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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #923C38 it is the complementary color #6DC3C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #923C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #923C38 shade: #973C33, #A84E46, #B96059, #CA726C and #DB847F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #923C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #923C38 shade: #923C38, #812A25, #701812, #5F0600 and #4E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #923C38 shade: #933C38 and #933838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #923C38 shade: #933C38, #935438, #936D38, #938638 and #889338

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #923C38 shade matches the following richer shades: #933C38, #A42D27, #B41E17 and #C50F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #923C38 shade: #933C38, #834B48, #725A59, #626969 and #51787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #923C38 shade: #933866, #93384D, #933B38, #935338 and #936C38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #923C38 shade: #582321, #75302C, #933C38, #B14843 and #C1615C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #923C38 shade: #923C38, #7E9338 and #385993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #923C38 shade: #923C38, #38933B and #3B3893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #923C38 shade: #923C38, #7E9338, #389093 and #4D3893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #923C38 shade: #923C38, #629338, #389093 and #693893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

Complementary color

CMYK 45 / 2 / 0 / 22

HEX #6DC3C7

RGB 109 195 199

HSL 182.67, 0.45%, 0.6%

LAB 73.81, -24.9, -10.11

 

CMYK 0 / 60 / 66 / 41

HEX #973C33

RGB 151 60 51

HSL 5.4, 0.5%, 0.4%

LAB 37.93, 37.59, 24.97

 

CMYK 0 / 54 / 58 / 34

HEX #A84E46

RGB 168 78 70

HSL 4.9, 0.41%, 0.47%

LAB 44.54, 36.34, 22.45

 

CMYK 0 / 48 / 52 / 27

HEX #B96059

RGB 185 96 89

HSL 4.38, 0.41%, 0.54%

LAB 51.15, 35.09, 20.36

 

CMYK 0 / 44 / 47 / 21

HEX #CA726C

RGB 202 114 108

HSL 3.83, 0.47%, 0.61%

LAB 57.73, 33.92, 18.58

 

CMYK 0 / 40 / 42 / 14

HEX #DB847F

RGB 219 132 127

HSL 3.26, 0.56%, 0.68%

LAB 64.24, 32.84, 17.04

 

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

CMYK 0 / 67 / 71 / 49

HEX #812A25

RGB 129 42 37

HSL 3.26, 0.55%, 0.33%

LAB 30.54, 37.14, 23.71

 

CMYK 0 / 79 / 84 / 56

HEX #701812

RGB 112 24 18

HSL 3.83, 0.72%, 0.25%

LAB 24.13, 37.76, 27.36

 

CMYK 0 / 94 / 100 / 63

HEX #5F0600

RGB 95 6 0

HSL 3.79, 1%, 0.19%

LAB 18.2, 37.19, 27.91

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 59 / 62 / 42

HEX #933C38

RGB 147 60 56

HSL 2.64, 0.45%, 0.4%

LAB 37.34, 36.42, 21.01

 

CMYK 0 / 62 / 62 / 42

HEX #933838

RGB 147 56 56

HSL 0, 0.45%, 0.4%

LAB 36.59, 38.39, 20.05

 

CMYK 0 / 59 / 62 / 42

HEX #933C38

RGB 147 60 56

HSL 2.64, 0.45%, 0.4%

LAB 37.34, 36.42, 21.01

 

CMYK 0 / 43 / 62 / 42

HEX #935438

RGB 147 84 56

HSL 18.46, 0.45%, 0.4%

LAB 42.5, 23.42, 27.49

 

CMYK 0 / 26 / 62 / 42

HEX #936D38

RGB 147 109 56

HSL 34.95, 0.45%, 0.4%

LAB 48.79, 8.99, 35

 

CMYK 0 / 9 / 62 / 42

HEX #938638

RGB 147 134 56

HSL 51.43, 0.45%, 0.4%

LAB 55.62, -5.15, 42.75

 

CMYK 7 / 0 / 62 / 42

HEX #889338

RGB 136 147 56

HSL 67.25, 0.45%, 0.4%

LAB 58.4, -16.99, 45.53

 

CMYK 0 / 59 / 62 / 42

HEX #933C38

RGB 147 60 56

HSL 2.64, 0.45%, 0.4%

LAB 37.34, 36.42, 21.01

 

CMYK 0 / 73 / 76 / 36

HEX #A42D27

RGB 164 45 39

HSL 2.88, 0.62%, 0.4%

LAB 37.69, 48.14, 32.45

 

CMYK 0 / 83 / 87 / 29

HEX #B41E17

RGB 180 30 23

HSL 2.68, 0.77%, 0.4%

LAB 39.06, 57.27, 43.51

 

CMYK 0 / 92 / 97 / 23

HEX #C50F06

RGB 197 15 6

HSL 2.83, 0.94%, 0.4%

LAB 41.57, 64.46, 53.46

 

CMYK 0 / 59 / 62 / 42

HEX #933C38

RGB 147 60 56

HSL 2.64, 0.45%, 0.4%

LAB 37.34, 36.42, 21.01

 

CMYK 0 / 43 / 45 / 49

HEX #834B48

RGB 131 75 72

HSL 3.05, 0.29%, 0.4%

LAB 38.42, 23.35, 12.08

 

CMYK 0 / 21 / 22 / 55

HEX #725A59

RGB 114 90 89

HSL 2.4, 0.12%, 0.4%

LAB 40.59, 9.65, 4.31

 

CMYK 7 / 0 / 0 / 59

HEX #626969

RGB 98 105 105

HSL 180, 0.03%, 0.4%

LAB 43.83, -2.68, -0.93

 

CMYK 34 / 2 / 0 / 52

HEX #51787A

RGB 81 120 122

HSL 182.93, 0.2%, 0.4%

LAB 47.74, -13.06, -5.47

 

CMYK 0 / 62 / 31 / 42

HEX #933866

RGB 147 56 102

HSL 329.67, 0.45%, 0.4%

LAB 37.83, 43.18, -7.33

 

CMYK 0 / 62 / 48 / 42

HEX #93384D

RGB 147 56 77

HSL 346.15, 0.45%, 0.4%

LAB 37.05, 40.23, 7.4

 

CMYK 0 / 60 / 62 / 42

HEX #933B38

RGB 147 59 56

HSL 1.98, 0.45%, 0.4%

LAB 37.15, 36.92, 20.77

 

CMYK 0 / 44 / 62 / 42

HEX #935338

RGB 147 83 56

HSL 17.8, 0.45%, 0.4%

LAB 42.27, 23.99, 27.2

 

CMYK 0 / 27 / 62 / 42

HEX #936C38

RGB 147 108 56

HSL 34.29, 0.45%, 0.4%

LAB 48.53, 9.57, 34.69

 

CMYK 0 / 60 / 63 / 65

HEX #582321

RGB 88 35 33

HSL 2.18, 0.45%, 0.24%

LAB 21.53, 24.32, 13.44

 

CMYK 0 / 59 / 62 / 54

HEX #75302C

RGB 117 48 44

HSL 3.29, 0.45%, 0.32%

LAB 29.61, 30.02, 17.63

 

CMYK 0 / 59 / 62 / 42

HEX #933C38

RGB 147 60 56

HSL 2.64, 0.45%, 0.4%

LAB 37.34, 36.42, 21.01

 

CMYK 0 / 59 / 62 / 31

HEX #B14843

RGB 177 72 67

HSL 2.73, 0.45%, 0.48%

LAB 44.78, 42.48, 24.85

 

CMYK 0 / 50 / 52 / 24

HEX #C1615C

RGB 193 97 92

HSL 2.97, 0.45%, 0.56%

LAB 52.57, 37.9, 20.7

 

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

CMYK 14 / 0 / 62 / 42

HEX #7E9338

RGB 126 147 56

HSL 73.85, 0.45%, 0.4%

LAB 57.64, -21.27, 44.48

 

CMYK 62 / 39 / 0 / 42

HEX #385993

RGB 56 89 147

HSL 218.24, 0.45%, 0.4%

LAB 38.01, 6.89, -35.56

 

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

CMYK 62 / 0 / 60 / 42

HEX #38933B

RGB 56 147 59

HSL 121.98, 0.45%, 0.4%

LAB 54.05, -45.3, 38.03

 

CMYK 60 / 62 / 0 / 42

HEX #3B3893

RGB 59 56 147

HSL 241.98, 0.45%, 0.4%

LAB 29.07, 29.2, -49.91

 

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

CMYK 14 / 0 / 62 / 42

HEX #7E9338

RGB 126 147 56

HSL 73.85, 0.45%, 0.4%

LAB 57.64, -21.27, 44.48

 

CMYK 62 / 2 / 0 / 42

HEX #389093

RGB 56 144 147

HSL 181.98, 0.45%, 0.4%

LAB 54.96, -24.88, -9.41

 

CMYK 48 / 62 / 0 / 42

HEX #4D3893

RGB 77 56 147

HSL 253.85, 0.45%, 0.4%

LAB 30.67, 32.82, -47.24

 

CMYK 0 / 59 / 62 / 43

HEX #923C38

RGB 146 60 56

HSL 2.67, 0.45%, 0.4%

LAB 37.17, 36.04, 20.76

 

CMYK 33 / 0 / 62 / 42

HEX #629338

RGB 98 147 56

HSL 92.31, 0.45%, 0.4%

LAB 55.84, -32.5, 41.97

 

CMYK 62 / 2 / 0 / 42

HEX #389093

RGB 56 144 147

HSL 181.98, 0.45%, 0.4%

LAB 54.96, -24.88, -9.41

 

CMYK 29 / 62 / 0 / 42

HEX #693893

RGB 105 56 147

HSL 272.31, 0.45%, 0.4%

LAB 33.85, 39.43, -41.95

 

Description

Color code: HEX #923C38 | qconv.com Color code: HEX #923C38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 60 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 60 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 62 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 62% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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