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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92343D it is the complementary color #6DCBC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92343D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92343D shade: #973438, #A8464B, #B9585E, #CA6A71 and #DB7C84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92343D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92343D shade: #92343D, #81222A, #701017, #5F0004 and #4E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92343D shade: #92343D and #923434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92343D shade: #92343D, #923456, #923470, #923489 and #813492

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92343D shade matches the following richer shades: #92343D, #A22430, #B21423 and #C20416

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92343D shade: #92343D, #82444A, #725457, #616464 and #517571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92343D shade: #92346F, #923456, #92343E, #924434 and #925D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92343D shade: #551E24, #732930, #92343D, #B03F4A and #C25661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92343D shade: #92343D, #889234 and #346392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92343D shade: #92343D, #3E9234 and #343E92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92343D shade: #92343D, #889234, #349288 and #3E3492

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92343D shade: #92343D, #6C9234, #349288 and #5A3492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

Complementary color

CMYK 46 / 0 / 4 / 20

HEX #6DCBC2

RGB 109 203 194

HSL 174.26, 0.47%, 0.61%

LAB 75.98, -30.08, -4.18

 

CMYK 0 / 66 / 63 / 41

HEX #973438

RGB 151 52 56

HSL 357.58, 0.49%, 0.4%

LAB 36.59, 41.71, 20.2

 

CMYK 0 / 58 / 55 / 34

HEX #A8464B

RGB 168 70 75

HSL 356.94, 0.41%, 0.47%

LAB 43.08, 40.78, 17.5

 

CMYK 0 / 52 / 49 / 27

HEX #B9585E

RGB 185 88 94

HSL 356.29, 0.41%, 0.54%

LAB 49.62, 39.71, 15.32

 

CMYK 0 / 48 / 44 / 21

HEX #CA6A71

RGB 202 106 113

HSL 355.63, 0.48%, 0.6%

LAB 56.14, 38.64, 13.51

 

CMYK 0 / 43 / 40 / 14

HEX #DB7C84

RGB 219 124 132

HSL 354.95, 0.57%, 0.67%

LAB 62.63, 37.61, 11.96

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 74 / 67 / 49

HEX #81222A

RGB 129 34 42

HSL 354.95, 0.58%, 0.32%

LAB 29.36, 40.87, 19.06

 

CMYK 0 / 86 / 79 / 56

HEX #701017

RGB 112 16 23

HSL 355.63, 0.75%, 0.25%

LAB 23.26, 40.57, 23.32

 

CMYK 0 / 100 / 96 / 63

HEX #5F0004

RGB 95 0 4

HSL 357.47, 1%, 0.19%

LAB 17.65, 39, 25.63

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 64 / 64 / 43

HEX #923434

RGB 146 52 52

HSL 0, 0.47%, 0.39%

LAB 35.63, 39.65, 21.28

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 64 / 41 / 43

HEX #923456

RGB 146 52 86

HSL 338.3, 0.47%, 0.39%

LAB 36.44, 42.73, 0.76

 

CMYK 0 / 64 / 23 / 43

HEX #923470

RGB 146 52 112

HSL 321.7, 0.47%, 0.39%

LAB 37.37, 46.09, -14.33

 

CMYK 0 / 64 / 6 / 43

HEX #923489

RGB 146 52 137

HSL 305.74, 0.47%, 0.39%

LAB 38.5, 50.04, -28.07

 

CMYK 12 / 64 / 0 / 43

HEX #813492

RGB 129 52 146

HSL 289.15, 0.47%, 0.39%

LAB 36.36, 47.29, -37.13

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 78 / 70 / 36

HEX #A22430

RGB 162 36 48

HSL 354.29, 0.64%, 0.39%

LAB 36.28, 51.09, 25.27

 

CMYK 0 / 89 / 80 / 30

HEX #B21423

RGB 178 20 35

HSL 354.3, 0.8%, 0.39%

LAB 38, 59.16, 35.95

 

CMYK 0 / 98 / 89 / 24

HEX #C20416

RGB 194 4 22

HSL 354.32, 0.96%, 0.39%

LAB 40.6, 65.06, 46.46

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 48 / 43 / 49

HEX #82444A

RGB 130 68 74

HSL 354.19, 0.31%, 0.39%

LAB 36.7, 27.19, 8.4

 

CMYK 0 / 26 / 24 / 55

HEX #725457

RGB 114 84 87

HSL 354, 0.15%, 0.39%

LAB 38.91, 12.97, 3.13

 

CMYK 3 / 0 / 0 / 61

HEX #616464

RGB 97 100 100

HSL 180, 0.02%, 0.39%

LAB 42.12, -1.16, -0.41

 

CMYK 31 / 0 / 3 / 54

HEX #517571

RGB 81 117 113

HSL 173.33, 0.18%, 0.39%

LAB 46.53, -13.67, -1.9

 

CMYK 0 / 64 / 24 / 43

HEX #92346F

RGB 146 52 111

HSL 322.34, 0.47%, 0.39%

LAB 37.33, 45.95, -13.76

 

CMYK 0 / 64 / 41 / 43

HEX #923456

RGB 146 52 86

HSL 338.3, 0.47%, 0.39%

LAB 36.44, 42.73, 0.76

 

CMYK 0 / 64 / 58 / 43

HEX #92343E

RGB 146 52 62

HSL 353.62, 0.47%, 0.39%

LAB 35.82, 40.39, 15.22

 

CMYK 0 / 53 / 64 / 43

HEX #924434

RGB 146 68 52

HSL 10.21, 0.47%, 0.39%

LAB 38.71, 31.58, 25.15

 

CMYK 0 / 36 / 64 / 43

HEX #925D34

RGB 146 93 52

HSL 26.17, 0.47%, 0.39%

LAB 44.5, 17.51, 32.11

 

CMYK 0 / 65 / 58 / 67

HEX #551E24

RGB 85 30 36

HSL 353.45, 0.48%, 0.23%

LAB 19.99, 26.13, 9.23

 

CMYK 0 / 64 / 58 / 55

HEX #732930

RGB 115 41 48

HSL 354.32, 0.47%, 0.31%

LAB 27.96, 33.18, 12.79

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 0 / 64 / 58 / 31

HEX #B03F4A

RGB 176 63 74

HSL 354.16, 0.47%, 0.47%

LAB 43.18, 46.79, 18.48

 

CMYK 0 / 56 / 50 / 24

HEX #C25661

RGB 194 86 97

HSL 353.89, 0.47%, 0.55%

LAB 50.67, 44.25, 15.19

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 7 / 0 / 64 / 43

HEX #889234

RGB 136 146 52

HSL 66.38, 0.47%, 0.39%

LAB 58.07, -16.77, 46.97

 

CMYK 64 / 32 / 0 / 43

HEX #346392

RGB 52 99 146

HSL 210, 0.47%, 0.39%

LAB 40.78, -0.6, -30.59

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 58 / 0 / 64 / 43

HEX #3E9234

RGB 62 146 52

HSL 113.62, 0.47%, 0.39%

LAB 53.85, -44.2, 41.14

 

CMYK 64 / 58 / 0 / 43

HEX #343E92

RGB 52 62 146

HSL 233.62, 0.47%, 0.39%

LAB 30.04, 23.64, -47.75

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 7 / 0 / 64 / 43

HEX #889234

RGB 136 146 52

HSL 66.38, 0.47%, 0.39%

LAB 58.07, -16.77, 46.97

 

CMYK 64 / 0 / 7 / 43

HEX #349288

RGB 52 146 136

HSL 173.62, 0.47%, 0.39%

LAB 55.14, -29.76, -2.83

 

CMYK 58 / 64 / 0 / 43

HEX #3E3492

RGB 62 52 146

HSL 246.38, 0.47%, 0.39%

LAB 28.26, 31.96, -50.6

 

CMYK 0 / 64 / 58 / 43

HEX #92343D

RGB 146 52 61

HSL 354.26, 0.47%, 0.39%

LAB 35.8, 40.31, 15.83

 

CMYK 26 / 0 / 64 / 43

HEX #6C9234

RGB 108 146 52

HSL 84.26, 0.47%, 0.39%

LAB 56.08, -28.53, 44.24

 

CMYK 64 / 0 / 7 / 43

HEX #349288

RGB 52 146 136

HSL 173.62, 0.47%, 0.39%

LAB 55.14, -29.76, -2.83

 

CMYK 38 / 64 / 0 / 43

HEX #5A3492

RGB 90 52 146

HSL 264.26, 0.47%, 0.39%

LAB 31.13, 37.79, -45.82

 

Description

Color code: HEX #92343D | qconv.com Color code: HEX #92343D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 52 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 52 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 58 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 58% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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