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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925858 it is the complementary color #6DA7A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #925858 shade: #975853, #A86A66, #B97C79, #CA8E8C and #DBA09F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #925858 shade: #925858, #814645, #703432, #5F221F and #4E100C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #925858 shade: #925757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #925858 shade: #925757, #926757, #927757, #928757 and #8E9257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #925858 shade matches the following richer shades: #925757, #A54444, #B83232, #CB1F1F and #DE0C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #925858 shade: #925757, #7F6A6A, #6C7D7D, #599090 and #46A3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #925858 shade: #925777, #925767, #925757, #926757 and #927757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #925858 shade: #5F3939, #784848, #925757, #A76C6C and #B68686

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #925858 shade: #925858, #869257 and #576F92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #925858 shade: #925858, #579257 and #575792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #925858 shade: #925858, #869257, #579292 and #635792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #925858 shade: #925858, #759257, #579292 and #755792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

Complementary color

CMYK 35 / 0 / 0 / 35

HEX #6DA7A7

RGB 109 167 167

HSL 180, 0.25%, 0.54%

LAB 64.71, -18.78, -6.01

 

CMYK 0 / 42 / 45 / 41

HEX #975853

RGB 151 88 83

HSL 4.41, 0.29%, 0.46%

LAB 44.49, 25.38, 14.12

 

CMYK 0 / 37 / 39 / 34

HEX #A86A66

RGB 168 106 102

HSL 3.64, 0.28%, 0.53%

LAB 51.37, 24.31, 12.63

 

CMYK 0 / 33 / 35 / 27

HEX #B97C79

RGB 185 124 121

HSL 2.81, 0.31%, 0.6%

LAB 58.14, 23.36, 11.34

 

CMYK 0 / 30 / 31 / 21

HEX #CA8E8C

RGB 202 142 140

HSL 1.94, 0.37%, 0.67%

LAB 64.8, 22.52, 10.2

 

CMYK 0 / 27 / 27 / 14

HEX #DBA09F

RGB 219 160 159

HSL 1, 0.45%, 0.74%

LAB 71.35, 21.76, 9.17

 

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

CMYK 0 / 46 / 47 / 49

HEX #814645

RGB 129 70 69

HSL 1, 0.3%, 0.39%

LAB 36.89, 25.06, 11.79

 

CMYK 0 / 54 / 55 / 56

HEX #703432

RGB 112 52 50

HSL 1.94, 0.38%, 0.32%

LAB 29.74, 26.31, 13.77

 

CMYK 0 / 64 / 67 / 63

HEX #5F221F

RGB 95 34 31

HSL 2.81, 0.51%, 0.25%

LAB 22.57, 27.6, 16.38

 

CMYK 0 / 79 / 85 / 69

HEX #4E100C

RGB 78 16 12

HSL 3.64, 0.73%, 0.18%

LAB 15.58, 28.54, 18.87

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 29 / 40 / 43

HEX #926757

RGB 146 103 87

HSL 16.27, 0.25%, 0.46%

LAB 47.62, 15.13, 15.9

 

CMYK 0 / 18 / 40 / 43

HEX #927757

RGB 146 119 87

HSL 32.54, 0.25%, 0.46%

LAB 51.83, 5.87, 21.56

 

CMYK 0 / 8 / 40 / 43

HEX #928757

RGB 146 135 87

HSL 48.81, 0.25%, 0.46%

LAB 56.21, -3.17, 27.3

 

CMYK 3 / 0 / 40 / 43

HEX #8E9257

RGB 142 146 87

HSL 64.07, 0.25%, 0.46%

LAB 58.97, -10.88, 30.76

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 59 / 59 / 35

HEX #A54444

RGB 165 68 68

HSL 0, 0.42%, 0.46%

LAB 42.08, 40.09, 20.36

 

CMYK 0 / 73 / 73 / 28

HEX #B83232

RGB 184 50 50

HSL 0, 0.57%, 0.46%

LAB 42.31, 53.24, 32.23

 

CMYK 0 / 85 / 85 / 20

HEX #CB1F1F

RGB 203 31 31

HSL 0, 0.74%, 0.46%

LAB 43.91, 63.69, 45.56

 

CMYK 0 / 95 / 95 / 13

HEX #DE0C0C

RGB 222 12 12

HSL 0, 0.9%, 0.46%

LAB 46.74, 71.23, 57.19

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 17 / 17 / 50

HEX #7F6A6A

RGB 127 106 106

HSL 0, 0.09%, 0.46%

LAB 46.79, 8.32, 3.1

 

CMYK 14 / 0 / 0 / 51

HEX #6C7D7D

RGB 108 125 125

HSL 180, 0.07%, 0.46%

LAB 51.08, -6.21, -2.11

 

CMYK 38 / 0 / 0 / 44

HEX #599090

RGB 89 144 144

HSL 180, 0.24%, 0.46%

LAB 56.17, -18.08, -5.75

 

CMYK 57 / 0 / 0 / 36

HEX #46A3A3

RGB 70 163 163

HSL 180, 0.4%, 0.46%

LAB 61.78, -27.16, -8.3

 

CMYK 0 / 40 / 18 / 43

HEX #925777

RGB 146 87 119

HSL 327.46, 0.25%, 0.46%

LAB 44.6, 29.03, -7.71

 

CMYK 0 / 40 / 29 / 43

HEX #925767

RGB 146 87 103

HSL 343.73, 0.25%, 0.46%

LAB 44.1, 26.54, 1.29

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 29 / 40 / 43

HEX #926757

RGB 146 103 87

HSL 16.27, 0.25%, 0.46%

LAB 47.62, 15.13, 15.9

 

CMYK 0 / 18 / 40 / 43

HEX #927757

RGB 146 119 87

HSL 32.54, 0.25%, 0.46%

LAB 51.83, 5.87, 21.56

 

CMYK 0 / 40 / 40 / 63

HEX #5F3939

RGB 95 57 57

HSL 0, 0.25%, 0.3%

LAB 28.52, 16.88, 7.12

 

CMYK 0 / 40 / 40 / 53

HEX #784848

RGB 120 72 72

HSL 0, 0.25%, 0.38%

LAB 36.17, 20.51, 8.72

 

CMYK 0 / 40 / 40 / 43

HEX #925757

RGB 146 87 87

HSL 0, 0.25%, 0.46%

LAB 43.68, 24.39, 10.45

 

CMYK 0 / 35 / 35 / 35

HEX #A76C6C

RGB 167 108 108

HSL 0, 0.25%, 0.54%

LAB 51.86, 23.54, 9.76

 

CMYK 0 / 26 / 26 / 29

HEX #B68686

RGB 182 134 134

HSL 0, 0.25%, 0.62%

LAB 60.53, 18.39, 7.23

 

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

CMYK 8 / 0 / 40 / 43

HEX #869257

RGB 134 146 87

HSL 72.2, 0.25%, 0.46%

LAB 58.33, -14.2, 29.82

 

CMYK 40 / 24 / 0 / 43

HEX #576F92

RGB 87 111 146

HSL 215.59, 0.25%, 0.46%

LAB 46.27, 0.6, -21.9

 

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

CMYK 40 / 0 / 40 / 43

HEX #579257

RGB 87 146 87

HSL 120, 0.25%, 0.46%

LAB 55.35, -31.88, 25.38

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

CMYK 8 / 0 / 40 / 43

HEX #869257

RGB 134 146 87

HSL 72.2, 0.25%, 0.46%

LAB 58.33, -14.2, 29.82

 

CMYK 40 / 0 / 0 / 43

HEX #579292

RGB 87 146 146

HSL 180, 0.25%, 0.46%

LAB 56.74, -19.16, -6.06

 

CMYK 32 / 40 / 0 / 43

HEX #635792

RGB 99 87 146

HSL 252.2, 0.25%, 0.46%

LAB 40.48, 18.97, -30.85

 

CMYK 0 / 40 / 40 / 43

HEX #925858

RGB 146 88 88

HSL 0, 0.25%, 0.46%

LAB 43.94, 23.94, 10.21

 

CMYK 20 / 0 / 40 / 43

HEX #759257

RGB 117 146 87

HSL 89.49, 0.25%, 0.46%

LAB 57.1, -21.03, 27.99

 

CMYK 40 / 0 / 0 / 43

HEX #579292

RGB 87 146 146

HSL 180, 0.25%, 0.46%

LAB 56.74, -19.16, -6.06

 

CMYK 20 / 40 / 0 / 43

HEX #755792

RGB 117 87 146

HSL 270.51, 0.25%, 0.46%

LAB 42.27, 24.54, -27.92

 

Description

Color code: HEX #925858 | qconv.com Color code: HEX #925858 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 88 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 88 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 40 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 40% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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