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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9245B1 it is the complementary color #6DBA4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9245B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9245B1 shade: #9745AC, #A857BF, #B969D2, #CA7BE5 and #DB8DF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9245B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9245B1 shade: #9245B1, #81339E, #70218B, #5F0F78 and #4E0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9245B1 shade: #9144B0, #AE44B0, #B04495, #B04478 and #B0445A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9245B1 shade: #9144B0, #7444B0, #5744B0 and #4444B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9245B1 shade matches the following richer shades: #9144B0, #9930C4, #A21CD7 and #AA09EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9245B1 shade: #9144B0, #88589C, #806C88, #787F74 and #6F9361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9245B1 shade: #5644B0, #7344B0, #8F44B0, #AC44B0 and #B04497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9245B1 shade: #602D74, #783892, #9144B0, #A45DC0 and #B47BCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9245B1 shade: #9245B1, #B0444F and #44B064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9245B1 shade: #9245B1, #B08F44 and #44B08F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9245B1 shade: #9245B1, #B0444F, #64B044 and #44B0A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9245B1 shade: #9245B1, #B05A44, #64B044 and #449AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

Complementary color

CMYK 41 / 0 / 58 / 27

HEX #6DBA4E

RGB 109 186 78

HSL 102.78, 0.44%, 0.52%

LAB 68.69, -43.67, 46.57

 

CMYK 12 / 60 / 0 / 33

HEX #9745AC

RGB 151 69 172

HSL 287.77, 0.43%, 0.47%

LAB 43.97, 50.08, -40.47

 

CMYK 12 / 54 / 0 / 25

HEX #A857BF

RGB 168 87 191

HSL 286.73, 0.45%, 0.55%

LAB 50.57, 49.5, -40.96

 

CMYK 12 / 50 / 0 / 18

HEX #B969D2

RGB 185 105 210

HSL 285.71, 0.54%, 0.62%

LAB 57.14, 48.79, -41.32

 

CMYK 12 / 46 / 0 / 10

HEX #CA7BE5

RGB 202 123 229

HSL 284.72, 0.67%, 0.69%

LAB 63.66, 48.03, -41.6

 

CMYK 12 / 43 / 0 / 3

HEX #DB8DF8

RGB 219 141 248

HSL 283.74, 0.88%, 0.76%

LAB 70.1, 47.26, -41.84

 

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

CMYK 18 / 68 / 0 / 38

HEX #81339E

RGB 129 51 158

HSL 283.74, 0.51%, 0.41%

LAB 36.94, 50.24, -43.5

 

CMYK 19 / 76 / 0 / 45

HEX #70218B

RGB 112 33 139

HSL 284.72, 0.62%, 0.34%

LAB 30.39, 50.07, -42.54

 

CMYK 21 / 88 / 0 / 53

HEX #5F0F78

RGB 95 15 120

HSL 285.71, 0.78%, 0.26%

LAB 24.1, 48.81, -40.89

 

CMYK 23 / 100 / 0 / 60

HEX #4E0065

RGB 78 0 101

HSL 286.34, 1%, 0.2%

LAB 18.18, 45.94, -38.31

 

CMYK 18 / 61 / 0 / 31

HEX #9144B0

RGB 145 68 176

HSL 282.78, 0.44%, 0.48%

LAB 43.19, 49.88, -44.11

 

CMYK 1 / 61 / 0 / 31

HEX #AE44B0

RGB 174 68 176

HSL 298.89, 0.44%, 0.48%

LAB 47.32, 57.19, -37.3

 

CMYK 0 / 61 / 15 / 31

HEX #B04495

RGB 176 68 149

HSL 315, 0.44%, 0.48%

LAB 46.36, 53.26, -22.76

 

CMYK 0 / 61 / 32 / 31

HEX #B04478

RGB 176 68 120

HSL 331.11, 0.44%, 0.48%

LAB 45.25, 49.2, -6.9

 

CMYK 0 / 61 / 49 / 31

HEX #B0445A

RGB 176 68 90

HSL 347.78, 0.44%, 0.48%

LAB 44.38, 45.88, 10.27

 

CMYK 18 / 61 / 0 / 31

HEX #9144B0

RGB 145 68 176

HSL 282.78, 0.44%, 0.48%

LAB 43.19, 49.88, -44.11

 

CMYK 34 / 61 / 0 / 31

HEX #7444B0

RGB 116 68 176

HSL 266.67, 0.44%, 0.48%

LAB 39.55, 42.86, -50.15

 

CMYK 51 / 61 / 0 / 31

HEX #5744B0

RGB 87 68 176

HSL 250.56, 0.44%, 0.48%

LAB 36.55, 36.52, -55.15

 

CMYK 61 / 61 / 0 / 31

HEX #4444B0

RGB 68 68 176

HSL 240, 0.44%, 0.48%

LAB 35, 33, -57.74

 

CMYK 18 / 61 / 0 / 31

HEX #9144B0

RGB 145 68 176

HSL 282.78, 0.44%, 0.48%

LAB 43.19, 49.88, -44.11

 

CMYK 22 / 76 / 0 / 23

HEX #9930C4

RGB 153 48 196

HSL 282.57, 0.61%, 0.48%

LAB 42.57, 64.27, -56.77

 

CMYK 25 / 87 / 0 / 16

HEX #A21CD7

RGB 162 28 215

HSL 282.99, 0.77%, 0.48%

LAB 43.39, 75.05, -66.38

 

CMYK 28 / 96 / 0 / 8

HEX #AA09EB

RGB 170 9 235

HSL 282.74, 0.93%, 0.48%

LAB 45.28, 82.52, -74.65

 

CMYK 18 / 61 / 0 / 31

HEX #9144B0

RGB 145 68 176

HSL 282.78, 0.44%, 0.48%

LAB 43.19, 49.88, -44.11

 

CMYK 13 / 44 / 0 / 39

HEX #88589C

RGB 136 88 156

HSL 282.35, 0.28%, 0.48%

LAB 45.1, 32.25, -29.32

 

CMYK 6 / 21 / 0 / 47

HEX #806C88

RGB 128 108 136

HSL 282.86, 0.11%, 0.48%

LAB 48.38, 13.37, -12.46

 

CMYK 6 / 0 / 9 / 50

HEX #787F74

RGB 120 127 116

HSL 98.18, 0.05%, 0.48%

LAB 52.32, -4.79, 5.08

 

CMYK 24 / 0 / 34 / 42

HEX #6F9361

RGB 111 147 97

HSL 103.2, 0.2%, 0.48%

LAB 57.18, -22.34, 22.55

 

CMYK 51 / 61 / 0 / 31

HEX #5644B0

RGB 86 68 176

HSL 250, 0.44%, 0.48%

LAB 36.46, 36.32, -55.3

 

CMYK 35 / 61 / 0 / 31

HEX #7344B0

RGB 115 68 176

HSL 266.11, 0.44%, 0.48%

LAB 39.43, 42.63, -50.34

 

CMYK 19 / 61 / 0 / 31

HEX #8F44B0

RGB 143 68 176

HSL 281.67, 0.44%, 0.48%

LAB 42.93, 49.38, -44.55

 

CMYK 2 / 61 / 0 / 31

HEX #AC44B0

RGB 172 68 176

HSL 297.78, 0.44%, 0.48%

LAB 47.03, 56.68, -37.79

 

CMYK 0 / 61 / 14 / 31

HEX #B04497

RGB 176 68 151

HSL 313.89, 0.44%, 0.48%

LAB 46.44, 53.57, -23.83

 

CMYK 17 / 61 / 0 / 55

HEX #602D74

RGB 96 45 116

HSL 283.1, 0.44%, 0.32%

LAB 28.44, 35.6, -31.36

 

CMYK 18 / 62 / 0 / 43

HEX #783892

RGB 120 56 146

HSL 282.67, 0.45%, 0.4%

LAB 35.78, 43.02, -38.13

 

CMYK 18 / 61 / 0 / 31

HEX #9144B0

RGB 145 68 176

HSL 282.78, 0.44%, 0.48%

LAB 43.19, 49.88, -44.11

 

CMYK 15 / 52 / 0 / 25

HEX #A45DC0

RGB 164 93 192

HSL 283.03, 0.44%, 0.56%

LAB 51.3, 45.51, -40.42

 

CMYK 11 / 39 / 0 / 20

HEX #B47BCB

RGB 180 123 203

HSL 282.75, 0.43%, 0.64%

LAB 60.05, 36.23, -32.85

 

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

CMYK 0 / 61 / 55 / 31

HEX #B0444F

RGB 176 68 79

HSL 353.89, 0.44%, 0.48%

LAB 44.13, 44.91, 16.69

 

CMYK 61 / 0 / 43 / 31

HEX #44B064

RGB 68 176 100

HSL 137.78, 0.44%, 0.48%

LAB 64.32, -47.79, 29.96

 

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

CMYK 0 / 19 / 61 / 31

HEX #B08F44

RGB 176 143 68

HSL 41.67, 0.44%, 0.48%

LAB 61.04, 3.65, 43.79

 

CMYK 61 / 0 / 19 / 31

HEX #44B08F

RGB 68 176 143

HSL 161.67, 0.44%, 0.48%

LAB 65.17, -38.9, 7.82

 

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

CMYK 0 / 61 / 55 / 31

HEX #B0444F

RGB 176 68 79

HSL 353.89, 0.44%, 0.48%

LAB 44.13, 44.91, 16.69

 

CMYK 43 / 0 / 61 / 31

HEX #64B044

RGB 100 176 68

HSL 102.22, 0.44%, 0.48%

LAB 65.1, -43.41, 46.92

 

CMYK 61 / 0 / 6 / 31

HEX #44B0A5

RGB 68 176 165

HSL 173.89, 0.44%, 0.48%

LAB 65.75, -33.28, -3.54

 

CMYK 18 / 61 / 0 / 31

HEX #9245B1

RGB 146 69 177

HSL 282.78, 0.44%, 0.48%

LAB 43.57, 49.85, -44.09

 

CMYK 0 / 49 / 61 / 31

HEX #B05A44

RGB 176 90 68

HSL 12.22, 0.44%, 0.48%

LAB 48.21, 33.02, 28.54

 

CMYK 43 / 0 / 61 / 31

HEX #64B044

RGB 100 176 68

HSL 102.22, 0.44%, 0.48%

LAB 65.1, -43.41, 46.92

 

CMYK 61 / 13 / 0 / 31

HEX #449AB0

RGB 68 154 176

HSL 192.22, 0.44%, 0.48%

LAB 59.41, -19.1, -19.21

 

Description

Color code: HEX #9245B1 | qconv.com Color code: HEX #9245B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 69 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 69 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 61 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 61% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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