%

LAB 92.29, -27.53, 60.52

 

CMYK 26 / 0 / 55 / 4

HEX #B6F56F

RGB 182 245 111

HSL 88.21, 0.87%, 0.7%

LAB 90.04, -40.9, 57.34

 

CMYK 40 / 0 / 55 / 4

HEX #93F56F

RGB 147 245 111

HSL 103.88, 0.87%, 0.7%

LAB 88.28, -52.56, 54.84

 

CMYK 55 / 0 / 55 / 4

HEX #6FF56F

RGB 111 245 111

HSL 120, 0.87%, 0.7%

LAB 86.91, -62.53, 52.88

 

CMYK 55 / 0 / 40 / 4

HEX #6FF593

RGB 111 245 147

HSL 136.12, 0.87%, 0.7%

LAB 87.38, -57.44, 36.3

 

CMYK 63 / 0 / 86 / 6

HEX #58F021

RGB 88 240 33

HSL 104.06, 0.87%, 0.54%

LAB 84.23, -72.07, 76.86

 

CMYK 52 / 0 / 70 / 5

HEX #75F348

RGB 117 243 72

HSL 104.21, 0.88%, 0.62%

LAB 86.18, -64.01, 68.09

 

CMYK 40 / 0 / 55 / 4

HEX #92F56F

RGB 146 245 111

HSL 104.33, 0.87%, 0.7%

LAB 88.24, -52.87, 54.78

 

CMYK 29 / 0 / 40 / 3

HEX #AFF895

RGB 175 248 149

HSL 104.24, 0.88%, 0.78%

LAB 90.97, -40.25, 40.5

 

CMYK 18 / 0 / 25 / 2

HEX #CDFABC

RGB 205 250 188

HSL 103.55, 0.86%, 0.86%

LAB 93.88, -25.45, 25.13

 

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

CMYK 55 / 0 / 4 / 4

HEX #6FF5EC

RGB 111 245 236

HSL 175.97, 0.87%, 0.7%

LAB 89.27, -38.75, -6.83

 

CMYK 0 / 55 / 18 / 4

HEX #F56FC8

RGB 245 111 200

HSL 320.15, 0.87%, 0.7%

LAB 65.71, 61.31, -21.76

 

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

CMYK 55 / 40 / 0 / 4

HEX #6F93F5

RGB 111 147 245

HSL 223.88, 0.87%, 0.7%

LAB 62.37, 15.27, -52.97

 

CMYK 0 / 55 / 40 / 4

HEX #F56F93

RGB 245 111 147

HSL 343.88, 0.87%, 0.7%

LAB 64.07, 54.71, 5.93

 

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

CMYK 55 / 0 / 4 / 4

HEX #6FF5EC

RGB 111 245 236

HSL 175.97, 0.87%, 0.7%

LAB 89.27, -38.75, -6.83

 

CMYK 15 / 55 / 0 / 4

HEX #D16FF5

RGB 209 111 245

HSL 283.88, 0.87%, 0.7%

LAB 62.94, 59.18, -51.53

 

CMYK 0 / 55 / 51 / 4

HEX #F56F78

RGB 245 111 120

HSL 355.97, 0.87%, 0.7%

LAB 63.46, 52.15, 20.51

 

CMYK 41 / 0 / 56 / 4

HEX #91F66D

RGB 145 246 109

HSL 104.23, 0.88%, 0.7%

LAB 88.46, -53.79, 55.92

 

CMYK 55 / 13 / 0 / 4

HEX #6FD6F5

RGB 111 214 245

HSL 193.88, 0.87%, 0.7%

LAB 80.78, -21.51, -24.33

 

CMYK 15 / 55 / 0 / 4

HEX #D16FF5

RGB 209 111 245

HSL 283.88, 0.87%, 0.7%

LAB 62.94, 59.18, -51.53

 

CMYK 0 / 42 / 55 / 4

HEX #F58E6F

RGB 245 142 111

HSL 13.88, 0.87%, 0.7%

LAB 69.4, 36.05, 33.38

 

Description

Color code: HEX #91F66D | qconv.com Color code: HEX #91F66D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 246 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 246 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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