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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92199D it is the complementary color #6DE662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92199D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92199D shade: #971998, #A82BAB, #B93DBE, #CA4FD1 and #DB61E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92199D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92199D shade: #92199D, #81078A, #700077, #5F0064 and #4E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92199D shade: #93189E, #9E1885, #9E1861, #9E183D and #9E1819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92199D shade: #93189E, #6F189E, #4B189E, #27189E and #18189E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92199D shade matches the following richer shades: #93189E and #A009AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92199D shade: #93189E, #87278F, #7A3681, #6E4572 and #625463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92199D shade: #4C189E, #6F189E, #93189E, #9E1886 and #9E1862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92199D shade: #510D57, #72137B, #93189E, #B41EC2 and #CF2CDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92199D shade: #92199D, #9E2818 and #189E5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92199D shade: #92199D, #9E9318 and #189E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92199D shade: #92199D, #9E2818, #239E18 and #188F9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92199D shade: #92199D, #9E5018, #239E18 and #18669E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

Complementary color

CMYK 53 / 0 / 57 / 10

HEX #6DE662

RGB 109 230 98

HSL 115, 0.73%, 0.64%

LAB 82.23, -58.96, 53.2

 

CMYK 1 / 84 / 0 / 40

HEX #971998

RGB 151 25 152

HSL 299.53, 0.72%, 0.35%

LAB 37.01, 62.73, -39.55

 

CMYK 2 / 75 / 0 / 33

HEX #A82BAB

RGB 168 43 171

HSL 298.59, 0.6%, 0.42%

LAB 42.75, 64.37, -41.65

 

CMYK 3 / 68 / 0 / 25

HEX #B93DBE

RGB 185 61 190

HSL 297.67, 0.51%, 0.49%

LAB 48.72, 65.09, -43.16

 

CMYK 3 / 62 / 0 / 18

HEX #CA4FD1

RGB 202 79 209

HSL 296.77, 0.59%, 0.56%

LAB 54.82, 65.23, -44.27

 

CMYK 4 / 57 / 0 / 11

HEX #DB61E4

RGB 219 97 228

HSL 295.88, 0.71%, 0.64%

LAB 60.97, 65.01, -45.12

 

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

CMYK 7 / 95 / 0 / 46

HEX #81078A

RGB 129 7 138

HSL 295.88, 0.9%, 0.28%

LAB 31.01, 59.65, -40.78

 

CMYK 6 / 100 / 0 / 53

HEX #700077

RGB 112 0 119

HSL 296.47, 1%, 0.23%

LAB 26.09, 54.72, -36.89

 

CMYK 5 / 100 / 0 / 61

HEX #5F0064

RGB 95 0 100

HSL 297, 1%, 0.2%

LAB 21.41, 48.55, -32.28

 

CMYK 4 / 100 / 0 / 68

HEX #4E0051

RGB 78 0 81

HSL 297.78, 1%, 0.16%

LAB 16.57, 42.17, -27.5

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 0 / 85 / 16 / 38

HEX #9E1885

RGB 158 24 133

HSL 311.19, 0.74%, 0.36%

LAB 37.14, 61.53, -27.59

 

CMYK 0 / 85 / 39 / 38

HEX #9E1861

RGB 158 24 97

HSL 327.31, 0.74%, 0.36%

LAB 35.57, 57.13, -7.33

 

CMYK 0 / 85 / 61 / 38

HEX #9E183D

RGB 158 24 61

HSL 343.43, 0.74%, 0.36%

LAB 34.52, 54.06, 14.52

 

CMYK 0 / 85 / 84 / 38

HEX #9E1819

RGB 158 24 25

HSL 359.55, 0.74%, 0.36%

LAB 33.97, 52.42, 36.23

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 30 / 85 / 0 / 38

HEX #6F189E

RGB 111 24 158

HSL 278.96, 0.74%, 0.36%

LAB 30.64, 56.92, -53.81

 

CMYK 53 / 85 / 0 / 38

HEX #4B189E

RGB 75 24 158

HSL 262.84, 0.74%, 0.36%

LAB 25.62, 51.84, -62.24

 

CMYK 75 / 85 / 0 / 38

HEX #27189E

RGB 39 24 158

HSL 246.72, 0.74%, 0.36%

LAB 22.14, 48.5, -68.11

 

CMYK 85 / 85 / 0 / 38

HEX #18189E

RGB 24 24 158

HSL 240, 0.74%, 0.36%

LAB 21.27, 47.69, -69.58

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 8 / 95 / 0 / 32

HEX #A009AD

RGB 160 9 173

HSL 295.24, 0.9%, 0.36%

LAB 39.05, 70.36, -48.84

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 6 / 73 / 0 / 44

HEX #87278F

RGB 135 39 143

HSL 295.38, 0.57%, 0.36%

LAB 35.17, 53.62, -37.14

 

CMYK 5 / 58 / 0 / 49

HEX #7A3681

RGB 122 54 129

HSL 294.4, 0.41%, 0.36%

LAB 34.72, 41, -29.34

 

CMYK 4 / 39 / 0 / 55

HEX #6E4572

RGB 110 69 114

HSL 294.67, 0.25%, 0.36%

LAB 35.57, 25.7, -18.79

 

CMYK 1 / 15 / 0 / 61

HEX #625463

RGB 98 84 99

HSL 296, 0.08%, 0.36%

LAB 37.55, 8.78, -6.54

 

CMYK 52 / 85 / 0 / 38

HEX #4C189E

RGB 76 24 158

HSL 263.28, 0.74%, 0.36%

LAB 25.74, 51.96, -62.04

 

CMYK 30 / 85 / 0 / 38

HEX #6F189E

RGB 111 24 158

HSL 278.96, 0.74%, 0.36%

LAB 30.64, 56.92, -53.81

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 0 / 85 / 15 / 38

HEX #9E1886

RGB 158 24 134

HSL 310.75, 0.74%, 0.36%

LAB 37.2, 61.67, -28.13

 

CMYK 0 / 85 / 38 / 38

HEX #9E1862

RGB 158 24 98

HSL 326.87, 0.74%, 0.36%

LAB 35.6, 57.23, -7.91

 

CMYK 7 / 85 / 0 / 66

HEX #510D57

RGB 81 13 87

HSL 295.14, 0.74%, 0.2%

LAB 18.91, 40.04, -27.78

 

CMYK 7 / 85 / 0 / 52

HEX #72137B

RGB 114 19 123

HSL 294.81, 0.73%, 0.28%

LAB 28.04, 51.94, -36.27

 

CMYK 7 / 85 / 0 / 38

HEX #93189E

RGB 147 24 158

HSL 295.07, 0.74%, 0.36%

LAB 36.6, 63.19, -43.88

 

CMYK 7 / 85 / 0 / 24

HEX #B41EC2

RGB 180 30 194

HSL 294.88, 0.73%, 0.44%

LAB 44.98, 73.86, -51.51

 

CMYK 7 / 80 / 0 / 13

HEX #CF2CDE

RGB 207 44 222

HSL 294.94, 0.73%, 0.52%

LAB 52.22, 80.07, -55.76

 

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

CMYK 0 / 75 / 85 / 38

HEX #9E2818

RGB 158 40 24

HSL 7.16, 0.74%, 0.36%

LAB 35.7, 47.51, 38.37

 

CMYK 85 / 0 / 41 / 38

HEX #189E5E

RGB 24 158 94

HSL 151.34, 0.74%, 0.36%

LAB 57.52, -48.96, 24.08

 

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

CMYK 0 / 7 / 85 / 38

HEX #9E9318

RGB 158 147 24

HSL 55.07, 0.74%, 0.36%

LAB 60.07, -8.82, 59.51

 

CMYK 85 / 0 / 7 / 38

HEX #189E93

RGB 24 158 147

HSL 175.07, 0.74%, 0.36%

LAB 58.75, -35.74, -3.86

 

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

CMYK 0 / 75 / 85 / 38

HEX #9E2818

RGB 158 40 24

HSL 7.16, 0.74%, 0.36%

LAB 35.7, 47.51, 38.37

 

CMYK 78 / 0 / 85 / 38

HEX #239E18

RGB 35 158 24

HSL 115.07, 0.74%, 0.36%

LAB 56.96, -56.29, 54.28

 

CMYK 85 / 9 / 0 / 38

HEX #188F9E

RGB 24 143 158

HSL 186.72, 0.74%, 0.36%

LAB 54.35, -25.05, -16.73

 

CMYK 7 / 84 / 0 / 38

HEX #92199D

RGB 146 25 157

HSL 295, 0.73%, 0.36%

LAB 36.44, 62.6, -43.54

 

CMYK 0 / 49 / 85 / 38

HEX #9E5018

RGB 158 80 24

HSL 25.07, 0.74%, 0.36%

LAB 42.87, 28.69, 44.78

 

CMYK 78 / 0 / 85 / 38

HEX #239E18

RGB 35 158 24

HSL 115.07, 0.74%, 0.36%

LAB 56.96, -56.29, 54.28

 

CMYK 85 / 35 / 0 / 38

HEX #18669E

RGB 24 102 158

HSL 205.07, 0.74%, 0.36%

LAB 41.48, -1.9, -36.72

 

Description

Color code: HEX #92199D | qconv.com Color code: HEX #92199D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 25 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 25 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 84 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 84% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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