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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9220BA it is the complementary color #6DDF45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9220BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9220BA shade: #9720B5, #A832C8, #B944DB, #CA56EE and #DB68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9220BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9220BA shade: #9220BA, #810EA7, #700094, #5F0081 and #4E006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9220BA shade: #931FBB, #BB1FB9, #BB1F8F, #BB1F65 and #BB1F3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9220BA shade: #931FBB, #691FBB, #3F1FBB and #1F1FBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9220BA shade matches the following richer shades: #931FBB and #9B0ECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9220BA shade: #931FBB, #8A31A9, #824398, #795586 and #706674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9220BA shade: #3E1FBB, #681FBB, #911FBB, #BB1FBB and #BB1F91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9220BA shade: #5B1374, #771998, #931FBB, #AC29DA and #BA4DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9220BA shade: #9220BA, #BB1F2A and #1FBB53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9220BA shade: #9220BA, #BB911F and #1FBB91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9220BA shade: #9220BA, #BB1F2A, #49BB1F and #1FBBB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9220BA shade: #9220BA, #BB441F, #49BB1F and #1F97BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

Complementary color

CMYK 51 / 0 / 69 / 13

HEX #6DDF45

RGB 109 223 69

HSL 104.42, 0.71%, 0.57%

LAB 79.87, -59.12, 62.59

 

CMYK 17 / 82 / 0 / 29

HEX #9720B5

RGB 151 32 181

HSL 287.92, 0.7%, 0.42%

LAB 39.49, 66.02, -52.95

 

CMYK 16 / 75 / 0 / 22

HEX #A832C8

RGB 168 50 200

HSL 287.2, 0.6%, 0.49%

LAB 45.33, 67.22, -54.54

 

CMYK 16 / 69 / 0 / 14

HEX #B944DB

RGB 185 68 219

HSL 286.49, 0.68%, 0.56%

LAB 51.34, 67.65, -55.65

 

CMYK 15 / 64 / 0 / 7

HEX #CA56EE

RGB 202 86 238

HSL 285.79, 0.82%, 0.64%

LAB 57.45, 67.6, -56.44

 

CMYK 14 / 59 / 0 / 0

HEX #DB68FF

RGB 219 104 255

HSL 285.7, 1%, 0.7%

LAB 63.49, 66.86, -56.09

 

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

CMYK 23 / 92 / 0 / 35

HEX #810EA7

RGB 129 14 167

HSL 285.1, 0.85%, 0.35%

LAB 33.5, 63.77, -54.48

 

CMYK 24 / 100 / 0 / 42

HEX #700094

RGB 112 0 148

HSL 285.41, 1%, 0.29%

LAB 28.33, 59.93, -51.44

 

CMYK 26 / 100 / 0 / 49

HEX #5F0081

RGB 95 0 129

HSL 284.19, 1%, 0.25%

LAB 23.73, 53.93, -47.21

 

CMYK 29 / 100 / 0 / 57

HEX #4E006E

RGB 78 0 110

HSL 282.55, 1%, 0.22%

LAB 18.99, 47.76, -42.88

 

CMYK 21 / 83 / 0 / 27

HEX #931FBB

RGB 147 31 187

HSL 284.62, 0.72%, 0.43%

LAB 39.19, 66.72, -57.01

 

CMYK 0 / 83 / 1 / 27

HEX #BB1FB9

RGB 187 31 185

HSL 300.77, 0.72%, 0.43%

LAB 45.7, 73.5, -45.02

 

CMYK 0 / 83 / 24 / 27

HEX #BB1F8F

RGB 187 31 143

HSL 316.92, 0.72%, 0.43%

LAB 43.55, 67.66, -23.34

 

CMYK 0 / 83 / 46 / 27

HEX #BB1F65

RGB 187 31 101

HSL 333.08, 0.72%, 0.43%

LAB 41.98, 63.18, 0.25

 

CMYK 0 / 83 / 68 / 27

HEX #BB1F3B

RGB 187 31 59

HSL 349.23, 0.72%, 0.43%

LAB 40.99, 60.27, 25.33

 

CMYK 21 / 83 / 0 / 27

HEX #931FBB

RGB 147 31 187

HSL 284.62, 0.72%, 0.43%

LAB 39.19, 66.72, -57.01

 

CMYK 44 / 83 / 0 / 27

HEX #691FBB

RGB 105 31 187

HSL 268.46, 0.72%, 0.43%

LAB 33.07, 60.38, -67.26

 

CMYK 66 / 83 / 0 / 27

HEX #3F1FBB

RGB 63 31 187

HSL 252.31, 0.72%, 0.43%

LAB 28.44, 55.79, -75.05

 

CMYK 83 / 83 / 0 / 27

HEX #1F1FBB

RGB 31 31 187

HSL 240, 0.72%, 0.43%

LAB 26.33, 53.78, -78.62

 

CMYK 21 / 83 / 0 / 27

HEX #931FBB

RGB 147 31 187

HSL 284.62, 0.72%, 0.43%

LAB 39.19, 66.72, -57.01

 

CMYK 24 / 93 / 0 / 20

HEX #9B0ECD

RGB 155 14 205

HSL 284.29, 0.87%, 0.43%

LAB 40.72, 74.57, -64.99

 

CMYK 21 / 83 / 0 / 27

HEX #931FBB

RGB 147 31 187

HSL 284.62, 0.72%, 0.43%

LAB 39.19, 66.72, -57.01

 

CMYK 18 / 71 / 0 / 34

HEX #8A31A9

RGB 138 49 169

HSL 284.5, 0.55%, 0.43%

LAB 38.66, 55.4, -47.26

 

CMYK 14 / 56 / 0 / 40

HEX #824398

RGB 130 67 152

HSL 284.47, 0.39%, 0.43%

LAB 39.63, 41.28, -35.59

 

CMYK 10 / 37 / 0 / 47

HEX #795586

RGB 121 85 134

HSL 284.08, 0.22%, 0.43%

LAB 41.66, 24.25, -21.58

 

CMYK 3 / 12 / 0 / 55

HEX #706674

RGB 112 102 116

HSL 282.86, 0.06%, 0.43%

LAB 44.53, 6.78, -6.4

 

CMYK 67 / 83 / 0 / 27

HEX #3E1FBB

RGB 62 31 187

HSL 251.92, 0.72%, 0.43%

LAB 28.36, 55.71, -75.19

 

CMYK 44 / 83 / 0 / 27

HEX #681FBB

RGB 104 31 187

HSL 268.08, 0.72%, 0.43%

LAB 32.94, 60.25, -67.47

 

CMYK 22 / 83 / 0 / 27

HEX #911FBB

RGB 145 31 187

HSL 283.85, 0.72%, 0.43%

LAB 38.88, 66.39, -57.54

 

CMYK 0 / 83 / 0 / 27

HEX #BB1FBB

RGB 187 31 187

HSL 300, 0.72%, 0.43%

LAB 45.82, 73.81, -46.01

 

CMYK 0 / 83 / 22 / 27

HEX #BB1F91

RGB 187 31 145

HSL 316.15, 0.72%, 0.43%

LAB 43.64, 67.91, -24.41

 

CMYK 22 / 84 / 0 / 55

HEX #5B1374

RGB 91 19 116

HSL 284.54, 0.72%, 0.26%

LAB 23.51, 46.05, -39.32

 

CMYK 22 / 84 / 0 / 40

HEX #771998

RGB 119 25 152

HSL 284.41, 0.72%, 0.35%

LAB 31.54, 56.74, -48.63

 

CMYK 21 / 83 / 0 / 27

HEX #931FBB

RGB 147 31 187

HSL 284.62, 0.72%, 0.43%

LAB 39.19, 66.72, -57.01

 

CMYK 21 / 81 / 0 / 15

HEX #AC29DA

RGB 172 41 218

HSL 284.41, 0.71%, 0.51%

LAB 46.2, 74.06, -63.46

 

CMYK 17 / 66 / 0 / 12

HEX #BA4DE0

RGB 186 77 224

HSL 284.49, 0.7%, 0.59%

LAB 53.09, 65.16, -55.67

 

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

CMYK 0 / 83 / 78 / 27

HEX #BB1F2A

RGB 187 31 42

HSL 355.77, 0.72%, 0.43%

LAB 40.75, 59.55, 35.35

 

CMYK 83 / 0 / 56 / 27

HEX #1FBB53

RGB 31 187 83

HSL 140, 0.72%, 0.43%

LAB 66.87, -60.3, 41.52

 

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

CMYK 0 / 22 / 83 / 27

HEX #BB911F

RGB 187 145 31

HSL 43.85, 0.72%, 0.43%

LAB 62.44, 5.59, 60.69

 

CMYK 83 / 0 / 22 / 27

HEX #1FBB91

RGB 31 187 145

HSL 163.85, 0.72%, 0.43%

LAB 67.93, -48.18, 10.55

 

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

CMYK 0 / 83 / 78 / 27

HEX #BB1F2A

RGB 187 31 42

HSL 355.77, 0.72%, 0.43%

LAB 40.75, 59.55, 35.35

 

CMYK 61 / 0 / 83 / 27

HEX #49BB1F

RGB 73 187 31

HSL 103.85, 0.72%, 0.43%

LAB 67.32, -57.99, 62.2

 

CMYK 83 / 0 / 5 / 27

HEX #1FBBB1

RGB 31 187 177

HSL 176.15, 0.72%, 0.43%

LAB 68.76, -39.63, -5.81

 

CMYK 22 / 83 / 0 / 27

HEX #9220BA

RGB 146 32 186

HSL 284.42, 0.71%, 0.43%

LAB 39.05, 66.09, -56.66

 

CMYK 0 / 64 / 83 / 27

HEX #BB441F

RGB 187 68 31

HSL 14.23, 0.72%, 0.43%

LAB 45.36, 46.24, 45.71

 

CMYK 61 / 0 / 83 / 27

HEX #49BB1F

RGB 73 187 31

HSL 103.85, 0.72%, 0.43%

LAB 67.32, -57.99, 62.2

 

CMYK 83 / 19 / 0 / 27

HEX #1F97BB

RGB 31 151 187

HSL 193.85, 0.72%, 0.43%

LAB 58.05, -18.83, -27.6

 

Description

Color code: HEX #9220BA | qconv.com Color code: HEX #9220BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 32 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 32 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 83 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 83% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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