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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #923EAA it is the complementary color #6DC155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #923EAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #923EAA shade: #973EA5, #A850B8, #B962CB, #CA74DE and #DB86F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #923EAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #923EAA shade: #923EAA, #812C97, #701A84, #5F0871 and #4E005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #923EAA shade: #903CA8, #A83CA3, #A83C86, #A83C69 and #A83C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #923EAA shade: #903CA8, #733CA8, #563CA8 and #3C3CA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #923EAA shade matches the following richer shades: #903CA8, #9B2ABB, #A517CD and #AF05E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #923EAA shade: #903CA8, #864F96, #7C6183, #717470 and #67875E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #923EAA shade: #553CA8, #723CA8, #8F3CA8, #A83CA5 and #A83C88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #923EAA shade: #5C266C, #76318A, #903CA8, #A64FBF and #B56DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #923EAA shade: #923EAA, #A83C40 and #3CA864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #923EAA shade: #923EAA, #A88F3C and #3CA88F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #923EAA shade: #923EAA, #A83C40, #55A83C and #3CA8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #923EAA shade: #923EAA, #A8593C, #55A83C and #3C8BA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

Complementary color

CMYK 44 / 0 / 56 / 24

HEX #6DC155

RGB 109 193 85

HSL 106.67, 0.47%, 0.55%

LAB 70.9, -45.83, 45.89

 

CMYK 8 / 62 / 0 / 35

HEX #973EA5

RGB 151 62 165

HSL 291.84, 0.45%, 0.45%

LAB 42.37, 52, -38.84

 

CMYK 9 / 57 / 0 / 28

HEX #A850B8

RGB 168 80 184

HSL 290.77, 0.42%, 0.52%

LAB 48.91, 51.58, -39.52

 

CMYK 9 / 52 / 0 / 20

HEX #B962CB

RGB 185 98 203

HSL 289.71, 0.5%, 0.59%

LAB 55.44, 50.97, -40.02

 

CMYK 9 / 48 / 0 / 13

HEX #CA74DE

RGB 202 116 222

HSL 288.68, 0.62%, 0.66%

LAB 61.93, 50.26, -40.4

 

CMYK 9 / 44 / 0 / 5

HEX #DB86F1

RGB 219 134 241

HSL 287.66, 0.79%, 0.74%

LAB 68.36, 49.51, -40.72

 

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

CMYK 15 / 71 / 0 / 41

HEX #812C97

RGB 129 44 151

HSL 287.66, 0.55%, 0.38%

LAB 35.41, 51.83, -41.71

 

CMYK 15 / 80 / 0 / 48

HEX #701A84

RGB 112 26 132

HSL 288.68, 0.67%, 0.31%

LAB 29.03, 51.16, -40.37

 

CMYK 16 / 93 / 0 / 56

HEX #5F0871

RGB 95 8 113

HSL 289.71, 0.87%, 0.24%

LAB 22.99, 49.08, -38.19

 

CMYK 17 / 100 / 0 / 63

HEX #4E005E

RGB 78 0 94

HSL 289.79, 1%, 0.18%

LAB 17.59, 44.57, -34.63

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 0 / 64 / 3 / 34

HEX #A83CA3

RGB 168 60 163

HSL 302.78, 0.47%, 0.45%

LAB 44.52, 56.81, -34.09

 

CMYK 0 / 64 / 20 / 34

HEX #A83C86

RGB 168 60 134

HSL 318.89, 0.47%, 0.45%

LAB 43.18, 52.23, -18.7

 

CMYK 0 / 64 / 38 / 34

HEX #A83C69

RGB 168 60 105

HSL 335, 0.47%, 0.45%

LAB 42.12, 48.44, -2.45

 

CMYK 0 / 64 / 55 / 34

HEX #A83C4C

RGB 168 60 76

HSL 351.11, 0.47%, 0.45%

LAB 41.34, 45.55, 14.53

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 32 / 64 / 0 / 34

HEX #733CA8

RGB 115 60 168

HSL 270.56, 0.47%, 0.45%

LAB 37.31, 44.89, -49.01

 

CMYK 49 / 64 / 0 / 34

HEX #563CA8

RGB 86 60 168

HSL 254.44, 0.47%, 0.45%

LAB 34.06, 38.64, -54.42

 

CMYK 64 / 64 / 0 / 34

HEX #3C3CA8

RGB 60 60 168

HSL 240, 0.47%, 0.45%

LAB 31.85, 34.02, -58.12

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 17 / 78 / 0 / 27

HEX #9B2ABB

RGB 155 42 187

HSL 286.76, 0.63%, 0.45%

LAB 41.55, 64.93, -53.14

 

CMYK 20 / 89 / 0 / 20

HEX #A517CD

RGB 165 23 205

HSL 286.81, 0.8%, 0.45%

LAB 42.79, 74.63, -61.55

 

CMYK 22 / 98 / 0 / 12

HEX #AF05E0

RGB 175 5 224

HSL 286.58, 0.96%, 0.45%

LAB 45.09, 81.56, -68.67

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 11 / 47 / 0 / 41

HEX #864F96

RGB 134 79 150

HSL 286.48, 0.31%, 0.45%

LAB 42.56, 35.44, -29.73

 

CMYK 5 / 26 / 0 / 49

HEX #7C6183

RGB 124 97 131

HSL 287.65, 0.15%, 0.45%

LAB 44.9, 17.44, -14.77

 

CMYK 3 / 0 / 3 / 55

HEX #717470

RGB 113 116 112

HSL 105, 0.02%, 0.45%

LAB 48.48, -1.95, 1.8

 

CMYK 24 / 0 / 30 / 47

HEX #67875E

RGB 103 135 94

HSL 106.83, 0.18%, 0.45%

LAB 52.97, -19.62, 18.48

 

CMYK 49 / 64 / 0 / 34

HEX #553CA8

RGB 85 60 168

HSL 253.89, 0.47%, 0.45%

LAB 33.96, 38.44, -54.59

 

CMYK 32 / 64 / 0 / 34

HEX #723CA8

RGB 114 60 168

HSL 270, 0.47%, 0.45%

LAB 37.18, 44.66, -49.22

 

CMYK 15 / 64 / 0 / 34

HEX #8F3CA8

RGB 143 60 168

HSL 286.11, 0.47%, 0.45%

LAB 41.05, 51.53, -42.8

 

CMYK 0 / 64 / 2 / 34

HEX #A83CA5

RGB 168 60 165

HSL 301.67, 0.47%, 0.45%

LAB 44.62, 57.15, -35.12

 

CMYK 0 / 64 / 19 / 34

HEX #A83C88

RGB 168 60 136

HSL 317.78, 0.47%, 0.45%

LAB 43.26, 52.52, -19.79

 

CMYK 15 / 65 / 0 / 58

HEX #5C266C

RGB 92 38 108

HSL 286.29, 0.48%, 0.29%

LAB 25.99, 36.4, -30.18

 

CMYK 14 / 64 / 0 / 46

HEX #76318A

RGB 118 49 138

HSL 286.52, 0.48%, 0.37%

LAB 33.74, 44.26, -36.5

 

CMYK 14 / 64 / 0 / 34

HEX #903CA8

RGB 144 60 168

HSL 286.67, 0.47%, 0.45%

LAB 41.2, 51.77, -42.56

 

CMYK 13 / 59 / 0 / 25

HEX #A64FBF

RGB 166 79 191

HSL 286.61, 0.47%, 0.53%

LAB 48.84, 52.94, -43.73

 

CMYK 10 / 46 / 0 / 21

HEX #B56DCA

RGB 181 109 202

HSL 286.45, 0.47%, 0.61%

LAB 57.1, 43.93, -36.88

 

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

CMYK 0 / 64 / 62 / 34

HEX #A83C40

RGB 168 60 64

HSL 357.78, 0.47%, 0.45%

LAB 41.1, 44.64, 21.64

 

CMYK 64 / 0 / 40 / 34

HEX #3CA864

RGB 60 168 100

HSL 142.22, 0.47%, 0.45%

LAB 61.56, -46.28, 26.3

 

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

CMYK 0 / 15 / 64 / 34

HEX #A88F3C

RGB 168 143 60

HSL 46.11, 0.47%, 0.45%

LAB 60.16, -0.44, 46.42

 

CMYK 64 / 0 / 15 / 34

HEX #3CA88F

RGB 60 168 143

HSL 166.11, 0.47%, 0.45%

LAB 62.46, -36.78, 3.91

 

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

CMYK 0 / 64 / 62 / 34

HEX #A83C40

RGB 168 60 64

HSL 357.78, 0.47%, 0.45%

LAB 41.1, 44.64, 21.64

 

CMYK 49 / 0 / 64 / 34

HEX #55A83C

RGB 85 168 60

HSL 106.11, 0.47%, 0.45%

LAB 61.88, -45.59, 46.71

 

CMYK 64 / 0 / 2 / 34

HEX #3CA8A5

RGB 60 168 165

HSL 178.33, 0.47%, 0.45%

LAB 63.08, -30.84, -7.51

 

CMYK 14 / 64 / 0 / 33

HEX #923EAA

RGB 146 62 170

HSL 286.67, 0.47%, 0.45%

LAB 41.94, 51.74, -42.55

 

CMYK 0 / 47 / 64 / 34

HEX #A8593C

RGB 168 89 60

HSL 16.11, 0.47%, 0.45%

LAB 46.71, 29.75, 31

 

CMYK 49 / 0 / 64 / 34

HEX #55A83C

RGB 85 168 60

HSL 106.11, 0.47%, 0.45%

LAB 61.88, -45.59, 46.71

 

CMYK 64 / 17 / 0 / 34

HEX #3C8BA8

RGB 60 139 168

HSL 196.11, 0.47%, 0.45%

LAB 54.29, -14.99, -22.5

 

Description

Color code: HEX #923EAA | qconv.com Color code: HEX #923EAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 62 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 62 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 64 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 64% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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