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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920235 it is the complementary color #6DFDCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920235 shade: #970230, #A81443, #B92656, #CA3869 and #DB4A7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920235 shade: #920235, #810022, #70000F, #5F0000 and #4E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920235 shade: #910235, #91020E and #910202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920235 shade: #910235, #91025B, #910282, #7A0291 and #530291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920235 shade matches the following richer shades: #910235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920235 shade: #910235, #850E38, #791A3C, #6D263F and #613242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920235 shade: #910283, #91025D, #910236, #910210 and #911A02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920235 shade: #400017, #690126, #910235, #BA0243 and #E20352

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920235 shade: #920235, #917902 and #027091

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920235 shade: #920235, #369102 and #023691

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920235 shade: #920235, #917902, #02915D and #021A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920235 shade: #920235, #7E9102, #02915D and #150291

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

Complementary color

CMYK 57 / 0 / 20 / 1

HEX #6DFDCA

RGB 109 253 202

HSL 158.75, 0.97%, 0.71%

LAB 90.67, -50.62, 12.85

 

CMYK 0 / 99 / 68 / 41

HEX #970230

RGB 151 2 48

HSL 341.48, 0.97%, 0.3%

LAB 31.43, 55.25, 18.71

 

CMYK 0 / 88 / 60 / 34

HEX #A81443

RGB 168 20 67

HSL 340.95, 0.79%, 0.37%

LAB 36.42, 58, 13.55

 

CMYK 0 / 79 / 54 / 27

HEX #B92656

RGB 185 38 86

HSL 340.41, 0.66%, 0.44%

LAB 41.8, 59.61, 9.39

 

CMYK 0 / 72 / 48 / 21

HEX #CA3869

RGB 202 56 105

HSL 339.86, 0.58%, 0.51%

LAB 47.5, 60.25, 6.1

 

CMYK 0 / 66 / 43 / 14

HEX #DB4A7C

RGB 219 74 124

HSL 339.31, 0.67%, 0.57%

LAB 53.4, 60.27, 3.48

 

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

CMYK 0 / 100 / 74 / 49

HEX #810022

RGB 129 0 34

HSL 344.19, 1%, 0.25%

LAB 26.11, 49.26, 20.32

 

CMYK 0 / 100 / 87 / 56

HEX #70000F

RGB 112 0 15

HSL 351.96, 1%, 0.22%

LAB 21.87, 44.02, 26.74

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 99 / 63 / 43

HEX #910235

RGB 145 2 53

HSL 338.6, 0.97%, 0.29%

LAB 30.21, 54.02, 13.53

 

CMYK 0 / 99 / 90 / 43

HEX #91020E

RGB 145 2 14

HSL 354.97, 0.97%, 0.29%

LAB 29.65, 52.51, 37.23

 

CMYK 0 / 99 / 99 / 43

HEX #910202

RGB 145 2 2

HSL 0, 0.97%, 0.29%

LAB 29.58, 52.32, 42.26

 

CMYK 0 / 99 / 63 / 43

HEX #910235

RGB 145 2 53

HSL 338.6, 0.97%, 0.29%

LAB 30.21, 54.02, 13.53

 

CMYK 0 / 99 / 37 / 43

HEX #91025B

RGB 145 2 91

HSL 322.66, 0.97%, 0.29%

LAB 31.39, 57.17, -10

 

CMYK 0 / 99 / 10 / 43

HEX #910282

RGB 145 2 130

HSL 306.29, 0.97%, 0.29%

LAB 33.3, 62.02, -31.96

 

CMYK 16 / 99 / 0 / 43

HEX #7A0291

RGB 122 2 145

HSL 290.35, 0.97%, 0.29%

LAB 29.97, 60.49, -46.84

 

CMYK 43 / 99 / 0 / 43

HEX #530291

RGB 83 2 145

HSL 273.99, 0.97%, 0.29%

LAB 23.43, 55.39, -57.81

 

CMYK 0 / 99 / 63 / 43

HEX #910235

RGB 145 2 53

HSL 338.6, 0.97%, 0.29%

LAB 30.21, 54.02, 13.53

 

CMYK 0 / 99 / 63 / 43

HEX #910235

RGB 145 2 53

HSL 338.6, 0.97%, 0.29%

LAB 30.21, 54.02, 13.53

 

CMYK 0 / 89 / 58 / 48

HEX #850E38

RGB 133 14 56

HSL 338.82, 0.81%, 0.29%

LAB 28.34, 49.11, 8.54

 

CMYK 0 / 79 / 50 / 53

HEX #791A3C

RGB 121 26 60

HSL 338.53, 0.65%, 0.29%

LAB 27.1, 42.7, 3.73

 

CMYK 0 / 65 / 42 / 57

HEX #6D263F

RGB 109 38 63

HSL 338.87, 0.48%, 0.29%

LAB 26.72, 34.02, 0.86

 

CMYK 0 / 48 / 32 / 62

HEX #613242

RGB 97 50 66

HSL 339.57, 0.32%, 0.29%

LAB 27.34, 23.3, -0.48

 

CMYK 0 / 99 / 10 / 43

HEX #910283

RGB 145 2 131

HSL 305.87, 0.97%, 0.29%

LAB 33.35, 62.16, -32.49

 

CMYK 0 / 99 / 36 / 43

HEX #91025D

RGB 145 2 93

HSL 321.82, 0.97%, 0.29%

LAB 31.47, 57.38, -11.18

 

CMYK 0 / 99 / 63 / 43

HEX #910236

RGB 145 2 54

HSL 338.18, 0.97%, 0.29%

LAB 30.23, 54.09, 12.89

 

CMYK 0 / 99 / 89 / 43

HEX #910210

RGB 145 2 16

HSL 354.13, 0.97%, 0.29%

LAB 29.66, 52.55, 36.21

 

CMYK 0 / 82 / 99 / 43

HEX #911A02

RGB 145 26 2

HSL 10.07, 0.97%, 0.29%

LAB 31.26, 47.52, 43.5

 

CMYK 0 / 100 / 64 / 75

HEX #400017

RGB 64 0 23

HSL 338.44, 1%, 0.13%

LAB 10.2, 31.05, 4.52

 

CMYK 0 / 99 / 64 / 59

HEX #690126

RGB 105 1 38

HSL 338.65, 0.98%, 0.21%

LAB 20.69, 42.97, 9.47

 

CMYK 0 / 99 / 63 / 43

HEX #910235

RGB 145 2 53

HSL 338.6, 0.97%, 0.29%

LAB 30.21, 54.02, 13.53

 

CMYK 0 / 99 / 64 / 27

HEX #BA0243

RGB 186 2 67

HSL 338.8, 0.98%, 0.37%

LAB 39.39, 64.88, 18.19

 

CMYK 0 / 99 / 64 / 11

HEX #E20352

RGB 226 3 82

HSL 338.74, 0.97%, 0.45%

LAB 48.06, 75.01, 21.75

 

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

CMYK 0 / 17 / 99 / 43

HEX #917902

RGB 145 121 2

HSL 49.93, 0.97%, 0.29%

LAB 51.5, -1.03, 56.76

 

CMYK 99 / 23 / 0 / 43

HEX #027091

RGB 2 112 145

HSL 193.85, 0.97%, 0.29%

LAB 43.72, -14.27, -25.49

 

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

CMYK 63 / 0 / 99 / 43

HEX #369102

RGB 54 145 2

HSL 98.18, 0.97%, 0.29%

LAB 52.99, -48.96, 55.34

 

CMYK 99 / 63 / 0 / 43

HEX #023691

RGB 2 54 145

HSL 218.18, 0.97%, 0.29%

LAB 25.85, 23.61, -54.04

 

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

CMYK 0 / 17 / 99 / 43

HEX #917902

RGB 145 121 2

HSL 49.93, 0.97%, 0.29%

LAB 51.5, -1.03, 56.76

 

CMYK 99 / 0 / 36 / 43

HEX #02915D

RGB 2 145 93

HSL 158.18, 0.97%, 0.29%

LAB 53.01, -45.74, 18.57

 

CMYK 99 / 82 / 0 / 43

HEX #021A91

RGB 2 26 145

HSL 229.93, 0.97%, 0.29%

LAB 19.21, 41.7, -65.01

 

CMYK 0 / 99 / 64 / 43

HEX #920235

RGB 146 2 53

HSL 338.75, 0.97%, 0.29%

LAB 30.43, 54.27, 13.86

 

CMYK 13 / 0 / 99 / 43

HEX #7E9102

RGB 126 145 2

HSL 67.97, 0.97%, 0.29%

LAB 56.77, -22.66, 59.91

 

CMYK 99 / 0 / 36 / 43

HEX #02915D

RGB 2 145 93

HSL 158.18, 0.97%, 0.29%

LAB 53.01, -45.74, 18.57

 

CMYK 86 / 99 / 0 / 43

HEX #150291

RGB 21 2 145

HSL 247.97, 0.97%, 0.29%

LAB 16.73, 51.61, -69.11

 

Description

Color code: HEX #920235 | qconv.com Color code: HEX #920235 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 2 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 2 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 64 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 64% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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