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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #927CCE it is the complementary color #6D8331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #927CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #927CCE shade: #977CC9, #A88EDC, #B9A0EF, #CAB2FF and #DBC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #927CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #927CCE shade: #927CCE, #816ABB, #7058A8, #5F4695 and #4E3482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #927CCE shade: #927CCE, #A87CCE, #BF7CCE, #CE7CC8 and #CE7CB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #927CCE shade: #927CCE and #7C7CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #927CCE shade matches the following richer shades: #927CCE, #8C6EDD, #855FEB and #7E51FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #927CCE shade: #927CCE, #998BC0, #A099B1, #A6A8A3 and #ADB695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #927CCE shade: #7C92CE, #7C7CCE, #927CCE, #A87CCE and #BE7CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #927CCE shade: #6143B5, #795EC3, #927CCE, #AB9AD9 and #C4B8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #927CCE shade: #927CCE, #CE7CA8 and #87CE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #927CCE shade: #927CCE, #CE927C and #7CCE92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #927CCE shade: #927CCE, #CE7CA8, #B8CE7C and #7CCEA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #927CCE shade: #927CCE, #CE7C8F, #B8CE7C and #7CCEBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

Complementary color

CMYK 17 / 0 / 63 / 49

HEX #6D8331

RGB 109 131 49

HSL 76.1, 0.46%, 0.35%

LAB 51.5, -20.89, 40.62

 

CMYK 25 / 38 / 0 / 21

HEX #977CC9

RGB 151 124 201

HSL 261.04, 0.42%, 0.64%

LAB 57.28, 26.49, -36.26

 

CMYK 24 / 35 / 0 / 14

HEX #A88EDC

RGB 168 142 220

HSL 260, 0.53%, 0.71%

LAB 64.03, 25.76, -36.27

 

CMYK 23 / 33 / 0 / 6

HEX #B9A0EF

RGB 185 160 239

HSL 258.99, 0.71%, 0.78%

LAB 70.66, 25.1, -36.3

 

CMYK 21 / 30 / 0 / 0

HEX #CAB2FF

RGB 202 178 255

HSL 258.7, 1%, 0.85%

LAB 77.05, 23.81, -34.94

 

CMYK 14 / 23 / 0 / 0

HEX #DBC4FF

RGB 219 196 255

HSL 263.39, 1%, 0.88%

LAB 82.79, 19.2, -26.01

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 31 / 43 / 0 / 27

HEX #816ABB

RGB 129 106 187

HSL 257.04, 0.37%, 0.57%

LAB 50.17, 27.15, -39.57

 

CMYK 33 / 48 / 0 / 34

HEX #7058A8

RGB 112 88 168

HSL 258, 0.31%, 0.5%

LAB 43.14, 28.12, -39.7

 

CMYK 36 / 53 / 0 / 42

HEX #5F4695

RGB 95 70 149

HSL 258.99, 0.36%, 0.43%

LAB 35.95, 29.21, -39.87

 

CMYK 40 / 60 / 0 / 49

HEX #4E3482

RGB 78 52 130

HSL 260, 0.43%, 0.36%

LAB 28.61, 30.42, -40.04

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 18 / 40 / 0 / 19

HEX #A87CCE

RGB 168 124 206

HSL 272.2, 0.46%, 0.65%

LAB 59.16, 32.71, -36.03

 

CMYK 7 / 40 / 0 / 19

HEX #BF7CCE

RGB 191 124 206

HSL 289.02, 0.46%, 0.65%

LAB 61.61, 39.65, -32.03

 

CMYK 0 / 40 / 3 / 19

HEX #CE7CC8

RGB 206 124 200

HSL 304.39, 0.46%, 0.65%

LAB 63.1, 43.15, -26.2

 

CMYK 0 / 40 / 14 / 19

HEX #CE7CB2

RGB 206 124 178

HSL 320.49, 0.46%, 0.65%

LAB 62.3, 39.37, -14.98

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 37 / 50 / 0 / 13

HEX #8C6EDD

RGB 140 110 221

HSL 256.22, 0.62%, 0.65%

LAB 53.97, 36.71, -52.87

 

CMYK 43 / 60 / 0 / 8

HEX #855FEB

RGB 133 95 235

HSL 256.29, 0.78%, 0.65%

LAB 50.88, 47.38, -65.74

 

CMYK 50 / 68 / 0 / 2

HEX #7E51FA

RGB 126 81 250

HSL 255.98, 0.94%, 0.65%

LAB 48.54, 57.65, -77.97

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 20 / 28 / 0 / 25

HEX #998BC0

RGB 153 139 192

HSL 255.85, 0.3%, 0.65%

LAB 60.82, 16.29, -25.66

 

CMYK 10 / 14 / 0 / 31

HEX #A099B1

RGB 160 153 177

HSL 257.5, 0.13%, 0.65%

LAB 64.51, 7.31, -11.55

 

CMYK 1 / 0 / 3 / 34

HEX #A6A8A3

RGB 166 168 163

HSL 84, 0.03%, 0.65%

LAB 68.57, -1.65, 2.32

 

CMYK 5 / 0 / 18 / 29

HEX #ADB695

RGB 173 182 149

HSL 76.36, 0.18%, 0.65%

LAB 72.57, -8.99, 15.77

 

CMYK 40 / 29 / 0 / 19

HEX #7C92CE

RGB 124 146 206

HSL 223.9, 0.46%, 0.65%

LAB 61.04, 7.33, -33.36

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 18 / 40 / 0 / 19

HEX #A87CCE

RGB 168 124 206

HSL 272.2, 0.46%, 0.65%

LAB 59.16, 32.71, -36.03

 

CMYK 8 / 40 / 0 / 19

HEX #BE7CCE

RGB 190 124 206

HSL 288.29, 0.46%, 0.65%

LAB 61.5, 39.35, -32.21

 

CMYK 46 / 63 / 0 / 29

HEX #6143B5

RGB 97 67 181

HSL 255.79, 0.46%, 0.49%

LAB 37.65, 40.62, -56.28

 

CMYK 38 / 52 / 0 / 24

HEX #795EC3

RGB 121 94 195

HSL 256.04, 0.46%, 0.57%

LAB 46.99, 34.27, -49.29

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 21 / 29 / 0 / 15

HEX #AB9AD9

RGB 171 154 217

HSL 256.19, 0.45%, 0.73%

LAB 67.11, 19.17, -29.8

 

CMYK 14 / 20 / 0 / 10

HEX #C4B8E5

RGB 196 184 229

HSL 256, 0.46%, 0.81%

LAB 77.09, 13.01, -20.92

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 0 / 40 / 18 / 19

HEX #CE7CA8

RGB 206 124 168

HSL 327.8, 0.46%, 0.65%

LAB 61.97, 37.78, -9.78

 

CMYK 34 / 0 / 40 / 19

HEX #87CE7C

RGB 135 206 124

HSL 111.95, 0.46%, 0.65%

LAB 76.53, -38.06, 33.9

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 0 / 29 / 40 / 19

HEX #CE927C

RGB 206 146 124

HSL 16.1, 0.46%, 0.65%

LAB 65.85, 19.9, 20.69

 

CMYK 40 / 0 / 29 / 19

HEX #7CCE92

RGB 124 206 146

HSL 136.1, 0.46%, 0.65%

LAB 76.38, -37.85, 22.18

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 0 / 40 / 18 / 19

HEX #CE7CA8

RGB 206 124 168

HSL 327.8, 0.46%, 0.65%

LAB 61.97, 37.78, -9.78

 

CMYK 11 / 0 / 40 / 19

HEX #B8CE7C

RGB 184 206 124

HSL 76.1, 0.46%, 0.65%

LAB 79.49, -20.54, 38.31

 

CMYK 40 / 0 / 21 / 19

HEX #7CCEA3

RGB 124 206 163

HSL 148.54, 0.46%, 0.65%

LAB 76.72, -34.6, 13.64

 

CMYK 29 / 40 / 0 / 19

HEX #927CCE

RGB 146 124 206

HSL 256.1, 0.46%, 0.65%

LAB 57.06, 26.29, -39.47

 

CMYK 0 / 40 / 31 / 19

HEX #CE7C8F

RGB 206 124 143

HSL 346.1, 0.46%, 0.65%

LAB 61.24, 34.19, 3.46

 

CMYK 11 / 0 / 40 / 19

HEX #B8CE7C

RGB 184 206 124

HSL 76.1, 0.46%, 0.65%

LAB 79.49, -20.54, 38.31

 

CMYK 40 / 0 / 9 / 19

HEX #7CCEBB

RGB 124 206 187

HSL 166.1, 0.46%, 0.65%

LAB 77.29, -29.45, 1.58

 

Description

Color code: HEX #927CCE | qconv.com Color code: HEX #927CCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 124 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 124 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 40 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 40% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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