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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #923DC5 it is the complementary color #6DC23A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #923DC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #923DC5 shade: #973DC0, #A84FD3, #B961E6, #CA73F9 and #DB85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #923DC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #923DC5 shade: #923DC5, #812BB2, #70199F, #5F078C and #4E0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #923DC5 shade: #923EC5, #B73EC5, #C53EAF, #C53E8A and #C53E66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #923DC5 shade: #923EC5, #6E3EC5, #4A3EC5 and #3E3EC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #923DC5 shade matches the following richer shades: #923EC5, #972AD9 and #9D16ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #923DC5 shade: #923EC5, #8D52B1, #88679D, #837B88 and #7E8F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #923DC5 shade: #493EC5, #6D3EC5, #913EC5, #B53EC5 and #C53EB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #923DC5 shade: #642888, #7C32A8, #923EC5, #A45ECF and #B67ED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #923DC5 shade: #923DC5, #C53E57 and #3EC55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #923DC5 shade: #923DC5, #C5913E and #3EC591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #923DC5 shade: #923DC5, #C53E57, #72C53E and #3EC5AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #923DC5 shade: #923DC5, #C54E3E, #72C53E and #3EB5C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

Complementary color

CMYK 44 / 0 / 70 / 24

HEX #6DC23A

RGB 109 194 58

HSL 97.5, 0.54%, 0.49%

LAB 70.97, -48.78, 57.51

 

CMYK 21 / 68 / 0 / 25

HEX #973DC0

RGB 151 61 192

HSL 281.22, 0.52%, 0.5%

LAB 43.83, 57.89, -52.42

 

CMYK 20 / 63 / 0 / 17

HEX #A84FD3

RGB 168 79 211

HSL 280.45, 0.6%, 0.57%

LAB 50.24, 57.55, -52.98

 

CMYK 20 / 58 / 0 / 10

HEX #B961E6

RGB 185 97 230

HSL 279.7, 0.73%, 0.64%

LAB 56.66, 56.97, -53.35

 

CMYK 19 / 54 / 0 / 2

HEX #CA73F9

RGB 202 115 249

HSL 278.96, 0.92%, 0.71%

LAB 63.06, 56.26, -53.6

 

CMYK 14 / 48 / 0 / 0

HEX #DB85FF

RGB 219 133 255

HSL 282.3, 1%, 0.76%

LAB 68.79, 52.81, -47.7

 

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

CMYK 28 / 76 / 0 / 30

HEX #812BB2

RGB 129 43 178

HSL 278.22, 0.61%, 0.43%

LAB 37.13, 57.87, -55.16

 

CMYK 30 / 84 / 0 / 38

HEX #70199F

RGB 112 25 159

HSL 278.96, 0.73%, 0.36%

LAB 30.98, 57, -53.86

 

CMYK 32 / 95 / 0 / 45

HEX #5F078C

RGB 95 7 140

HSL 279.7, 0.9%, 0.29%

LAB 25.19, 54.72, -51.73

 

CMYK 36 / 100 / 0 / 53

HEX #4E0079

RGB 78 0 121

HSL 278.68, 1%, 0.24%

LAB 20.04, 50.08, -48.27

 

CMYK 26 / 69 / 0 / 23

HEX #923EC5

RGB 146 62 197

HSL 277.33, 0.54%, 0.51%

LAB 43.64, 57.46, -55.68

 

CMYK 7 / 69 / 0 / 23

HEX #B73EC5

RGB 183 62 197

HSL 293.78, 0.54%, 0.51%

LAB 48.94, 65.48, -46.89

 

CMYK 0 / 69 / 11 / 23

HEX #C53EAF

RGB 197 62 175

HSL 309.78, 0.54%, 0.51%

LAB 49.99, 65.15, -32.27

 

CMYK 0 / 69 / 30 / 23

HEX #C53E8A

RGB 197 62 138

HSL 326.22, 0.54%, 0.51%

LAB 48.45, 60.1, -12.66

 

CMYK 0 / 69 / 48 / 23

HEX #C53E66

RGB 197 62 102

HSL 342.22, 0.54%, 0.51%

LAB 47.33, 56.29, 7.58

 

CMYK 26 / 69 / 0 / 23

HEX #923EC5

RGB 146 62 197

HSL 277.33, 0.54%, 0.51%

LAB 43.64, 57.46, -55.68

 

CMYK 44 / 69 / 0 / 23

HEX #6E3EC5

RGB 110 62 197

HSL 261.33, 0.54%, 0.51%

LAB 39.23, 50.31, -63.04

 

CMYK 62 / 69 / 0 / 23

HEX #4A3EC5

RGB 74 62 197

HSL 245.33, 0.54%, 0.51%

LAB 35.85, 44.42, -68.69

 

CMYK 69 / 69 / 0 / 23

HEX #3E3EC5

RGB 62 62 197

HSL 240, 0.54%, 0.51%

LAB 35, 42.87, -70.11

 

CMYK 26 / 69 / 0 / 23

HEX #923EC5

RGB 146 62 197

HSL 277.33, 0.54%, 0.51%

LAB 43.64, 57.46, -55.68

 

CMYK 30 / 81 / 0 / 15

HEX #972AD9

RGB 151 42 217

HSL 277.37, 0.7%, 0.51%

LAB 43.13, 70.18, -68.02

 

CMYK 34 / 91 / 0 / 7

HEX #9D16ED

RGB 157 22 237

HSL 277.67, 0.86%, 0.51%

LAB 44.03, 79.71, -77.91

 

CMYK 26 / 69 / 0 / 23

HEX #923EC5

RGB 146 62 197

HSL 277.33, 0.54%, 0.51%

LAB 43.64, 57.46, -55.68

 

CMYK 20 / 54 / 0 / 31

HEX #8D52B1

RGB 141 82 177

HSL 277.26, 0.38%, 0.51%

LAB 45.46, 41.8, -41.12

 

CMYK 13 / 34 / 0 / 38

HEX #88679D

RGB 136 103 157

HSL 276.67, 0.22%, 0.51%

LAB 48.72, 23.73, -24.28

 

CMYK 4 / 10 / 0 / 47

HEX #837B88

RGB 131 123 136

HSL 276.92, 0.05%, 0.51%

LAB 52.7, 5.63, -5.96

 

CMYK 12 / 0 / 19 / 44

HEX #7E8F74

RGB 126 143 116

HSL 97.78, 0.11%, 0.51%

LAB 57.41, -11.38, 12.35

 

CMYK 63 / 69 / 0 / 23

HEX #493EC5

RGB 73 62 197

HSL 244.89, 0.54%, 0.51%

LAB 35.78, 44.28, -68.82

 

CMYK 45 / 69 / 0 / 23

HEX #6D3EC5

RGB 109 62 197

HSL 260.89, 0.54%, 0.51%

LAB 39.12, 50.12, -63.22

 

CMYK 26 / 69 / 0 / 23

HEX #913EC5

RGB 145 62 197

HSL 276.89, 0.54%, 0.51%

LAB 43.5, 57.25, -55.91

 

CMYK 8 / 69 / 0 / 23

HEX #B53EC5

RGB 181 62 197

HSL 292.89, 0.54%, 0.51%

LAB 48.64, 65.04, -47.39

 

CMYK 0 / 69 / 10 / 23

HEX #C53EB1

RGB 197 62 177

HSL 308.89, 0.54%, 0.51%

LAB 50.08, 65.45, -33.3

 

CMYK 26 / 71 / 0 / 47

HEX #642888

RGB 100 40 136

HSL 277.5, 0.55%, 0.35%

LAB 29.42, 43.8, -42.33

 

CMYK 26 / 70 / 0 / 34

HEX #7C32A8

RGB 124 50 168

HSL 277.63, 0.54%, 0.43%

LAB 36.73, 51.75, -49.88

 

CMYK 26 / 69 / 0 / 23

HEX #923EC5

RGB 146 62 197

HSL 277.33, 0.54%, 0.51%

LAB 43.64, 57.46, -55.68

 

CMYK 21 / 55 / 0 / 19

HEX #A45ECF

RGB 164 94 207

HSL 277.17, 0.54%, 0.59%

LAB 52.29, 48.24, -47.46

 

CMYK 16 / 42 / 0 / 15

HEX #B67ED8

RGB 182 126 216

HSL 277.33, 0.54%, 0.67%

LAB 61.5, 37.95, -37.88

 

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

CMYK 0 / 69 / 56 / 23

HEX #C53E57

RGB 197 62 87

HSL 348.89, 0.54%, 0.51%

LAB 46.98, 55.05, 16.26

 

CMYK 69 / 0 / 54 / 23

HEX #3EC55B

RGB 62 197 91

HSL 132.89, 0.54%, 0.51%

LAB 70.67, -58.25, 42.39

 

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

CMYK 0 / 26 / 69 / 23

HEX #C5913E

RGB 197 145 62

HSL 36.89, 0.54%, 0.51%

LAB 63.73, 11.35, 50.24

 

CMYK 69 / 0 / 26 / 23

HEX #3EC591

RGB 62 197 145

HSL 156.89, 0.54%, 0.51%

LAB 71.56, -48.45, 15.72

 

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

CMYK 0 / 69 / 56 / 23

HEX #C53E57

RGB 197 62 87

HSL 348.89, 0.54%, 0.51%

LAB 46.98, 55.05, 16.26

 

CMYK 42 / 0 / 69 / 23

HEX #72C53E

RGB 114 197 62

HSL 96.89, 0.54%, 0.51%

LAB 72.13, -48.09, 57.25

 

CMYK 69 / 0 / 13 / 23

HEX #3EC5AC

RGB 62 197 172

HSL 168.89, 0.54%, 0.51%

LAB 72.19, -41.96, 2.02

 

CMYK 26 / 69 / 0 / 23

HEX #923DC5

RGB 146 61 197

HSL 277.5, 0.54%, 0.51%

LAB 43.48, 57.9, -55.94

 

CMYK 0 / 60 / 69 / 23

HEX #C54E3E

RGB 197 78 62

HSL 7.11, 0.54%, 0.51%

LAB 49.09, 46.58, 33.8

 

CMYK 42 / 0 / 69 / 23

HEX #72C53E

RGB 114 197 62

HSL 96.89, 0.54%, 0.51%

LAB 72.13, -48.09, 57.25

 

CMYK 69 / 8 / 0 / 23

HEX #3EB5C5

RGB 62 181 197

HSL 187.11, 0.54%, 0.51%

LAB 68.1, -27.48, -17.75

 

Description

Color code: HEX #923DC5 | qconv.com Color code: HEX #923DC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 61 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 61 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 69 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 69% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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