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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920FEF it is the complementary color #6DF010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920FEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920FEF shade: #970FEA, #A821FD, #B933FF, #CA45FF and #DB57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920FEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920FEF shade: #920FEF, #8100DC, #7000C9, #5F00B6 and #4E00A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920FEF shade: #920FEF, #CF0FEF, #EF0FD3, #EF0F97 and #EF0F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920FEF shade: #920FEF, #560FEF, #190FEF and #0F0FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920FEF shade matches the following richer shades: #920FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920FEF shade: #920FEF, #8F23DB, #8B38C6, #884DB1 and #84619D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920FEF shade: #1A0FEF, #560FEF, #920FEF, #CE0FEF and #EF0FD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920FEF shade: #630AA2, #7A0CC8, #920FEF, #A436F2 and #B55CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920FEF shade: #920FEF, #EF0F3F and #0FEF38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920FEF shade: #920FEF, #EF920F and #0FEF92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920FEF shade: #920FEF, #EF0F3F, #6CEF0F and #0FEFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920FEF shade: #920FEF, #EF220F, #6CEF0F and #0FDCEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

Complementary color

CMYK 55 / 0 / 93 / 6

HEX #6DF010

RGB 109 240 16

HSL 95.09, 0.88%, 0.5%

LAB 84.8, -67.55, 80.15

 

CMYK 35 / 94 / 0 / 8

HEX #970FEA

RGB 151 15 234

HSL 277.26, 0.88%, 0.49%

LAB 42.55, 79.45, -78.65

 

CMYK 34 / 87 / 0 / 1

HEX #A821FD

RGB 168 33 253

HSL 276.82, 0.98%, 0.56%

LAB 47.63, 82.13, -80.93

 

CMYK 27 / 80 / 0 / 0

HEX #B933FF

RGB 185 51 255

HSL 279.41, 1%, 0.6%

LAB 51.73, 80.39, -75.26

 

CMYK 21 / 73 / 0 / 0

HEX #CA45FF

RGB 202 69 255

HSL 282.9, 1%, 0.64%

LAB 56.12, 77.49, -68.03

 

CMYK 14 / 66 / 0 / 0

HEX #DB57FF

RGB 219 87 255

HSL 287.14, 1%, 0.67%

LAB 60.87, 74.1, -60.28

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 41 / 100 / 0 / 14

HEX #8100DC

RGB 129 0 220

HSL 275.18, 1%, 0.43%

LAB 37.54, 76.07, -79.01

 

CMYK 44 / 100 / 0 / 21

HEX #7000C9

RGB 112 0 201

HSL 273.43, 1%, 0.39%

LAB 33.27, 70.59, -75.13

 

CMYK 48 / 100 / 0 / 29

HEX #5F00B6

RGB 95 0 182

HSL 271.32, 1%, 0.36%

LAB 28.93, 65.03, -71.16

 

CMYK 52 / 100 / 0 / 36

HEX #4E00A3

RGB 78 0 163

HSL 268.71, 1%, 0.32%

LAB 24.53, 59.4, -67.08

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 13 / 94 / 0 / 6

HEX #CF0FEF

RGB 207 15 239

HSL 291.43, 0.88%, 0.5%

LAB 51.65, 87.65, -66.28

 

CMYK 0 / 94 / 12 / 6

HEX #EF0FD3

RGB 239 15 211

HSL 307.5, 0.88%, 0.5%

LAB 55.48, 88.76, -43.98

 

CMYK 0 / 94 / 37 / 6

HEX #EF0F97

RGB 239 15 151

HSL 323.57, 0.88%, 0.5%

LAB 52.87, 82.02, -13.03

 

CMYK 0 / 94 / 62 / 6

HEX #EF0F5A

RGB 239 15 90

HSL 339.91, 0.88%, 0.5%

LAB 51.19, 77.49, 21.46

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 64 / 94 / 0 / 6

HEX #560FEF

RGB 86 15 239

HSL 259.02, 0.88%, 0.5%

LAB 35.11, 75.05, -94.05

 

CMYK 90 / 94 / 0 / 6

HEX #190FEF

RGB 25 15 239

HSL 242.68, 0.88%, 0.5%

LAB 31.3, 73.06, -100.5

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 35 / 84 / 0 / 14

HEX #8F23DB

RGB 143 35 219

HSL 275.22, 0.72%, 0.5%

LAB 41.46, 71.45, -71.93

 

CMYK 30 / 72 / 0 / 22

HEX #8B38C6

RGB 139 56 198

HSL 275.07, 0.56%, 0.5%

LAB 41.84, 58.88, -59.22

 

CMYK 23 / 56 / 0 / 31

HEX #884DB1

RGB 136 77 177

HSL 275.4, 0.39%, 0.5%

LAB 43.82, 43.17, -43.76

 

CMYK 16 / 38 / 0 / 38

HEX #84619D

RGB 132 97 157

HSL 275, 0.24%, 0.5%

LAB 46.83, 25.97, -27.25

 

CMYK 89 / 94 / 0 / 6

HEX #1A0FEF

RGB 26 15 239

HSL 242.95, 0.88%, 0.5%

LAB 31.33, 73.08, -100.44

 

CMYK 64 / 94 / 0 / 6

HEX #560FEF

RGB 86 15 239

HSL 259.02, 0.88%, 0.5%

LAB 35.11, 75.05, -94.05

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 14 / 94 / 0 / 6

HEX #CE0FEF

RGB 206 15 239

HSL 291.16, 0.88%, 0.5%

LAB 51.49, 87.51, -66.55

 

CMYK 0 / 94 / 11 / 6

HEX #EF0FD5

RGB 239 15 213

HSL 306.96, 0.88%, 0.5%

LAB 55.58, 89.02, -44.96

 

CMYK 39 / 94 / 0 / 36

HEX #630AA2

RGB 99 10 162

HSL 275.13, 0.88%, 0.34%

LAB 28.06, 59.36, -60.55

 

CMYK 39 / 94 / 0 / 22

HEX #7A0CC8

RGB 122 12 200

HSL 275.11, 0.89%, 0.42%

LAB 35.14, 69.75, -71.41

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 32 / 78 / 0 / 5

HEX #A436F2

RGB 164 54 242

HSL 275.11, 0.88%, 0.58%

LAB 48.19, 73.53, -73.89

 

CMYK 26 / 62 / 0 / 4

HEX #B55CF4

RGB 181 92 244

HSL 275.13, 0.87%, 0.66%

LAB 56.1, 61.45, -62.1

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 0 / 94 / 74 / 6

HEX #EF0F3F

RGB 239 15 63

HSL 347.14, 0.88%, 0.5%

LAB 50.75, 76.27, 37.13

 

CMYK 94 / 0 / 77 / 6

HEX #0FEF38

RGB 15 239 56

HSL 130.98, 0.88%, 0.5%

LAB 82.98, -79.6, 69.57

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 0 / 39 / 94 / 6

HEX #EF920F

RGB 239 146 15

HSL 35.09, 0.88%, 0.5%

LAB 68.71, 27.33, 71.91

 

CMYK 94 / 0 / 39 / 6

HEX #0FEF92

RGB 15 239 146

HSL 155.09, 0.88%, 0.5%

LAB 83.92, -68.08, 31.93

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 0 / 94 / 74 / 6

HEX #EF0F3F

RGB 239 15 63

HSL 347.14, 0.88%, 0.5%

LAB 50.75, 76.27, 37.13

 

CMYK 55 / 0 / 94 / 6

HEX #6CEF0F

RGB 108 239 15

HSL 95.09, 0.88%, 0.5%

LAB 84.46, -67.49, 79.97

 

CMYK 94 / 0 / 20 / 6

HEX #0FEFBF

RGB 15 239 191

HSL 167.14, 0.88%, 0.5%

LAB 84.79, -58.29, 9.97

 

CMYK 39 / 94 / 0 / 6

HEX #920FEF

RGB 146 15 239

HSL 275.09, 0.88%, 0.5%

LAB 42.28, 79.9, -81.96

 

CMYK 0 / 86 / 94 / 6

HEX #EF220F

RGB 239 34 15

HSL 5.09, 0.88%, 0.5%

LAB 51.3, 72.53, 60.66

 

CMYK 55 / 0 / 94 / 6

HEX #6CEF0F

RGB 108 239 15

HSL 95.09, 0.88%, 0.5%

LAB 84.46, -67.49, 79.97

 

CMYK 94 / 8 / 0 / 6

HEX #0FDCEF

RGB 15 220 239

HSL 185.09, 0.88%, 0.5%

LAB 80.47, -36.9, -21.77

 

Description

Color code: HEX #920FEF | qconv.com Color code: HEX #920FEF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 15 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 15 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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